Dear All, We are pleased to announce that our journal Global Media and China has just published its latest issue (Volume 7, Issue 2, June 2022). And also we sincerely welcome your contribution to our journals. If you are interested and have the time, it is a great honour for us to receive your submission. Here is the submission portal: https://mc.manuscriptcentral.com/gmac <https://mc.manuscriptcentral.com/gmac>. For more information about Global Media and China, please go to gch.sagepub.com <http://gch.sagepub.com/>, you can also find detailed submission guidelines there. You can freely read this new issue at: https://journals.sagepub.com/toc/GCH/current <https://journals.sagepub.com/toc/GCH/current> (Follow us at: https://twitter.com/GCHjournal <https://twitter.com/GCHjournal>; https://www.facebook.com/Global-Media-and-China-110136464998539/ <https://www.facebook.com/Global-Media-and-China-110136464998539/>) Original Articles The politics of platform power in surveillance capitalism: A comparative case study of ride-hailing platforms in China and the United States Ngai Keung Chan and Chi Kwok https://doi.org/10.1177/20594364211046769 <https://doi.org/10.1177%2F20594364211046769> Delegitimising Data Subjects’ Economic Interests During Automatic Propertisation of Their Data: A Comparative Study of Data Protection on Social Media Platforms in the UK and China Janet Hui Xue https://doi.org/10.1177/20594364211060874 <https://doi.org/10.1177%2F20594364211060874> Online Fiction Writers, Labor, and Cultural Economy Wei He, Lei Lin and Anthony Fung https://doi.org/10.1177/20594364221105643 <https://doi.org/10.1177%2F20594364221105643> The invention of Chinese “media tradition”: Mediatization of festival tradition and family cultural reproduction in contemporary China Zhuoxiao Xie https://doi.org/10.1177/20594364221090711 <https://doi.org/10.1177%2F20594364221090711> Contested fandom and nationalism: How K-Pop fans perform political consumerism in China Eureka Shiqi Wang https://doi.org/10.1177/20594364221093768 <https://doi.org/10.1177%2F20594364221093768> Influenced or to be influenced: Engaging social media influencers in nation branding through the lens of authenticity Xiufang (Leah) Li and Juan Feng https://doi.org/10.1177/20594364221094668 <https://doi.org/10.1177%2F20594364221094668> Book Reviews Man-Fung Yip, Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation Hong Yu Liu https://doi.org/10.1177/20594364221081323 <https://doi.org/10.1177%2F20594364221081323> Zhang Lun, Wang Chengjun and Xu Xiaoke, 计算传播学导论 (Jisuan Chuanboxue Daolun) Dani Fadillah, Luo Zhenglin and Bai Long https://doi.org/10.1177/20594364221081327 <https://doi.org/10.1177%2F20594364221081327> David Craig, Jian Lin, and Stuart Cunningham, Wanghong as Social Media Entertainment in China Laura Vermeeren https://doi.org/10.1177/20594364221089987 <https://doi.org/10.1177%2F20594364221089987> Dr HAN Xiao Research Associate, State Key Lab of Media Convergence and Communication, Communication University of China (CUC) Commissioning Editor, Global Media and China http://journals.sagepub.com/home/gch <http://gch.sagepub.com/>