[Fwd: FW: Call for Papers: Pirates and Piracy]
I thought something here might be of interest to Iskander? Paula -----Original Message----- From: Aspects of academic research & teaching within Media on behalf of Sanjay Sharma Sent: Wed 3/4/2009 8:27 PM To: MECCSA@JISCMAIL.AC.UK Subject: Call for Papers: Pirates and Piracy darkmatter Journal - http://www.darkmatter101.org/ Special Issue - Call for Papers: Pirates and Piracy Once consigned to the romance of film and literature, the figure of the pirate has a renewed cultural presence. From solicitous debates around intellectual property to the recent maritime hijackings off the Horn of Africa, piracy looms large in the twenty-first century. This special issue of darkmatter seeks to engage critically with the politics of piracy. As in the 17th and 18th centuries, piracy today is an activity that often takes place at the so-called periphery of metropolitan capitalism. Piracy challenges the primitive accumulation and wage labour discipline of capitalism at large, while recapitulating and amplifying its violence. This special issue is interested in work that explores how and why modern piracy emerges against the backdrop of neo/colonial relations of production. Possible topics might include: * Piracy as the expression/outside of global capitalism; * Piracy and inter/transnational law, property rights and human rights; * Piracy and the War on Terror; * Media piracy and the geopolitics of the culture industry; * The pirate as a celebrated and reviled figure of rebellion and neo/colonial resistance; * Outlaws, pirates and poachers in media studies, cultural studies and philosophy; * Freebooters, pirates and buccaneers, and their place in capitalist and neo/colonial relations of production; * The cultural politics of race, digital reproduction and p2p file-sharing technologies; * Racialized representations and performativity of the pirate and piracy in film, animation, art and literature * The pirate as a figure of trangressive dis/ability. Articles between 1,500 - 8,000 words are welcome, as are alternative format submissions such as commentaries, reviews, audio, visual and digital contributions. Please submit an 300 - 500 word abstract if you are interested. For darkmatter's editorial policy and online submission information: http://www.darkmatter101.org/site/submission/ For further inquiries about the 'Pirates and Piracy' special issue, email Andrew Opitz (Guest Editor): opit0010@umn.edu Deadline for Abstracts: 1 May 2009 Deadline for Articles: 1 Sept 2009 Publication date: Nov 2009
Thanks so much Paula. This is a really nice coincidence. I'll surely try to submit my research for this issue. izul On Mon, Mar 9, 2009 at 1:13 PM, pmgazz <pmgazz@gmx.co.uk> wrote:
I thought something here might be of interest to Iskander?
Paula
-----Original Message----- From: Aspects of academic research & teaching within Media on behalf of Sanjay Sharma Sent: Wed 3/4/2009 8:27 PM To: MECCSA@JISCMAIL.AC.UK Subject: Call for Papers: Pirates and Piracy
darkmatter Journal - http://www.darkmatter101.org/
Special Issue - Call for Papers: Pirates and Piracy
Once consigned to the romance of film and literature, the figure of the pirate has a renewed cultural presence. From solicitous debates around intellectual property to the recent maritime hijackings off the Horn of Africa, piracy looms large in the twenty-first century. This special issue of darkmatter seeks to engage critically with the politics of piracy. As in the 17th and 18th centuries, piracy today is an activity that often takes place at the so-called periphery of metropolitan capitalism. Piracy challenges the primitive accumulation and wage labour discipline of capitalism at large, while recapitulating and amplifying its violence. This special issue is interested in work that explores how and why modern piracy emerges against the backdrop of neo/colonial relations of production.
Possible topics might include:
* Piracy as the expression/outside of global capitalism; * Piracy and inter/transnational law, property rights and human rights; * Piracy and the War on Terror; * Media piracy and the geopolitics of the culture industry; * The pirate as a celebrated and reviled figure of rebellion and neo/colonial resistance; * Outlaws, pirates and poachers in media studies, cultural studies and philosophy; * Freebooters, pirates and buccaneers, and their place in capitalist and neo/colonial relations of production; * The cultural politics of race, digital reproduction and p2p file-sharing technologies; * Racialized representations and performativity of the pirate and piracy in film, animation, art and literature * The pirate as a figure of trangressive dis/ability.
Articles between 1,500 - 8,000 words are welcome, as are alternative format submissions such as commentaries, reviews, audio, visual and digital contributions. Please submit an 300 - 500 word abstract if you are interested.
For darkmatter's editorial policy and online submission information: http://www.darkmatter101.org/site/submission/ For further inquiries about the 'Pirates and Piracy' special issue, email Andrew Opitz (Guest Editor): opit0010@umn.edu
Deadline for Abstracts: 1 May 2009 Deadline for Articles: 1 Sept 2009 Publication date: Nov 2009
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Perhaps of interest as well -- I've not read through it yet myself, as it just came out today: Film Piracy, Organized Crime, and Terrorism http://www.rand.org/pubs/monographs/2009/RAND_MG742.pdf From the abstract: "This report presents the findings of research into the involvement of organized crime and terrorist groups in counterfeiting a wide range of products, from watches to automobile parts, from pharmaceuticals to computer software. It presents detailed case studies from around the globe in one area of counterfeiting, film piracy, to illustrate the broader problem of criminal—and perhaps terrorist—groups finding a new and not-much-discussed way of funding their nefarious activities. Although there is less evidence of involvement by terrorists, piracy is high in payoff and low in risk for both groups, often taking place under the radar of law enforcement. The study was made possible by a grant from the Motion Picture Association (MPA). However, the views expressed herein are those of the authors and do not necessarily reflect the opinions of the MPA. To be sure, the MPA, like other industries afflicted by counterfeiting, has powerful interests in the assessments presented in this report. Those evident stakes required that the authors be especially careful in exam- ining evidence and framing conclusions. The research was conducted and the findings validated independently under the joint auspices of the Center for Global Risk and Security, part of the RAND Corpora- tion’s National Security Research Division, and the Safety and Justice Program in RAND Infrastructure, Safety, and Environment. " -rick Disclosure: I despise the **AA and their controversial practicies, policies, and beliefs for many reasons.
participants (3)
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iskandar zulkarnain -
pmgazz -
Richard Forno