Fwd: Digital Utopia? Digital Dystopia: Rendering the Artistic Object UC Graduate Conference
X-Sieve: cmu-sieve 2.0 From: "Robert Hamm" <rbh1@umail.ucsb.edu> To: <rbh1@umail.ucsb.edu> Subject: Digital Utopia? Digital Dystopia: Rendering the Artistic Object UC Graduate Conference Date: Fri, 10 Aug 2001 14:31:15 -0700 X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Importance: Normal
Dear UC chairs and MSO's:
Please forward this message to all the current graduate students in your humanities or social science program. In an effort to save trees and paper, we are only doing this call for papers by electronic means. Therefore, this email call is your student's only chance to participate in this conference, funded in part by the Office of the President, through the Digital Cultures Project Multi Campus Research Group.
William B. Warner Professor of English Director, The Digital Cultures Project http://dc-mrg.english.ucsb.edu/ Department of English University of California/ Santa Barbara Santa Barbara, CA 93106 Home phone: 805-569-5636 Home fax: 805-569-5436
Dear UC Graduate Students:
We invite you to submit a proposal for the following conference:
Digital Utopia? Digital Dystopia: Rendering the Artistic Object
02.01.02 - 02.02.02 The conference will be held at UCLA's Royce Hall in Los Angeles, CA.
Deadline for the submission of proposals is October 15, 2001.
This conference aims to examine a variety of aesthetic, political, and pragmatic effects of digital technology on the status of the artistic object. We welcome and encourage interdisciplinary and unorthodox approaches.
We are considering proposals by graduate students for 20-minute workshop presentations expanding on any of the following areas:
Production: Impact of digital technologies on questions of medium. Reception: Theorizing notions of interactivity and audience. Politics: Questions of communities, access, and the rhetoric of revolution. Language: Developing a language of aesthetics specific to digital media.
Sessions are scheduled in 2-hour slots, with a suggested maximum of four presentations from varied disciplines per session. Each workshop will be facilitated by a plenary speaker from the first day: Katherine Hayles, UC Los Angeles; Steve Kurtz, Carnegie Mellon; and Lev Manovich, UC San Diego.
Submission format: We encourage electronic submissions. Please submit a one-page proposal or abstract and a current résumé to Amy Pederson (pederson@humnet.ucla.edu) by September 30, 2001. Alternatively, mail your proposal to: Digital Cultures Graduate Conference Department of Art History UC Los Angeles Box 951417 Los Angeles, CA 90095-1417
You can find out more about the this conference by going to the Digital Cultures Project website devoted to this conference: http://dc-mrg.english.ucsb.edu/gradconf.html
Please note: all submissions for the conference should be sent not to me or Robert Hamm but to Amy Pederson: pederson@humnet.ucla.edu
Yours, William B. Warner Director, The Digital Cultures Project
participants (1)
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Wendy Robinson