Invitation to attend (online): Talk by Chris Salter (ZHdK): “Sensing Immersion: Video passthrough, bodily technologies and sense coupling in co-extensive reality” (19 May, 4-6 pm CEST)
Dear colleagues, Please feel welcome to attend the following talk (online): Talk by Chris Salter (ZHdK): “Sensing Immersion: Video passthrough, bodily technologies and sense coupling in co-extensive reality”<https://www.mediacoop.uni-siegen.de/en/events/talk_-by_chris_salter_en/> Date: Tuesday, 19 May 2026, 4-6 pm CEST Location: University of Siegen, CRC Media of Cooperation, Herrengarten 3, AH-A 217/18 Online: Webex (link is sent upon registration) Please register here: https://my.liberaforms.org/talk-registration-sensing-immersion The introduction of worn mixed reality devices such as the Meta Quest 2 or the Apple Vision Pro marks an important shift towards re-centering virtual experience back onto the human body as a mediator between self, others and the world. Yet, as optical sensing technologies and their associated algorithms transform virtual reality headsets into camera-based sensing systems that “passthrough” the outside world to the wearer using live video technology, wearers increasingly must navigate two spaces simultaneously: a computationally shaped and at the same time, still phenomenally experienced physical world. This is in marked contrast to virtual reality, which has historically ignored the physical world together with the complex ways in which human bodies make sense of its affordances for perception. Taking up Saker and Frith’s description of co-extensive space (2022), we argue that we can only perceptually grasp such mediated experience through what is called “sense making” – in which an entanglement between human and machine sensing is seen as essential for understanding joint forms of meaning making. Such “participatory sense making” as a tight sensory coupling between human and machine sensing is in marked contrast to suggesting that machine sensing is either wholly responsible for world making on the one side (data extraction) or, privileging the human or biological as the unique site of sensory cognition, on the other. Chris Salter is Professor for Immersive Arts and Director of the Immersive Arts Space at the Zurich University of the Arts (ZHdK). He is also Professor Emeritus, Design and Computation Arts at Concordia University in Montreal and former Co-Director of the Hexagram network for research-creation in arts, cultures and technology and Co-Founder of the Milieux Institute at Concordia. He studied philosophy and economics at Emory University and completed his PhD in theatre studies with research in computer music at Stanford University. His artistic work has been seen all over the world at such venues as the Venice Architecture Biennale, Barbican Centre, Berliner Festspiele, Wiener Festwochen, Grand Palais Immersif, MEET Center, ZKM, Kunstfest Weimar, Musée d’art Contemporain, Muffathalle, EXIT Festival and Vitra Design Museum, among many others. He is the author of three monographs, all published by the MIT Press: Entangled: Technology and the Transformation of Performance (2010), Alien Agency: Experimental Encounters with Art in the Making (2015) and Sensing Machines (2022). Best wishes Daniela van Geenen | PhD Candidate | Project A03 “Navigation in Online/Offline Spaces” | CRC Media of Cooperation, University of Siegen Special issue “Critical Technical Practice(s) in Digital Research” (Convergence): https://journals.sagepub.com/toc/cona/30/1 Geenen, D. van, Es, K. van, & Gray, J. W. (2023). Pluralising critical technical practice. Convergence. Special Issue “Critical Technical Practice(s) in Digital Research”, 13548565231192105. https://doi.org/10.1177/13548565231192105 Chao, J., Geenen, D. van, Gerlitz, C., & Vlist, F. N. van der (2024). Digital methods for sensory media research: Toolmaking as a critical technical practice. Convergence. Special Issue “Critical Technical Practice(s) in Digital Research”, 30(1), 236–263. https://doi.org/10.1177/13548565241226791 Burkhardt, M., Geenen, D. van, Gerlitz, C., Hind, S., Kaerlein, T., Lämmerhirt, D., & Volmar, A. (Eds.). (2022). Interrogating Datafication: Towards a Praxeology of Data. transcript. https://www.transcript-verlag.de/978-3-8376-5561-2/interrogating-dataficatio... Geenen, D. van, & Kaerlein, T. (2022). Modalitäten von Kritik in Praktiken des Urban Sensing. In A. Beinsteiner, N. Grünberger, T. Hug, & S. Kapelari (Hg.) (Eds.), Ökologische Krisen und Ökologien der Kritik (pp. 89–108). innsbruck university press. https://www.uibk.ac.at/iup/buch_pdfs/oekologische-krisen_mwb/10.15203-99106-... See also: https://orcid.org/0000-0002-1346-3253
In this respect, I always think of the bit in Steinbeck's 'Log from the Sea Of Cortez' (written at the height of WW2), where he analogizes Panzer drivers to hermit crabs. Joly On Wed, May 6, 2026 at 12:15 PM van Geenen, Daniela via Air-L < air-l@listserv.aoir.org> wrote:
Dear colleagues,
Please feel welcome to attend the following talk (online):
*Talk by Chris Salter (ZHdK): “Sensing Immersion: Video passthrough, bodily technologies and sense coupling in co-extensive reality” <https://www.mediacoop.uni-siegen.de/en/events/talk_-by_chris_salter_en/>*
Date: Tuesday, 19 May 2026, 4-6 pm CEST
Location: University of Siegen, CRC Media of Cooperation, Herrengarten 3, AH-A 217/18
Online: Webex (link is sent upon registration)
Please register here: https://my.liberaforms.org/talk-registration-sensing-immersion
The introduction of worn mixed reality devices such as the Meta Quest 2 or the Apple Vision Pro marks an important shift towards re-centering virtual experience back onto the human body as a mediator between self, others and the world. Yet, as optical sensing technologies and their associated algorithms transform virtual reality headsets into camera-based sensing systems that “passthrough” the outside world to the wearer using live video technology, wearers increasingly must navigate two spaces simultaneously: a computationally shaped and at the same time, still phenomenally experienced physical world. This is in marked contrast to virtual reality, which has historically ignored the physical world together with the complex ways in which human bodies make sense of its affordances for perception. Taking up Saker and Frith’s description of co-extensive space (2022), we argue that we can only perceptually grasp such mediated experience through what is called “sense making” – in which an entanglement between human and machine sensing is seen as essential for understanding joint forms of meaning making. Such “participatory sense making” as a tight sensory coupling between human and machine sensing is in marked contrast to suggesting that machine sensing is either wholly responsible for world making on the one side (data extraction) or, privileging the human or biological as the unique site of sensory cognition, on the other.
*Chris Salter* is Professor for Immersive Arts and Director of the Immersive Arts Space at the Zurich University of the Arts (ZHdK). He is also Professor Emeritus, Design and Computation Arts at Concordia University in Montreal and former Co-Director of the Hexagram network for research-creation in arts, cultures and technology and Co-Founder of the Milieux Institute at Concordia. He studied philosophy and economics at Emory University and completed his PhD in theatre studies with research in computer music at Stanford University. His artistic work has been seen all over the world at such venues as the Venice Architecture Biennale, Barbican Centre, Berliner Festspiele, Wiener Festwochen, Grand Palais Immersif, MEET Center, ZKM, Kunstfest Weimar, Musée d’art Contemporain, Muffathalle, EXIT Festival and Vitra Design Museum, among many others. He is the author of three monographs, all published by the MIT Press: *Entangled: Technology and the Transformation of Performance* (2010), *Alien Agency: Experimental Encounters with Art in the Making* (2015) and *Sensing Machines* (2022).
Best wishes
*Daniela van Geenen | PhD Candidate | Project A03 “Navigation in Online/Offline Spaces” | * *CRC Media of Cooperation, University of Siegen *
*Special issue **“Critical Technical Practice(s) in Digital Research” (Convergence): **https://journals.sagepub.com/toc/cona/30/1 <https://journals.sagepub.com/toc/cona/30/1> *
Geenen, D. van, Es, K. van, & Gray, J. W. (2023). *Pluralising critical technical practice*. *Convergence. Special Issue “Critical Technical Practice(s) in Digital Research”*, 13548565231192105. https://doi.org/10.1177/13548565231192105
Chao, J., Geenen, D. van, Gerlitz, C., & Vlist, F. N. van der (2024). *Digital methods for sensory media research: Toolmaking as a critical technical practice*. *Convergence. Special Issue “Critical Technical Practice(s) in Digital Research”*, 30(1), 236–263. https://doi.org/10.1177/13548565241226791
Burkhardt, M., Geenen, D. van, Gerlitz, C., Hind, S., Kaerlein, T., Lämmerhirt, D., & Volmar, A. (Eds.). (2022). *Interrogating Datafication: Towards a Praxeology of Data.* transcript. https://www.transcript-verlag.de/978-3-8376-5561-2/interrogating-dataficatio...
Geenen, D. van, & Kaerlein, T. (2022). *Modalitäten von Kritik in Praktiken des Urban Sensing*. In A. Beinsteiner, N. Grünberger, T. Hug, & S. Kapelari (Hg.) (Eds.), *Ökologische Krisen und Ökologien der Kritik* (pp. 89–108). innsbruck university press. https://www.uibk.ac.at/iup/buch_pdfs/oekologische-krisen_mwb/10.15203-99106-...
See also: https://orcid.org/0000-0002-1346-3253
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-- -------------------------------------- Joly MacFie +12185659365 -------------------------------------- -
participants (2)
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Joly MacFie -
van Geenen, Daniela