I appreciate the suggestions for cyberpunk and Internet culture fiction. These considerations are a vital part of the ways that the Internet has been conceptualized and help students to understand the political issues through other kinds of writings. However, I should note that some of my students find the unfamiliar terminology and narrative difficult to initially grasp. I have used a variety of short stories in my class as well as longer works. My ongoing concern is to include more diversity in the authors and representations we deploy. I am suggesting a few additions and would appreciate hearing more suggestions. All my best, Michele Butler, Octavia. Bloodchild and Other Stories. New York: Davis Publications, 1995. Cadigan, Pat. "Rock On" and "Pretty Boy Crossover," Patterns. New York: Tor Books, 1989: 57-65 and 129-138. Cadigan, Pat, "Icy You . . . Juicy Me," The Register (2001) http://www.theregister.co.uk/content/6/17497.html Delany, Samuel R. Dhalgren. New York: Vintage Books, 2001. The dystopian technoculture, breakdown of text, and shifting narrative relate this novel to cyberpunk even if the computer is not a featured technology. Gomez-Pena, Guillermo. Friendly Cannibals. San Francisco: Artspace Books, 1996. Hopkinson, Nalo, "A Habit of Waste," Women of Other Worlds: Excursions through Science Fiction and Feminism. Hellen Merrick and Tess Williams, eds. Nedlands: University of Western Australia Press, 1999: 261-276. Her "Ganger (Ball Lightning)," might be more in the "cyberculture" category since it considers VR suits, gender bending, and sexuality. Hopkinson, Nalo. "Ganger (Ball Lightning)," Dark Matter: A Century of Speculative Fiction from the African Diaspora, Sheree R. Thomas, ed. New York: Warner Books, 2000. Mixon, Laura. Glass Houses. New York: Tor Books, 1992. Scott, Melissa. Trouble and Her Friends. New York: Tor Books, 1994.