September 2025 - Air-L - lists.aoir.org

The OpenQDA team presents the new version 1.0.3 of the open source software for qualitative communication and media research
by ZeMKI 24 Sep '25

24 Sep '25

The OpenQDA team announces the release of version 1.0.3 of their qualitative communication and media research software (open source) Based on our own needs regarding collaborative work, methodological expansion, fair data usage, and support for open research processes, ZeMKI, the Centre for Media, Communication and Information Research, University of Bremen, has been developing OpenQDA since January 2023. You can use the software at https://openqda.org/ and find the source code and developer documentation at https://github.com/openqda. The OpenQDA team is pleased to announce the release of version 1.0.3. OpenQDA has been enhanced with new features, which are now available at https://openqda.org <https://openqda.org/>. Below, we would like to introduce these features: 1.) Project Management The listed projects now show how many documents (sources) are already available in each project. In addition, the project overview now also offers the option of selecting documents, allowing you to immediately proceed to editing (Preparation Editor) a document. 2.) Visualizations All visualizations have been revised and expanded to include various parameterizations. This allows visualizations to be customized even more extensively to suit your specific needs. 3.) Feedback and Help Form It is now possible again to open a dialog for an integrated form via the navigation bar. This enables low-threshold contact with the OpenQDA team without requiring, for example, an account on another platform such as GitHub. 4.) Documentation The user documentation at https://openqda.github.io/user-docs/ has also been expanded to include the above-mentioned features. Support OpenQDA We welcome any form of feedback via all available channels (see below) as well as any form of participation in software development and documentation. If you have a GitHub account, you are also welcome to support us with a star. Links and resources OpenQDA application: https://openqda.org <https://openqda.org/> User documentation: https://openqda.github.io/user-docs/ Source code: https://github.com/openqda/openqda doi: 10.5281/zenodo.17182559 <https://zenodo.org/records/17182559> Contact: openqda(a)uni-bremen.de <https://webmail.uni-bremen.de/horde3/imp/dynamic.php?page=mailbox#> https://zemki.uni-bremen.de/en/9287-2/

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CFP: Knowledge Graphs and Contemporary Media: Power, Practice, Publics
by Indrek Ibrus 23 Sep '25

23 Sep '25

Baltic Screen Media Review announces a new Call for Papers titled “Knowledge Graphs and Contemporary Media: Power, Practice, Publics” Over the past decade, media have quietly become graph-shaped. Newsrooms, streaming platforms, archives, and social networks now depend on webs of entities - people, places, works, events - and the typed relations that connect them. Under labels such as linked data, the semantic web, and knowledge graphs, these infrastructures coordinate how content is produced, described, discovered, licensed, preserved, and increasingly generated by AI. They sit beneath the interfaces we see, but they structure what becomes visible, recommendable, and valuable. Understanding contemporary media therefore requires understanding the graphs that organise them. The rise of knowledge graphs in media is not an accident of technical fashion; it is the logical outcome of long trajectories in cataloguing, digitisation, and platformisation. Libraries and broadcasters moved from card catalogues to MARC and Dublin Core; heritage institutions spent two decades aligning authority files and opening collections; web companies standardised schema-based markup at scale; collaborative knowledge bases such as Wikidata turned entity curation into a public good; and audiovisual industries confronted the complexity of rights, versions, localisations, and windowing across global markets. In parallel, machine learning made structured, linked metadata indispensable: entity linking, recommendation, search, summarisation, and content moderation all perform better when grounded in persistent identifiers and interoperable ontologies. To all this was added the trust and provenance crises of the synthetic media era, which has led to a renewed emphasis on verifiable origin trails, signatures, and content credentials that are most useful when they are linked. The economics of attention, the politics of authenticity, and the pragmatics of large-scale automation all seem to converge on the need for shared, machine-readable meaning. These developments demand analysis from multiple angles. From the political economy of media, knowledge graphs can be read as new “coordination layers” that concentrate bargaining power and lock in ecosystems - or, alternatively, as public infrastructures that lower search and verification costs, widen market access, and enable plural discovery. Media industry studies can show how graphs reshape workflows: from pre-production knowledge bases and clearance graphs, to versioning and localisation, to explainable recommendation pipelines in the platform back-end. Media economics can evaluate the intangible asset value of metadata itself, model network effects that arise when catalogues interlink across firms and borders, and assess when openness produces positive externalities and when enclosure yields short-term rents but long-term fragility. For media semiotics, graphs offer a new instrument to study meaning circulation: intertextuality, world-building, genre drift, and translation across modalities can be traced as patterns of links among works, motifs, and characters. Audience and reception studies can examine how knowledge graph-grounded explanations and provenance labels affect trust and satisfaction, when serendipity expands or narrows horizons, and how fan communities co-produce knowledge that later feeds institutional graphs. Media archaeology could bring historical depth, showing how past documentation practices prefigure today’s ontologies and how reconciliation of “lost” entities can revive suppressed or minoritised histories. Science and Technology Studies could open the black box of standards and maintenance: ontologies are negotiated, versioned, and policed by communities; their categories include and exclude, often reproducing the centre–periphery dynamics of media culture. For media law and ethics licensing and rights graphs raise questions about privacy and cross-jurisdictional compliance. Provenance frameworks aim to restore trust, yet their governance determines who can certify whom, under what terms, and at what cost. Finally, a public value perspective to media infrastructures asks how these infrastructures can be designed as durable, fair, and pluralistic, especially for small languages and small markets where linked openness may be the difference between invisibility and participation. This thematic issue takes linked data not as a niche technique but as a constitutive feature of contemporary media. We invite contributions from all the perspectives discussed above to open up the phenomenon and to illuminate the diverse implications that linked data has brought to contemporary media. Submissions may address, but are not limited to, the following topics: The role of linked data in organizing contemporary media ecosystems. Governance models for media knowledge infrastructures and their societal impacts. How linked data adoption reshapes news and platform discovery. How interoperability standards shape collaboration across media institutions. Cross-ID interoperability among broadcasters, archives, and streamers. Economic consequences of open vs. proprietary media metadata. Linked data, cultural diversity, and the visibility of small languages and regions. Audience trust and transparency in graph-enabled discovery and curation. Legal and ethical frameworks for graph-based media production and reuse. From catalogues to knowledge graphs: historical trajectories and lessons. Research methods for studying media with graph-based datasets. Public value and policy approaches to sustaining linked media data. Fan wikis as co-curators: aligning community and institutional graphs. Graph-aware recommenders and explainability in public service media. Mapping intertextuality and transmedia worlds via entity-relation graphs. Ontology politics: who defines genres, roles, and identities. Privacy-preserving linkage of audience data with content graphs under GDPR. Media archaeology of metadata: reconciling legacy catalogues into RDF. Event knowledge graphs for breaking-news verification. Authority alignment between knowledge graphs and cross-border memory. Knowledge graphs as coordinators in media innovation systems. Ethical risks of automated ontologies: bias, erasure, contested identities. The use of graphs for AI training. Media data spaces (e.g., European initiatives): architectures, incentives, and competition effects. Submission Guidelines We invite scholars, practitioners, and interdisciplinary researchers to contribute original research articles, theoretical essays and industry case studies. Submissions should not exceed 8000 words and must adhere to the journal’s formatting guidelines. All manuscripts will undergo a double-blind peer review process. - Abstract Submission (400 words) Deadline: October 15th 2025 - Full Paper Submission Deadline: January 23rd 2026 - Publication Date: August 20th 2026 Please submit your abstracts and papers by email to (bsmr/at/tlu.ee <http://tlu.ee/>). For any inquiries, contact the editorial team at indrek.ibrus/at/tlu.ee <http://tlu.ee/>. We look forward to receiving your contributions to this timely discussion. Issue editor: Indrek Ibrus, Tallinn University The Baltic Screen Media Review is a free-to-publish open-access peer-reviewed journal that focuses on the analysis of audiovisual media and screen culture, particularly in the Baltic Sea region and its surrounding areas. It seeks to address media transformations within broader European and global contexts, emphasizing both regional specificities and transnational connections. Published by Tallinn University's Baltic Film, Media and Arts School, the journal serves as a forum for interdisciplinary research, offering insights into film, television, new media, and related cultural phenomena. Find out more: https://sciendo.com/journal/bsmr

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Job Call -- Professor of Advertising [Open Rank] @ the University of Colorado Boulder
by Tobias Hopp 23 Sep '25

23 Sep '25

Hi everyone, Hope you are doing well. The Department of Advertising, Public Relations and Design at the University of Colorado Boulder invites applications for an open rank tenure-track (assistant) or tenured (associate or full) position in advertising to begin August 2026. Interested candidates should apply by October 31, 2025. The complete job description can be accessed here: https://jobs.colorado.edu/jobs/JobDetail/?jobId=67301 I'm chairing this search committee, so please feel free to reach out to me directly with any questions you might have. All the best, Toby -- Toby Hopp, PhD Associate Professor Program Director, Masters of Corporate Communication (MACC) Department of Advertising, Public Relations and Design College of Communication, Media, Design and Information University of Colorado Boulder tobias.hopp(a)colorado.edu 517.974.5148

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Job Call - Assistant Professor of Communication & Media at IE University, Madrid
by Reed VS 23 Sep '25

23 Sep '25

Hello everyone, My department at IE University is hiring at least one tenure-track Assistant Professor of Communication & Media, to begin in September 2026. Applications are due on 24 November. The call is open but some of our areas of interest include Media Studies and Political Communication; Strategic, Corporate, and Visual Communication; and Critical, Cultural, and International Communication. We are a research-intensive institution with an international student body. Find the full call here <https://www.higheredjobs.com/search/details.cfm?JobCode=179248215&Title=Ten…> : https://www.higheredjobs.com/search/details.cfm?JobCode=179248215&Title=Ten… Please don't hesitate to reach out to me or the search chair Dr. Vincent Doyle at vdoyle(a)faculty.ie.edu if you have any questions. Best, Dr. Reed Van Schenck rvanschenck.github.io

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Online Seminar Series of the Data Methods Initiative
by Marcel Garz 23 Sep '25

23 Sep '25

The Data Methods Initiative (https://datamethodsinitiative.org/) is a collaborative academic group committed to promoting the use of computational methods (e.g., deep learning, natural language processing, computer vision) in political science, communications, internet research, and other disciplines. Next talk: "Towards Efficient and Accessible Geoparsing of Local Media: A Benchmark Dataset and LLM-based Approach" by Simona Bisiani (Surrey Institute for People-Centred AI) on October 1, 1:15 - 2:45 pm CET. This seminar introduces an innovative computational framework for extracting geographic references in local news, leveraging open-source, locally-run large language models. The first segment details the methodology, highlights its advantages over traditional approaches, and illustrates its application in identifying spatial patterns in news coverage-shedding light on media deserts and information inequalities across communities. A code demonstration will showcase the implementation using LMUK-Geo, a newly developed annotated corpus of UK local news articles designed for geoparsing evaluation. Attendees will leave with actionable knowledge to integrate these tools and methods into their research on local media landscapes and geographic trends. More info at https://datamethodsinitiative.org/

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Job Call: TT Assistant Professor of Media Policy and Platform Governance (Fordham University)
by Gregory Donovan 22 Sep '25

22 Sep '25

Dear colleagues - The Department of Communication and Media Studies at Fordham University invites applications for a tenure-track position in Media Policy and Platform Governance. Applications are due Monday November 3, 2025 through Interfolio: https://apply.interfolio.com/174378 <https://apply.interfolio.com/174378> -- Gregory T. Donovan, Ph.D. Associate Professor, Department of Communication and Media Studies Affiliated Faculty, Urban Studies / New Media & Digital Design Co-PI, Initiative on Migrants, Migration, and Human Dignity <https://migrationjustice.org/> Fordham University, Lincoln Center Campus _____ ABOUT THE POSITION We seek a candidate with expertise in media and communication policy, law, or regulation, broadly understood. We are especially interested in someone whose research and teaching speaks to policy or legal implications of internet-based platforms and AI systems, and can connect to subject areas across our four majors: Communication and Culture, Digital Technology and Emerging Media, Film & TV, and Journalism. Areas of interest to our dept include but are not limited to: platform governance, regulation and control of new technologies, conglomeration/monopoly power, moderation practices, misinformation, free speech issues, privacy policy and rights, responsible tech, cybersecurity, media industries, and commerce and regulation of media. We are also interested in scholars whose work has implications for policy development in the context of federal agencies, international treaty organizations, standard-setting organizations, NGOs, or other major sites of governance and policy. Qualifications Applicants with either a JD or a PhD are welcome to apply, so long as they have an active research agenda in the area. Requirements Ph.D. in Communication and/or Media Studies or a related discipline or a JD with relevant specialization, to be conferred by May 2026 A strong research agenda and publication record appropriate to their stage in the profession Ability to teach courses in areas such as Freedom of Expression, Media Law, Platform Governance, Digital Property: Rights, Policies, and Practice, Privacy and Surveillance, Media Regulation, and original courses in their own specialty. Evidence of excellence in teaching Commitment to mentoring and advising students Application Instructions Interested applicants should submit (1) a cover letter with qualifications, including approach to teaching and scholarship; (2) curriculum vitae; (3) 1-2 writing samples (approximately 30 pp maximum in total, solo-authored or first-authored); and (3) the names and contact information for three references. Here in the link to apply using Interfolio: https://apply.interfolio.com/174378 Deadline The deadline for applications is 11:59 pm on November 3rd, 2025. For specific questions, please contact the departmental administrator, Michelle O’Dwyer, at modwyer2(a)fordham.edu.

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Recruiting Participants for a Research Study of Users’ Relationships with Social AI Chatbots
by Peter Royal 22 Sep '25

22 Sep '25

Dear colleagues, I’m a PhD candidate in communication at the University of Illinois Chicago (UIC) working on my dissertation on human-AI communication and relationships, advised by Dr. Steve Jones. I’m seeking to interview current or former users of social AI chatbots. Please see the attached flyer or the description below for key details about the study. I would be very grateful if you would share this with your networks. Please feel free to email me at proyal2(a)uic.edu <mailto:proyal2@uic.edu> if you have any questions. Seeking AI Chatbot Users for University of Illinois Chicago (UIC) Research Study Have you used any of the following AI chatbots or platforms (or a similar chatbot/platform)?: · Replika · Nomi · Kindroid · Anima · Paradot · Kuki AI · Character AI · Chai AI · Kajiwoto · Wysa · Woebot Or have you used an AI chatbot like ChatGPT, Claude, Snapchat’s My AI, Meta AI, Microsoft Copilot, Google Gemini, or DeepSeek for things like social interaction, companionship, or emotional support? For example: Having in-depth conversations about your life, experiences, thoughts, feelings, or fictional scenarios Seeking emotional support, advice, or companionship Feeling a sense of connection, attachment, or affection toward the chatbot Customizing a chatbot’s personality and/or feeling it’s uniquely tailored to you If so, you are invited to participate in a research study at the University of Illinois Chicago (UIC). Study Title: Computational Confidants: Meaning-Making and Social Relationships between Users and Social AI Chatbots Principal Investigator: Steve Jones, PhD, UIC Distinguished Professor Co-Principal Investigator: Peter Royal, PhD Candidate Purpose: This study aims to better understand how users perceive their interactions and relationships with social AI chatbots. Who can participate? Adults 18+ Current or former users of AI companion chatbots (e.g., Replika, Nomi, Kindroid), character creation/roleplaying chatbots (e.g., Character AI, Chai AI), mental health support chatbots (e.g., Wysa, Woebot), or similar AI chatbots Individuals who have used AI chatbots like ChatGPT for things like social interaction, companionship, or emotional support Available for English-language Zoom interview What’s involved? Brief eligibility questionnaire Brief questionnaire about demographics, prior experience with technology, and AI chatbot usage 60-minute audio-recorded Zoom interview about your experience of using AI chatbots for things like social interaction, companionship, or emotional support Optional follow-up interview Confidential and anonymized participation Why participate? Share your unique insights Contribute to research on human-AI communication and relationships Participation is confidential and your responses will be anonymized. Interested? Please complete this brief eligibility questionnaire: https://uic.ca1.qualtrics.com/jfe/form/SV_9zglT3nVY5MsZ2m Eligible participants will receive further information via email. Questions? Email proyal2(a)uic.edu <mailto:proyal2@uic.edu> Please share this with your networks. Thank you! Peter Royal (he/him) PhD Candidate Department of Communication University of Illinois Chicago proyal2(a)uic.edu

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CfP for "Artificial Intelligence and Popular Music" Special Issue of Popular Music and Society
by Bondy Kaye 22 Sep '25

22 Sep '25

Artificial Intelligence and Popular Music <https://think.taylorandfrancis.com/special_issues/artificial-intelligence-a…> Dear colleagues, We invite submissions for a special issue of *Popular Music and Society* on the theme of artificial intelligence and popular music. Generative artificial intelligence (AI) is spreading rapidly through creative and cultural sectors, including popular music, and is already proving to be a disruptive technology. The recording industry, recalling earlier technological upheavals such as MP3 files and peer-to-peer (P2P) networks, has moved quickly to urge lawmakers to regulate AI. This can be seen in recent U.S. legislative proposals to establish intellectual property rights protecting artists' voices (the "NO FAKES Act" and the "No AI FRAUD Act") and the widely publicized EU AI Act, which outlines risks associated with AI systems and which has faced backlash from many stakeholders in the European cultural industries. Yet the implications of AI for popular music reach far beyond legal and market concerns. AI covers—such as "Kurt Cobain sings a Frank Sinatra song" (or vice versa)—represent a form of amateur cultural play, while in professional studios AI is becoming another creative tool, following earlier innovations such as Auto-Tune, drum machines, and digital audio workstations. Each application prompts us to reconsider creativity, the creator–audience relationship, and the contested idea of authenticity in music. We encourage submissions that draw on critical studies of AI and apply them to the music industry. Examples include political economy approaches, research that foregrounds indigenous and traditional knowledges, post-capitalist modes of thought, and studies that explore AI and the future of cultural labor and that question the ways AI may shift our epistemic understandings of the world around us. This special issue seeks to examine the impact of AI on popular music at this formative stage of its mass adoption. We welcome theoretical and empirical perspectives, including—but not limited to—the following topics: - The impact of AI on the music industry and music markets - AI regulation in the music industry - AI clones of popular musicians' voices or styles - AI and independence in music - AI and virtual artists or holograms - AI and the nature of musical creativity - AI and musical labor - AI and music production, composition, and songwriting - AI and "functional" music - AI and music education and training - How AI contributes to existing inequalities in the music industry. The timeline for the publication process is as follows: *December 20, 2025:* Deadline for submitting abstracts; feedback on abstracts will be provided within 30 days June 30, 2026: Deadline for submitting full manuscripts (please send us your paper as an email attachment) September 30, 2026: Editorial decisions sent to authors for revisions November 30, 2026: Deadline for submitting revised papers May or July 2027: Special issue published Please submit an abstract (200 words maximum) and author bio(s) (150 words maximum) by *20 December 2025* using the link below: Abstract submission form <https://forms.gle/oiH1AsnivbdKJjN89> For any questions about this special issue please contact the editors: D. Bondy Valdovinos Kaye <d.kaye1(a)leeds.ac.uk> Patryk Galuszka <patryk.galuszka(a)uni.lodz.pl>

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Reminder: CfP for "The Digital Conference" at KCL (Deadline: 30/09/25)
by g. tavmen 22 Sep '25

22 Sep '25

KCL DDH The Digital Conference CALL FOR PAPERS Digital Humanities Today: Critical Inquiry with and about the Digital (23-26 June 2026) >From the 23rd to 26th June 2026, the Department of Digital Humanities at King’s College London will host an international conference exploring the evolving role of Digital Humanities in a world increasingly shaped by digital technologies. Coinciding with the 25th anniversary of Centre for Computing Humanities officially becoming a department of KCL, and 15th anniversary of being renamed as Department of Digital Humanities in 2011, we welcome scholars from around the world to critically reflect on what ‘digital’ entails in today’s world. Digital technologies have transformed the ways we live, work, create, and connect. From online grassroots movements to open-source tools, from digital archives to experimental art and music created with code, the digital has become a vital part of how we express ourselves, tell stories, and shape our futures. In our daily lives, the digital enables new forms of community and care, especially for those historically excluded from institutional or geographic centres of power. But these same technologies have also raised urgent questions. There is a growing concern across various disciplines and communities. Recent political, environmental and technological developments have shown that we cannot afford to treat “the digital” as neutral. It is shaped by geographies, specificities, regulatory environments, sociocultural contexts, and linguistic hierarchies, which condition how digital technologies are produced, used, and experienced across the globe. From the resurgence of extremist ideologies and algorithmic manipulation of public discourse, to the exploitative dynamics of platform economies and the environmental costs of large-scale computing, the digital now permeates nearly every aspect of our lives. Artificial intelligence is being used against workers, stealing their creative outputs and triggering a race to the bottom of working conditions. In addition to the socio-political impact of generative AI models, the deleterious environmental effects are also becoming increasingly clear. At the same time, computational and digital methods have enabled new forms of collaborative, interdisciplinary, and public-facing humanities research. They are reshaping not only our methodological choices but also how we conceptualise methods themselves—prompting us to revisit questions of reliability and reproducibility. These methods offer powerful tools for analysis, visualisation, preservation, and dissemination, while also enriching humanities scholarship by scaling up our analyses and opening up new avenues of inquiry. Unlike the underlying code, “the digital” is never binary. This is why, more than ever, we need to come together to discuss and debate its implications. There is a long tradition of critical research on digital methods and other issues concerning “the digital” at King’s, dating back to the early 1970s. The Department of Digital Humanities, established as the Centre for Computing in the Humanities in 1992, has been a key site for this work. Today it is home to a wide range of approaches to developing and applying digital methods in the humanities, as well as to interrogating the broader social, cultural, and ethical dimensions of the digital. Building on over fifty years of innovation and critical inquiry, this event invites scholars, practitioners, and communities to reflect on the role of Digital Humanities as both a methodological practice and a lens to understand and shape the digital world. We invite proposals that explore (but are not limited to) the following themes: - Computational humanities and computing culture: computational history, music computing, geoanalytics, digital classics, computational linguistics, computational social science, cultural analytics, computational literary studies - Creative digital practice and the arts, music and the digital, arts-based methods - Design, Interfaces, and Interaction: UX/UI - Digital ecologies, environmental justice and sustainable digital futures - Digital gaming and play - Digital health, digital care, and transformation of the care industry - Digital knowledge and epistemologies and critical technical practices and digital methods - Digital labour and economies, platform studies - Digital media - Digital Research Infrastructures and funding - Embodiment and identity: the digital and the embodied, digital childhood & youth - Global and decolonial digital cultures, digital commons, digital audiences, creator cultures - Politics, power, and resistance in the digital age: digital politics, deplatformisation, the digital university, engaged digital research We welcome contributions from across the humanities and beyond, from those who use and interrogate digital tools and those who develop them. We invite proposals for paper presentations (max. 15 mins) and panels (max. 4 x 15 mins) with a title and an abstract of no longer than 300 words, along with a short biography, no longer than 50 words. You can submit proposals via THIS FORM until the deadline of 30/09/2025. We aim to notify acceptance of abstracts by 15.11.2025. Please note: The conference will be face-to-face only, with career plenary sessions instead of keynotes (a panel consisting of academics from every stage). We offer a limited number of conference fee waivers, as well as limited numbers of partial bursaries for travel and accommodation. We will provide more information on these and conference fees after acceptance of abstracts have been sent out. For any inquiries, please contact thedigitalconference(a)kcl.ac.uk. Webpage: https://www.kcl.ac.uk/events/digital-humanities-today-critical-inquiry-with… | | | | | | | | | | | Digital Humanities Today: Critical Inquiry with and about the Digital | ... King's College London >From the 23-26 June 2026, the Department of Digital Humanities at King’s College London will host an internation... | | |

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Postdoctoral Position, University of Amsterdam, deadline: 30 September 2025
by Paula Helm 22 Sep '25

22 Sep '25

Postdoctoral Position – Critical Data Science / Empirical Ethics Project: “Invisible Languages on the Internet” University of Amsterdam, 20 months Application deadline: 30 September 2025 Only one week left to apply for a Postdoctoral Researcher position in our project Invisible Languages on the Internet at the University of Amsterdam! You will join an interdisciplinary research team, featuring Paula Helm (Empirical Ethics/STS), Saurabh Khanna (Machine Learning/Data Science), Olga Eisele (Communication Science), and Katrin Schulz (Philosophy of Language/Computational Linguistics), and work within Amsterdam’s exciting academic ecosystem. This 2-year postdoc will explore the sociotechnical and ethical-political implications of the invisibility of most of the world’s 5,000–6,000 languages on the internet. The project combines computational, qualitative, and participatory methods, and requires some experience in, or at least a proven affinity to, all three areas. It involves collaboration with partners such as the Wikimedia Foundation, Respond Crisis Translation, and the Public Knowledge Project. We look forward to receiving your application! Apply here<https://werkenbij.uva.nl/en/vacancies/postdoctoral-position-on-estimation-a…>! _____________________ Dr. Paula M. Helm Asst. Prof. in Empirical Ethics & Critical Data Studies Coordinator: MA Cultural Data & AI Research Fellow: Amsterdam Institute for Advanced Studies University of Amsterdam Personal Profile<https://www.uva.nl/en/profile/h/e/p.m.helm/p.m.helm.html> - Publication<https://www.uva.nl/en/profile/h/e/p.m.helm/p.m.helm.html#Publications>s

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