<fontfamily><param>Arial Narrow</param>I second Michelle.


Particularly when she writes: 

</fontfamily>Computer representations can also justify the

<excerpt>perpetuation of physical but certainly not necessary or
natural conditions

by mirroring material circumstances. I believe that such spatial

vernaculars are having a significant effect on our cultural
situations. <fontfamily><param>Arial Narrow</param>

</fontfamily></excerpt><fontfamily><param>Arial Narrow</param>

I'm currently working on an essay about this topic, so I'll quote a
brief couple of paragraphs that outline my argument:  (Please don't
quote without my permission and proper citational credit):


		In its current state, the internet may be understood as a dynamic,
shifting network of computers and other electronic signal receptors
transmitting and/or receiving bits of digital information. Popular
conceptions of the Internet, however, depict this exchange of
information as delimiting virtual space. Privileging certain
conceptions of cyberspace over others is not a 'disinterested'
aesthetic strategy; the envisioning of space, like all forms of
rhetoric, inscribes particular relations of power (Foucault, 1979;
Soja, 1989; Davis, 1992). In this brief essay, I argue that current
procedures for identifying the location of electronic data, Uniform
Resource Locators in particular, situate the internet and the World
Wide Web (www) as geographically based systems with corresponding
geopolitical reference points in the physical world. Rather than
recognizing the networks formed through on-line data exchange, the
prevailing archeology of the I\internet and World Wide Web ties
individuals, not to mention data, to physical locations. 

	Space is relevant to the internet when considering that vast
sequences of binary code are physically stored on hard drives and
other containers. It is the transfer of information, however, that
fundamentally characterizes the internet; connections between
computers are initiated. Code is exchanged. Data summoned. These
connections are rarely direct or one-to-one; a request for data by a
user at a computer will initiate responses from an unpredictable
number of other computers and information exchange portals in order to
complete a process as simple as viewing a text document or a personal
home page. Janet Abatte relates the reliance of the internet on packet
switching; "Since the nodes in a message switching system act
independently in processing the messages and there are no preset
routes between nodes, the nodes can adapt to changing conditions by
picking the route that is best at any moment" (Abatte 1999, 13). In
fact, “best” routes are often miscalculated based on previous paths of
exchange, so predictions based on efficiency or availability cannot
chart actual data transmission. The internet's "shape" is thus
permanently in flux and illogical. It performs movement without
encapsulation, without borders, and with neither concrete interiors
nor exteriors.

	So why continue to think about the internet as space? Journalist
accounts, versions of computer-mediated communication in popular
culture, and foundational tracts by new media theorists such as
Michael Benedikt and Howard Rheingold. Each employs architectural and
territorial metaphors (Benedikt 1993) (Rheingold 1993). In
<underline>Cyberspace, Some Proposals</underline>, Michael Benedikt
compiles a series of essays that endorse the spatiality of electronic
exchanges. Benedikt's own contribution envisions connectivity as
another form of architecture, providing complex graphs and metaphors
about movement in space and fields. In the same collection, Marcos
Novak defines cyberspace in this same collection as "a completely
spatialized visualization of all information in global information
processing systems" (Novak 1993, 225-254). Still considered a
visionary, Howard Rheingold refers to the internet as a frontier. As
the title of Howard Rheingold's influential 1993 and recently reissued
text <underline>The Virtual Community: <bold>Homesteading</bold> on
the <bold>Electronic</bold> <bold>Frontier</bold></underline>
[emphasis mine] suggests, Rheingold redeployed America's sense of
entitlement and masculinist spirit of conquest that was outlined in
manifest destiny and redeployed by NASA to garner popular support for
the space program, a rational that had correspondingly fueled
exploration, domination and colonial exploitation by European nations.
These images of colonization rescript territorial incursion as an
invasion at the expense of whom/whatever pre-existed. These spatial
metaphors translate into social subjugation. 


	Much has been made of the affects of mapping on subjugation in terms
of the colonial project. Neil Smith and Cindi Katz report: “In so far
as mapping involves exploration, selection, definition, generalization
and translation of data, it assumes a range of social cum
representational powers, . . .the power to map can be closely entwined
with the power of conquest and social control” (Smith and Katz, 70).
In addition, Anne McClintock's account of the genealogies of
imperialism reveals the historical precedence and will to dominate
inherent in the project of mapping (McClintock 1995, 23). She writes:
"The map is a technology of knowledge that professes to capture the
truth about a place in pure, scientific form, operating under the
guise of scientific exactitude and promising to retrieve and reproduce
nature exactly as it is. As such, it is also a technology of
possession, promising that those with the capacity to make such
perfect representations must also have the right of territorial
control" (27-8). 

</fontfamily>

best wishes,

jillana

Jillana Enteen

jillana@jillana.net

http://jillana.net


On Feb 3, 2004, at 12:25 PM, Michele White wrote:


<excerpt>Dear Colleagues,


I am resistant to the continued use of the term "space" and spatial

metaphors when writing about the Internet and related technologies. In

fact, part of my ongoing research practice is to address this issue. I

believe that the employment of such terms as "space" and "cyberspace"
in

popular and academic writings about the computer and Internet
technologies

makes it seem like representations are a kind of material environment.

This writing repeats and even enhances design strategies that describe

synchronous settings as "rooms," Internet maps that produce unnecessary

and fictive geographies, and programming that makes users' progression

through sites seem like bodily movement. Such visceral renderings

discourage critical interventions into Internet representations because

sites seem tangible. The conflation of space-producing discourses with

user investment in particular sites and identities threatens to make

stereotypes "real." The represented bodies of Internet settings are

"fleshed out" because there seems to be an environment that can support

varied bodily processes. Computer representations can also justify the

perpetuation of physical but certainly not necessary or natural
conditions

by mirroring material circumstances. I believe that such spatial

vernaculars are having a significant effect on our cultural
situations. I

also continue to ponder other ways that we can write about and
experience

technologies. I would be interested in continuing such a dialog.


All my best,

Michele



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</excerpt>Jillana Enteen

jillana@jillana.net

http://jillana.net

