Dear all, *Global Media and China: Call for Book Reviewers * (Follow us at: https://twitter.com/GCHjournal; https://www.facebook.com/Global-Media-and-China-110136464998539/) Global Media and China (GMAC) welcomes the opportunity to publish reviews of books If the book is considered a particularly significant contribution to communication and media studies in China and beyond within the broad communication field. We are therefore inviting scholars to propose books that they wish to review. Book reviews can be solicited by the editor or offered unsolicited by prospective reviewers. Calls for book reviews related to a specific theme issue will appear on this site from time to time. General reviews are welcome at all times. Reviews should give an account of the book’s aims and remit and, more importantly, critically evaluate its contribution to theories, policy and practice. Reviews should avoid promoting the book. Commonly, they should be between 1000 and 1500 words and documented in APA style, with the following elements in the following order: title page, text, and reviewer's details. Further guidelines can be found at: https://journals.sagepub.com/author-instructions/GCH. Potential book reviewers should send their CVs to the book review editor, Jie Gu, PhD, at jie.gu@cuc.edu.cn in the first instance. The proposal should outline the book's title and the general significance of the study relevant to the journal's scope. After approval of the proposal, authors will be invited to submit their review via the journal’s Scholar One submission site <https://mc.manuscriptcentral.com/rrep?utm_source=CPB&utm_medium=cms&utm_campaign=JOC08726>. All submissions will be subject to editorial review for integrity, clarity, and general coherency. *Book List* 1. Power and Perspective: Early Photography in China. (2022). United Kingdom: Yale University Press. 2. Kaye, D. B. V., Zeng, J., Wikstrom, P. (2022). TikTok: Creativity and Culture in Short Video. United Kingdom: Wiley. 3. Zeng, Y. (2022). Reporting China on the Rise: Habitus and Prisms of China Correspondents. United Kingdom: Taylor & Francis Limited. 4. Dai, J., Zeng, F. (2021). Environmental Risk Communication in China: Actors, Issues, and Governance. United States: Taylor & Francis. 5. Made in Hong Kong: Studies in Popular Music. (2020). United States: Taylor & Francis. 6. McGrath, J. (2023). Chinese Film: Realism and Convention from the Silent Era to the Digital Age. United States: University of Minnesota Press. 7. Berry, M. (2022). Jia Zhangke on Jia Zhangke. United Kingdom: Duke University Press. 8. Maeda, D. J. (2022). Like Water: A Cultural History of Bruce Lee. United States: NYU Press. 9. Hui, C. (2021). The Art of Useless: Fashion, Media, and Consumer Culture in Contemporary China. United States: Columbia University Press. 10. Yang, G. (2022). The Wuhan Lockdown. United States: Columbia University Press. 11. Ha, G. (2022). The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China. United States: Columbia University Press. 12. Xue, A., Rose, K. (2022). Weibo Feminism: Expression, Activism, and Social Media in China. United Kingdom: Bloomsbury Publishing. 13. Sound Communities in the Asia Pacific: Music, Media, and Technology. (2022). United Kingdom: Bloomsbury Academic. 14. Lin, L. (2022). Convergent Chinese Television Industries: An Ethnography of Chinese Production Cultures. Switzerland: Springer International Publishing. 15. Xu, X. (2022). Online News-Prompted Public Spheres in China. (n.p.): Springer International Publishing. 16. Miao, H. (2022). The Sentimental in Chinese Cinema. Switzerland: Springer International Publishing. 17. Xu, F. (2022). Transformation of Contemporary Film Genre: The Aesthetics of Chinese Mainland Mainstream Cinema. Singapore: Springer Nature Singapore.