June 2022 - Air-L - lists.aoir.org

Lecturers in New Media & Digital Culture - Univ. Amsterdam
by Richard Rogers 02 Jun '22

02 Jun '22

Hello all, We have multiple lectureships on offer in New Media & Digital Culture, Media Studies, University of Amsterdam, to start in the fall semester. Here is the job advertisement: https://vacatures.uva.nl/UvA/job/4-6-Lecturers-in-New-Media-and-Digital-Cul… <https://vacatures.uva.nl/UvA/job/4-6-Lecturers-in-New-Media-and-Digital-Cul…>. All the best Richard Rogers Prof. Richard Rogers Media Studies University of Amsterdam digitalmethods.net r.a.rogers(a)uva.nl

1 0

Call For Papers [deadline approaching June 15]- HICSS 56 | Human-Centered Digital Privacy Solutions
by Michele A. L. Villagran 02 Jun '22

02 Jun '22

Conference: Hawaii International Conference on System Sciences (HICSS-56) | January 3-6, 2023*Minitrack: Human-centered Digital Privacy Solutions for Digital and Social Media**Track: Digital and Social Media**Submission Deadline: June 15, 2022 (11:59 PM HST)* *Visit https://hicss.hawaii.edu/ <https://hicss.hawaii.edu/> for more details, and https://hicss.hawaii.edu/authors/ <https://hicss.hawaii.edu/authors/> for author submission details.* The burgeoning growth of artificial intelligence (AI) and machine learning (ML) solutions, the ubiquity of social media and digital repositories, and cross-platform data usage have raised the stakes of addressing digital privacy. Semi-structured digital records, like emails, and unstructured text, like social media posts, present a significant threat of privacy breaches. The enormity of data presents an uphill task to identify and mitigate private information on digital and social media platforms. While AI-powered privacy solutions are a welcomed step, it is only recently that researchers have focused on more human-centered and transdisciplinary (Polk, 2015) digital privacy solutions. Privacy protection is a legal and ethical responsibility of both public and private sector organizations, and AI development and deployment should account for the diversity of the target audience, the cultural contexts, and extant biases (Ehsan et al., 2021). Privacy solutions should not only be effective and accurate but also human-centered and accountable (Hepenstal et al., 2019). This minitrack aims to attract submissions on digital privacy solutions that bring different disciplines together, especially computer science, system sciences, information science, social science, and law. The focus of this minitrack is to bridge the gap between algorithmic development (automated decision-making systems, fair, accountable, and transparent systems) and human-centered approaches (usability studies, surveys, user interviews). We encourage submissions that address privacy concerns in digital and social media through inter- and trans-disciplinary approaches, including but not limited to AI and ML. Potential submissions for this minitrack should address (but are not limited to) the following research topics: - quantitative, qualitative, and computational studies on digital (e.g., images, webpages, emails, websites) and social media (e,g., Instagram, Twitter, Reddit, Facebook, TikTok, Weibo) privacy; - qualitative studies using interviews, surveys, and usability studies to identify the privacy behavior of users (when using digital and social media); - quantitative work on digital privacy using statistical analysis; - machine and deep learning approaches to identify, classify, and mitigate sensitive and private information on digital and social media platforms; - novel privacy solutions using explainable AI, transparent ML algorithms, or any interdisciplinary methods. Minitrack Chair and Co-Chairs: Dr. Souvick Ghosh San Jose State University, USA souvick.ghosh(a)sjsu.edu Dr. Darra Hofman San Jose State University, USA darra.hofman(a)sjsu.edu Dr. Aylin Imeri (Ilhan) Heinrich Heine University Düsseldorf, Germany Aylin.ilhan(a)hhu.de Dr. Michele A. L. Villagran San Jose State University, USA michele.villagran(a)sjsu.edu

1 0

WEBCAST JUN 1: IPNSIG Academy Talk 2: Origin and Evolution of Delay and Disruption Tolerant Protocols
by Joly MacFie 01 Jun '22

01 Jun '22

About to start. This time Vint is in the spotlight, giving a DTN overview. REAL TIME TEXT https://bit.ly/3m6xVrm [image: isoc live] <https://isoc.live/15464>On *Wednesday June 1 2022* at *5:00-5:45pm EDT* (21:00-21:45 UTC) the *Interplanetary Networking Special Interest Group <https://ipnsig.org/>* (IPNSIG) presents the second *IPNSIG Academy <https://ipnsig.org/2022/02/28/ipnsig-academy/>* presentation. '*Origin and Evolution of Delay and Disruption Tolerant Protocols*'. IPNSIG Board Member *Dr. Vint Cerf* will be talking about *Delay/Disruption Tolerant Networking <https://www.nasa.gov/directorates/heo/scan/engineering/technology/disruptio…>* (DTN) and its use to facilitate communications within the *Solar System Internet <https://ipnsig.org/wp-content/uploads/2021/10/IPNSIG-SWG-REPORT-2021-3.pdf>* (SSI). *SPEAKER* *Dr. Vint Cerf*, Chief Internet Evangelist, Google *MODERATOR* *Yosuke Kaneko*, Japan Aerospace Exploration Agency (JAXA) / IPNSIG Chair *LIVESTREAM http://livestream.com/internetsociety/ipnsigacademy2 <http://livestream.com/internetsociety/ipnsigacademy2>* *PARTICIPATE VIA ZOOM https://bit.ly/3GBoQ35 <https://bit.ly/3GBoQ35>* *REAL TIME TEXT* (see ISOC.LIVE <https://isoc.live/15464>) *TWITTER #IPNSIGacademy <https://bit.ly/3wkSJBq> #SolarSystemInternet @IPNSIG Yosuke Kaneko @JAXA_en @vgcerf #space* *SIMULCASTS* *https://www.twitter.com/ISOC_Live/ <https://www.twitter.com/ISOC_Live/>* *https://www.twitch.tv/isoclive <https://www.twitch.tv/isoclive>* *https://www.facebook.com/liveisoc/ <https://www.facebook.com/liveisoc/>* (AI Captions) *ARCHIVE* *https://archive.org/details/ipnsigacademy2 <https://archive.org/details/ipnsigacademy2>* Permalink https://isoc.live/15464 -- -------------------------------------- Joly MacFie +12185659365 -------------------------------------- -

1 0

CFP: Workshop on cultural representations of machine vision - Bergen, 15-17 August
by Jill Walker Rettberg 01 Jun '22

01 Jun '22

Call for submissions: CULTURAL REPRESENTATIONS OF MACHINE VISION: AN EXPERIMENTAL MIXED METHODS WORKSHOP Location: Bergen, Norway Workshop dates: 15-17 August 2022 Proposals due 15 June The ERC project Machine Vision in Everyday Life invites submissions to a workshop to be held at Solstrand Hotel near Bergen, Norway, on 15-17 August 2022. The workshop will combine qualitative close readings/case studies of machine vision in art, fiction, games and social media, with data analysis of the project’s dataset on machine vision in 500 creative works (see references below). WHO IS THIS FOR: The interdisciplinary workshop is for scholars at all levels from graduate students to full professors. We welcome participants from the humanities and social sciences as well as those with a background in data science or similar and an interest in interdisciplinary collaborations. The project will cover the cost of hotel and board for the workshop, and a limited number of travel stipends may be available. TOPIC As visual technologies are increasingly combined with machine learning to interpret and generate images, societies around the globe face practical and ethical questions about how these new possibilities should be evaluated, implemented and governed as they impact people’s everyday life. With their anticipatory and speculative potential, cultural representations of machine vision play a key role in answering these questions. Our premise is that cultural production – including literature, art, cinema, video games, science fiction, memes, fandom and more – is a rich source for understanding the impact of machine vision technologies on society, as well as their potential future trajectory. What can we learn from how machine vision is represented, applied and discussed in digital art, video games, novels, movies, TV-series, fan fiction, electronic literature, popular culture, social media content and other aesthetically or culturally expressive genres? QUALITATIVE INTERPRETATION AND/OR DATA ANALYSIS Seeking to experiment with mixed methods approaches, this workshop will ask participants to explore both qualitative interpretations and quantitative analyses of machine vision in art, games, narratives and more, based on the dataset Representations of Machine Vision Technologies in Artworks, Games and Narratives, which documents how machine vision is portrayed in 500 cultural works. The dataset is available as a set of .csv files and can be also browsed using a more human-friendly interface at http://machine-vision.no. Participants are invited to either present work-in-progress towards individually or co-authored papers on the topic of machine vision and its cultural representation, or to pitch and discuss strategies for analysing the dataset in collaboration with other workshop participants. In either case, workshop hours will be divided between short presentations, feedback sessions, and individual or collaborative data analysis and/or writing. The workshop has two goals: generating new research from the project’s dataset, and experiment with a mixed method approach to digital humanities data. A goal of the workshop is to develop research that combines qualitative methods with data science and data analysis, and to strengthen interactions between researchers using different methods. The workshop will be held at Solstrand Hotel, with delicious meals, beautiful fjord views, plenty of nooks and crannies for writing and group work, and indoor and outdoor bathing opportunities. Participants will be invited to submit papers developed in the workshop to a special journal issue that is currently under development. HOW TO APPLY Please send an email to jill.walker.rettberg(a)uib.no by June 15, 2022 with a few sentences about your background and either a 250-word abstract for the paper you would like to develop at the workshop, or an idea for how you’d like to work with the dataset and a short explanation of why you’re interested in participating in the workshop. We are also open to participants who would like to analyse other relevant datasets or materials, or who have general skills in data science and would like experience applying humanities approaches to digital methods. Travel scholarships may be available for a limited number of applicants. REFERENCES The dataset is available on DataverseNO: Rettberg JW, Kronman L, Solberg R, et al. (2022) A Dataset Documenting Representations of Machine Vision Technologies in Artworks, Games and Narratives. DataverseNO. DOI: https://doi.org/10.18710/2G0XKN. A data paper describing the dataset is also available: Rettberg JW, Kronman L, Solberg R, et al. (2022) Representations of Machine Vision Technologies in Artworks, Games and Narratives: Documentation of a Dataset. Data in Brief. DOI: https://doi.org/10.1016/j.dib.2022.108319. TENTATIVE WORKSHOP SCHEDULE August 15 09:00-09:45 Bus from Muséplass at the University of Bergen to Solstrand 10:00-12:00 Welcome, introductions, presentation about the project Presentations and discussion start 12:00-13:00 Lunch 13:00-17:00 Presentations and discussion continue (or smaller groups?) 20:00- Dinner August 16 09:00-12:00 Group and individual work (writing or data analysis) 12:00-13:00 Lunch 13:00-17:00 Group and individual work (writing or data analysis) 20:00- Dinner August 17 09:00-12:30 Finish up – short presentations of what we did Discuss methods, connections between projects 12:30-13:30 Lunch 14:00-14:45 Bus back to Bergen FUNDING The workshop is funded by the University of Bergen and the project Machine Vision in Everyday Life: Playful Interactions with Visual Technologies in Digital Art, Games, Narratives and Social Media, which has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 771800).

1 0

Stuck on the Platform
by Geert Lovink 01 Jun '22

01 Jun '22

I am proud to present you my new book: Stuck on the Platform, Reclaiming the Internet. The book is published in five languages, starting with English (Valiz), followed in August by German (Transcript Verlag), then Italian (Nero), Turkish (İletişim) and Spanish (t.b.a.). The original English edition, published by Valiz (Amsterdam) can be ordered now and found in bookstores. More info here: https://valiz.nl/en/publications/stuck-on-the-platform <https://valiz.nl/en/publications/stuck-on-the-platform>. The blurb: We’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. In this seventh volume of his net criticism chronicles Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform is a relapse-resistant story about the Brexit-Trump-Covid period (2019-2021), written for doom scrollers with a passion for platform alternatives, built on a deep understanding of the digital slump. Table of Content: Introduction: Phantoms of the Platform, or the Internet’s Muddy Enlightenment 1. The Anatomy of Zoom Fatigue 2. Requiem for the Network 3. Exhaustion of the Networked Psyche: Exploring Online Hyper-Sensibilities 4. Stuck on the Platform: Notes on Online Regression 5. Minima Digitalia 6. Delete Your Profile, Not People: Comments on Cancel Culture 7. Crypto-Art Annotations and other MoneyLab Findings 8. Principles of Stacktivism Conclusion: Reconfiguring the Techno-Social From the introduction During the lockdown misère we’ve literally been stuck on the platform. What happens when your home office starts to feel like a call center and you’re too tired to close down Facebook? “How to get rid of your phone? Wrong answers only.” We wanted to use the pandemic to reset and move on. We failed. The comfort of the same old proved too strong. Instead of a radical techno-imagination focused on rolling out alternatives, we got distracted by fake news, cancel culture, and cyber warfare. Condemned to doom scrolling, we suffered through a never-ending barrage of cringy memes, bizarre conspiracy theories, and pandemic stats, including the inevitable flame wars surrounding them. Random is fun. “We admitted we were powerless—that our lives had become unmanageable.” This confession is Step 1 in AA’s 12 steps, and it is here that Stuck on the Platform also begins. As you and I are not able to resolve platform dependency, we remain glued to the same old channels, furious at others about our own inability to change. In this seventh volume of my chronicles, we’re staying with the trouble called the internet, diagnosing our current phase of stagnation while also asking how to get “unstuck” and deplatform the platforms. What happens to the psycho-cultural condition when there’s nowhere to go and users are trapped in too-big-to-fail IT firms? It’s not pretty. While some believe that our persistent resentment, complaints, and anger are merely part of the human condition, totally unrelated to the shape and size of the information ecology, others (like me) are convinced that we have to take the mental poverty of the online billions seriously. We can no longer ignore the depression, anger, and despair, pretending they will be gone overnight after installing another app. Addiction is real, buried deep inside the body. Habits need to be unlearned, awareness needs to spread. All the while Godot just sits there, staring at the screen, waiting in the lobby for some policy change to be announced. Yet nothing ever happens. The resulting fallback and fatalism comes as no surprise. “What do you do when your world starts to fall apart?” Anna Tsing asks at the very beginning of The Mushroom at the End of the World. It seems we have our answer: we stick to the platform.

1 0

Submit your research to Global Media and China
by Xiao Han 01 Jun '22

01 Jun '22

Dear All, The SAGE journal Global Media and China (http://journals.sagepub.com/home/gch <https://journals.sagepub.com/home/gch>) is a peer reviewed, open access ESCI journal that provides a dedicated, interdisciplinary forum for international research on all aspects of communication and media. The journal has a special, but not exclusive, interest in China and Chinese media both from a global and a Chinese perspective. We welcome the empirical research on the following: Areas of interest: Digital platforms and social media Gender and media Political communication Health communication Big data and computational communication Software/platform/infrastructure/device studies Global communication and migration Ethnicity, identity and media The journal is sponsored by Communication University of China and is a journal of the International Communication Section of the International Association for Media and Communication Research (IAMCR). The journal has been accepted for inclusion in Web of Science’s Emerging Sources Citation Index (ESCI) since October 2019. Dr HAN Xiao Research Associate, Social Media Centre, Communication University of China (CUC) Commissioning Editor, Global Media and China http://journals.sagepub.com/home/gch <https://journals.sagepub.com/home/gch>

1 0

CFP - CMC Journal Special Issue - Promotional industries and platformised logics in the digital age
by Luiz Peres-Neto 01 Jun '22

01 Jun '22

Comunicação Mídia e Consumo (CMC) [1]http://revistacmc.espm.br/index.php/revistacmc Call for Papers for Special Issue Promotional industries and platformised logics in the digital age This special issue of our Scopus-based journal CMC aims to bring together research and scholarship that explores interactions between the promotional industries, technologies, and the media. Guest editors: Clea Bourne, Goldsmiths, University of London, UK Gisela G. S. Castro, Advanced School of Advertising and Marketing (ESPM), São Paulo, Brazil Luiz Peres-Neto, Autonomous University of Barcelona, Spain Sergio Amadeu da Silveira, Federal University of ABC, Brazil Digital platforms have emerged as a new means of production in the wider global economy by extracting, circulating and controlling vast amounts of data as an economic, social and political asset. The metaphorical term ‘platform’ describes an infrastructure that enables two or more groups to interact, combining big data, cloud and mobile telephony together as an increasingly competitive weapon. Platforms have transformed global promotional industries, which include advertising, branding, marketing, sponsorship and public relations. Moreover, the production logics of platformisation have given rise to new promotional occupations such as digital content marketing, ecommerce, programmatic advertising, social media management and user experience (UX) design, to name a few. While the impact of digital platformisation has been at the forefront of various interdisciplinary debates, there has to date been limited attempt to understand the collective impact of platformisation and algorithmic logics on the global promotional industries. More than quarter of a century ago, the Birmingham School gave us the Circuit of Culture as a way to think about production, consumption and representation in the cultural economy. The model helped in apprehending the promotional fields as representational activity, situated between production and consumption, and responsible for circulating products and services as well as ideas. As digital platforms speed up distribution processes, bringing producers and consumers together in increasingly ‘frictionless’ ways, the gaps between many forms of digital production and consumption are closing. In the platform economy, promotional outputs (e.g. advertisement, branded content or sponsored video) are no longer bounded by time, while the media through which promotional outputs circulate now operates more logistically and algorithmically than it does narratively or representationally, as digital content attracts and organises users, places and things across time and space. How then should we understand promotional activity in the digital age? We welcome contributions that consider any of the following questions: 1. How should we understand digital platforms and their relationship with promotional industries, their workers, their inputs and outputs? Here we acknowledge that some platforms such as Amazon, Facebook and Google are themselves promotional entities, numbering among the largest advertising companies in the world. 2. What are the implications of recent technological developments such as shoppable TV, preparations for Facebook’s metaverse, or the prospective demise of third party cookies? 3. Who are the new promotional intermediaries? What is the future for traditional promotional roles? How are traditional promotional roles positioned against emerging specialisms such as data insight, content strategy, social media management or user experience design? 4. To what extent do contemporary promotional devices, tools and outputs represent new approaches? Contributions might explore anything from conversion funnels to in-house technology stacks, from analytics to tracking tools, from mobile apps to promotional bots and virtual brand influencers. 5. Are there local, regional alternatives to programmatic networks controlled by major platforms that belong to groups such as Alphabet or Meta? Does the current supremacy of Big Techs eliminate the value of national advertising markets and render them hostage to these North American technological giants? 6. The platform economy is intertwined with massive extraction of data. Machine learning and deep learning technologies also depend on data storage. Theories such as spectacularization, control societies, surveillance capitalism or data driven economy attempt to cover the phenomena of conversion of life flows into data. What are the concepts and theories that allow us to better deepen our analyses of promotional industries and platformised logics in the digital age? 7. Finally, how and where can we gauge the changes within promotional industries empirically and theoretically, especially when much of promotional activity is opaque or difficult to trace? In addition to the questions posed above, contributors might also consider the following topics for article development, including but not limited to: 1. AR/VR interfaces 2. Big vs small – campaigns, devices, markets, 3. Circuits of algorithmic culture 4. Disruption, distribution, disarticulation 5. Ethical issues, marginalisation and social justice 6. Human-machine communication 7. New promotional intermediaries 8. Promotional devices and tools 9. Working conditions and labour in promotional industries. Timeline 1 July 2022 – Closing date for submission of 800 word abstract (please use the website for submissions: http://revistacmc.espm.br/index.php/revistacmc) 1 August 2022 – Invitation to submit full-length papers 31 October 2022 – Deadline for submitting full-length papers (submissions to website - http://revistacmc.espm.br/index.php/revistacmc) 15 January 2023 – Announcement of articles selected for publication 30 April 2023 – Publication of Special Issue References 1. http://revistacmc.espm.br/index.php/revistacmc

1 0

8th IEEE International Smart Cities Conference (ISC2 2022): Last Call for Papers
by Announce Announcements 01 Jun '22

01 Jun '22

*** Last Call for Papers *** 8th IEEE International Smart Cities Conference (ISC2 2022) "Community Smartification and towards ZERO emission Smart Cities for a Green New Era" September 26-29, 2022, Aliathon Resort, Paphos, Cyprus https://attend.ieee.org/isc2-2022 (*** Submission Deadline Extension: June 14, 2022 AoE (firm!)) The IEEE ISC2 2022 Organizing Committee is glad to announce that it is currently accepting papers for the 8th edition of the IEEE International Smart Cities Conference. This year, the IEEE ISC2 will be held in-person on September 26-29, 2022, in Paphos, Cyprus and the theme of the conference is “Community Smartification and towards ZERO emission Smart Cities for a Green New Era.” The IEEE ISC2 is the flagship conference sponsored by the IEEE Smart Cities Technical Community, a coalition of eight IEEE technical societies and organizations. Besides contributions addressing the conference theme, authors are welcome to submit their original research results in traditional topics across broad application and functional domains, within the context of smart urban infrastructure systems. The technical areas include, but are not limited to: • Smart city theory, modelling and simulation  • Intelligent infrastructure • Sensors and actuators • Open data and big data analytics • AI powered smart cities services • Safety and security systems • Smart healthcare • Smart emergency management • IoT and Smart X services • Data security and privacy • Connected Vehicle (CV) technologies • Unmanned Aerial Vehicles (UAVs) • Smart mobility and transportation • Smart energy systems • Smart buildings and Smart grid • Digital city and smart growth • Smart traffic system operations • Environmental monitoring technologies The complete list of technical areas can be found here: https://attend.ieee.org/isc2-2022/call-for-papers/ . Should you need further clarifications or have any inquiries, please do not hesitate to contact us at: isc22022(a)easychair.org . Paper Submission Guidelines Prospective authors are invited to submit high quality original (Full or Short) papers via the EasyChair submission site at https://easychair.org/conferences/?conf=isc22022 . Full papers should describe novel research contributions with evaluation results and are limited to seven (7) pages. Short papers, limited in length to four (4) pages, should be more visionary in nature and are meant to discuss new challenges and visions, highlight early research results, and explore novel research directions. All submitted papers must be unpublished and not considered elsewhere for publication, should be written in English and formatted according to the IEEE Template ( https://www.ieee.org/conferences/publishing/templates.html ). Each submitted paper will pass through the standard IEEE peer-review process. If accepted and presented at the conference, it will appear in the conference proceedings and be submitted for inclusion in the IEEE Xplore Digital Library. The conference organisers are currently negotiating a number of special issues with high quality journals. More information is available on the conference web site (https://attend.ieee.org/isc2-2022/journal-special-issues/ ). The best papers will be awarded in the conference Best Paper Award and a Best Student Paper Award contests. For more information, please visit the conference website: https://attend.ieee.org/isc2-2022 . Sponsorship Opportunities Please refer to the web site for further details: https://attend.ieee.org/isc2-2022/sponsorships/ . Important Dates • Conference Paper Submission Deadline: June 14, 2022 AoE (firm!) • Conference Acceptance Notification: July 15, 2022 • Conference Camera-ready Deadline: July 31, 2022 • Author Registration Deadline: July 31, 2022 • Conference Dates: September 26-29, 2022 Organizing Committee https://attend.ieee.org/isc2-2022/chairs/ Special Track Chairs Committee https://attend.ieee.org/isc2-2022/special-tracks-committee2/ IEEE Smart Cities https://smartcities.ieee.org

1 0

Looking for reading suggestions
by Marra, Monica 01 Jun '22

01 Jun '22

Dear all in the list, can anybody suggest good literature about the beginning of the use of internet *in the physics and astrophysics community*? Special interest is for newsgroups, mailing lists, forums. Thank you in advance to those who will be able to help. Regards, Monica Marra -- Monica Marra (Technologist) https://www.researchgate.net/profile/Monica_Marra INAF Osservatorio di Astrofisica e Scienza dello Spazio di Bologna / Astrophysics and Space Science Observatory, Bologna via Gobetti 93/3 40129 Bologna - Italy

2 2