CALL FOR PAPERS: CONTROVERSIAL IMAGES For a special issue of Popular Communication: International Journal of Media and Culture, 2009, edited by Sharon Lockyer and Feona Attwood. Controversial images are increasingly central to media which are concerned with scandal, titillation and horror, and in a culture where images and image making is so important. Controversial images circulate in a wide range of different media forms from films, TV programmes, newspapers, and advertisements, to internet sites, video games, and music videos. In recent years there have been a number of instances where controversial images have become the primary focus of public fascination and debate. These include the paparazzi shots of Princess Diana's fatal accident, images from Abu Ghraib, the Jyllands-Posten Muhammad cartoons and footage of the execution of Saddam Hussein. More generally, images of sex, scandal, destruction and abuse function as the emblem for some of the major social and cultural concerns of our times. This special issue seeks to address the significance of controversial Images and their subsequent public debates, and reflect on what they can tell us about the production, content and reception processes of contemporary media. Proposals are welcomed on, but not limited to, the following topics and areas: Shock sites Extreme porn Religious controversies Atrocity images War reporting Body horror Invasion of privacy issues Media representation of sensitive subjects Censorship and regulation Proposals with an international focus are particularly welcome, as are those which focus on controversial images in various different countries. Proposals of 200-250 words, accompanied by a biographical note of 100 words should be sent by Tuesday 31st July 2007 to Feona Attwood, f.attwood@shu.ac.uk. The deadline for submission of drafts will be March 2008 and June 2008 for finished drafts. Popular Communication: International Journal of Media and Culture The journal provides a forum for the scholarly investigation, analysis, and dialogue on communication symbols, forms, phenomena, and strategic systems of symbols within the context of contemporary popular culture across the globe. Popular Communication publishes articles on all aspects of popular communication, examining different media such as television, film, new media, print media, radio, music, and dance; the study of texts, events, artifacts, spectacles, audiences, technologies, and industries; and phenomena and practices, including, but not limited to, fan, youth and subcultures, questions of representation, digitalization, cultural globalization, spectator sports, sexuality, advertising, and consumer culture. The journal welcomes diverse theoretical and methodological perspectives within the tradition of media, communication, and cultural studies as well as interdisciplinary research in and across related disciplines. Editors: Cornel Sandvoss (University of Surrey, UNITED KINGDOM) C. Lee Harrington (Miami University, USA) Jonathan Gray (Fordham University, USA)