Hi The earliest 'medium-panic' that I can note is in a Socratic dialogue called the Phaedeus - a lament of the loss of dialogue between writer/author once ideas are codified and 'fixed' on a page that can be disseminated and appear in a context-less space without the benefit of directly interrogating the originator of a thought. Socrates hated writing and we know this because his most well known student, Plato, wrote all of his tirades down. Neal Postman has a chapter in 'Amusing Ourselves To Death' that replicated this lament made by the Dunkers - an oral Christian religion - about their loss of identity when forced to write down their beliefs in order to be recognized. Harold Innis (1954, 1998) in the 'Bias of Communication' describes it as an unseating of monopolies of knowledge creation/control as each new medium is introduced and necessarily consumes the dominating medium that came before. Hope this helps Ravi --------------------------- Ravindra N. Mohabeer, PhD Media Studies Vancouver Island University
Hullo AoIRists,
I recently looked more closely at the Marlon Brando movie, "The Wild One" (1953) (the source of a long-favored response to the question, "What are you rebelling against?" (Brando) "What-a-ya got?")
About 20 minutes into the film there is, by my lights, a rather remarkable exchange between the (remarkably well-behaved) bikers and the ancient bar-keeper Jimmy. They are asking "what do you hicks do around here?", and in the course of his response, Jimmy makes a couple of interesting media pronouncements: == Jimmy: I mind my own business. Listen to the radio uh, music that is. News is no good. It excites people.
(biker): Hey Jim what about TV? You like TV?
Jimmy: What?
(biker): That new thing, Jim. Television.
Jimmy: Oh, pictures. No, no pictures. Everything these days is pictures. Pictures and a lot of noise. Nobody even knows how to talk. They just grunt at each other. ==
This seems a striking expression - somewhat ironic as it appears within a film as another "picture" medium - of a kind of "medium panic" (my term, I think), i.e., in parallel with "moral panic," but in this case the fear that a new medium will totally displace older ones, including speech itself.
(Parallels with some contemporary critiques and concerns about more recent media are also nicely obvious.)
At the risk of revealing (yet once again) my vast ignorance - if only as a historical curiosity - though perhaps now nicely illustrated in this little example - does anyone have an idea, suggestion, vague hunch, etc. - A) where might this "medium panic" have derived from, reflected in the larger culture, etc. Especially vis-a-vis B) any prevailing theories or views on communication and media at the time of the film that would have either supported or critique Jimmy's concern about picture media?
Many thanks in advance, - charles ess
Professor in Media Studies Department of Media and Communication
Director, Centre for Research on Media Innovations <http://www.hf.uio.no/imk/english/research/center/media-innovations/>
University of Oslo P.O. Box 1093 Blindern NO-0317 Oslo Norway email: charles.ess@media.uio.no (mailto:charles.ess@media.uio.no)
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--------------------------- Ravindra N. Mohabeer On 2013-08-25, at 1:04 AM, Charles Ess <charles.ess@gmail.com> wrote:
Hullo AoIRists,
I recently looked more closely at the Marlon Brando movie, "The Wild One" (1953) (the source of a long-favored response to the question, "What are you rebelling against?" (Brando) "What-a-ya got?")
About 20 minutes into the film there is, by my lights, a rather remarkable exchange between the (remarkably well-behaved) bikers and the ancient bar-keeper Jimmy. They are asking "what do you hicks do around here?", and in the course of his response, Jimmy makes a couple of interesting media pronouncements: == Jimmy: I mind my own business. Listen to the radio uh, music that is. News is no good. It excites people.
(biker): Hey Jim what about TV? You like TV?
Jimmy: What?
(biker): That new thing, Jim. Television.
Jimmy: Oh, pictures. No, no pictures. Everything these days is pictures. Pictures and a lot of noise. Nobody even knows how to talk. They just grunt at each other. ==
This seems a striking expression - somewhat ironic as it appears within a film as another "picture" medium - of a kind of "medium panic" (my term, I think), i.e., in parallel with "moral panic," but in this case the fear that a new medium will totally displace older ones, including speech itself.
(Parallels with some contemporary critiques and concerns about more recent media are also nicely obvious.)
At the risk of revealing (yet once again) my vast ignorance - if only as a historical curiosity - though perhaps now nicely illustrated in this little example - does anyone have an idea, suggestion, vague hunch, etc. - A) where might this "medium panic" have derived from, reflected in the larger culture, etc. Especially vis-a-vis B) any prevailing theories or views on communication and media at the time of the film that would have either supported or critique Jimmy's concern about picture media?
Many thanks in advance, - charles ess
Professor in Media Studies Department of Media and Communication
Director, Centre for Research on Media Innovations <http://www.hf.uio.no/imk/english/research/center/media-innovations/>
University of Oslo P.O. Box 1093 Blindern NO-0317 Oslo Norway email: charles.ess@media.uio.no
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Join the Association of Internet Researchers: http://www.aoir.org/