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CFP: The Social Epistemology of Social Media, Special Issue of Topoi
by Boaz Miller 25 Sep '23

25 Sep '23

Call for Papers [1]Topoi – An International Review in Philosophy Special Issue: The Social Epistemology of Social Media Paper submissions are invited for the special issue/collection of [2]Topoi on The Social Epistemology of Social Media This Special issue/Collection will bring higher citations and visibility to your paper rather than regular papers and attract more relevant readership due to its scope. Topoi is indexed in the Web of Science, currently with a 2022 IF of 1,4 and CiteScore of 2,8 and its editorial team is led by the Editor in Chief Prof. Fabio Paglieri and Associate Editor Prof. Marcin Lewinski. Guest Editors: [3]Glenn Anderau (University of Zürich) (lead editor) [4]Axel Gelfert (TU Berlin) [5]Boaz Miller (Zefat Academic College, University of Johannesburg) [6]Isaac Record (Michigan State University) DESCRIPTION: The development of the Internet and social media has had a major impact on the exchange of knowledge and our epistemic environment. While social media has made knowledge more accessible and allows for the bypassing of hegemonic gatekeepers, not all marginalized voices have profited from this to an equal extent. In addition, these socio-technical systems have facilitated the spread of epistemically harmful content and created online ecosystems in which harmful content thrives. Because of its relative novelty, the epistemic dimensions of social media have not yet been sufficiently studied. There is a lack of integrative frameworks which can allow for the theoretical and empirical study of the epistemic dimensions of social media. This special issue aims to rectify this by mapping out a social epistemology of social media that does justice to the twin desiderata of providing a unifying framework while acknowledging the diversity of concerns and practices. Apart from descriptive questions, this special issue is interested in answering normative questions regarding social media and the normativity of knowledge-oriented practices. A guiding idea is that we – as users, stakeholders and citizens, through individual and collective action – can aim to turn social media platforms into better epistemic environments which facilitate the spread of knowledge while safeguarding against the spread of epistemically toxic content. This special issue thus aims to bring internet scholarship into conversation with social epistemology. These two overlapping fields have much in common. Both are relatively young fields that study online putative knowledge-producing practices and dynamics. Both emphasize the mutual interactions of people and technology, and both are interested in real-life, non-ideal conditions. While Internet scholars have focused on empirical research methods (Altay et al. 2022; Marres 2017; Rogers 2019; Venturini and Munk 2021), social epistemologists have focused on theory and normative assessment (Frost-Arnold 2023; Miller and Record 2017; 2013; Simon 2014). Social epistemologists have also dealt with defining fake news (Gelfert 2018, Anderau 2021) and identifying the conditions under which fake news and other toxic epistemic content spread online, paying special attention to the interplay between technological affordance (Record 2013) and social-epistemic norms of posting and sharing (Arielli 2018; Gelfert 2021; Marin 2021; Nguyen 2020; Record and Miller 2022a). Thus, in addition to social epistemologists, this special issue invites contributions from empirical researchers from cognitive sciences, media studies, and STS who share the main commitments and interests of social epistemology. Questions of interest for the special issue include, but are by no means limited to: ● How may social media platforms contribute to epistemic justice? (Frost-Arnold 2023; Knöchelmann 2021; Miller and Record 2017) ● Which strategies, e.g., fact-checking, nudging, and content moderation, are most effective at mitigating the dissemination of epistemically toxic content online? (Record and Miller 2022b) ● What are the limitations and risks of such strategies? ● How can we avoid the risk of public debate reverting to positivistic notions of facts? What, for example, might ‘fact-checking’ mean in a world where ‘we can’t have our facts back’? (Marres 2018) ● How do social media platforms afford novel speech acts, such as liking or sharing, how are they to be characterized, and what are their implications to the online dissemination of content? (Arielli 2018; Marsili 2021; Marin 2021; Record and Miller 2022a) DEADLINE: Please submit your paper by 15th March 2024. Should you not be able to meet this deadline, please contact the Lead Guest Editor (contact details below). SUBMISSION: Please use the journal’s Online Manuscript Submission System (Editorial Manager), accessible here [7]Editorial Manager® ( [8]https://www.editorialmanager.com/topo/default.aspx ). Do note that paper submissions via email are not accepted. Author Submission’s GUIDELINES: Authors are asked to prepare their manuscripts according to the journal’s standard [9]Submission Guidelines. When uploading your paper in Editorial Manager, please select “SI: Social Epistemology of Social Media (Anderau et al)” in the drop-down menu “Article Type”. EDITORIAL PROCESS: All papers will undergo the journal’s standard review procedure (double-blind peer-review), according to the journal’s [10]Peer Review Policy, Process and Guidance and reviewers will be selected according to the [11]Peer Reviewer Selection policies. Once papers are accepted, they will be made available as [12]Online first articles publications until final publication into an issue and available on the page [13]Collections. CONTACT: For any questions, please directly contact the Lead Guest Editor: [14]Glenn Anderau (University of Zürich) [15]glenn.anderau(a)philos.uzh.ch. REFERENCES: Altay, S., Hacquin, A. S., & Mercier, H. (2022). Why do so few people share fake news? It hurts their reputation. New Media & Society, 24(6), 1303-1324. Anderau, G. (2021). Defining fake news. Kriterion, 35(3), 197-215. Arielli, E. (2018). Sharing as speech act. Versus, 47(2), 243-258. Frost-Arnold, K. (2023). Who Should We Be Online?: A Social Epistemology for the Internet. Oxford University Press. Gelfert, A. (2018). Fake news: a definition. Informal Logic, 38(1), 84-117. Gelfert, A. (2021). Fake news, false beliefs, and the fallible art of knowledge maintenance. In The epistemology of fake news, eds. S. Bernecker et al. (pp. 310-333). Oxford University Press. Knöchelmann, M. (2021). The democratisation myth: Open Access and the solidification of epistemic injustices. Science & Technology Studies, 34(2), 65-89. Marin, L. (2021). Sharing (mis) information on social networking sites: An exploration of the norms for distributing content authored by others. Ethics and Information Technology, 23(3), 363-372. Marres, N. (2015). Why map issues? On controversy analysis as a digital method. Science, Technology, & Human Values, 40(5), 655-686. Marres, N. (2017). Digital sociology: The reinvention of social research. John Wiley & Sons. Marres, N. (2018). Why we can't have our facts back. Engaging Science, Technology, and Society, 4, 1-21. Marsili, N. (2021). Retweeting: its linguistic and epistemic value. Synthese, 198(11), 10457-10483. Miller, B., & Record, I. (2013). Justified belief in a digital age: On the epistemic implications of secret Internet technologies. Episteme, 10(2), 117-134. Miller, B., & Record, I. (2017). Responsible epistemic technologies: A social-epistemological analysis of autocompleted web search. New Media & Society, 19(12), 1945-1963. Nguyen, C. T. (2020). Echo chambers and epistemic bubbles. Episteme, 17(2), 141-161. Record, I. (2013). Technology and epistemic possibility. Journal for General Philosophy of Science, 44, 319-336. Record, I., & Miller, B. (2022a). People, posts, and platforms: reducing the spread of online toxicity by contextualizing content and setting norms. Asian Journal of Philosophy, 1(2), 41. Record, I., & Miller, B. (2022b). Wrong on the Internet: Why some common prescriptions for addressing the spread of misinformation online don’t work. Communique, 105, 22-27. Rogers, R. (2019). Doing digital methods. Sage. Simon, J. (2014). Distributed epistemic responsibility in a hyperconnected era. In The Onlife Manifesto: Being human in a hyperconnected era, ed. L. Floridi (pp. 145-159). Springer. Venturini, T., & Munk, A. K. (2021). Controversy mapping: A field guide. John Wiley & Sons. References 1. https://www.springer.com/philosophy/journal/11245 2. https://www.springer.com/journal/11245/ 3. https://www.philosophie.uzh.ch/en/seminar/people/research/theory_meylan/and… 4. http://www.gelfert.net/People/Axel/axel.html 5. https://boazmiller.com/ 6. https://www.isaacrecord.net/ 7. https://www.editorialmanager.com/topo/default.aspx 8. https://www.editorialmanager.com/topo/default.aspx 9. https://www.springer.com/journal/11245/submission-guidelines 10. https://www.springer.com/gp/editorial-policies/peer-review-policy-process 11. https://www.springer.com/gp/editorial-policies/peer-review-policy-process#t… 12. https://link.springer.com/journal/11245/online-first 13. https://link.springer.com/journal/11245/collections 14. https://www.philosophie.uzh.ch/en/seminar/people/research/theory_meylan/and… 15. mailto:glenn.anderau@philos.uzh.ch

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AELAIWC2023: Call for participation
by Waliya, Yohanna Joseph 25 Sep '23

25 Sep '23

Hi all, Sorry for cross posting! Call for Participation The Faculty of Arts, University of Calabar, Calabar Nigeria in conjunction with African Electronic Literature Alliance & African Diasporic Electronic Alliance (AELA&ADELI) organises The 3rd African Electronic Literature Alliance International Workshop Conference (AELAIWC2023) Theme: Digital Humanities & Interdisciplinary Date: 22nd-25th November, 2023. Venue: University of Calabar International Conference Centre Time: 10:00 AM-6:00PM (WAT) Daily Conference Languages: English. Nature: Hybrid (onsite & offline) AELAIWC2023: Call for Participation AELAIWC2023 is the third annual conference of the African Electronic Literature Alliance and African Diasporic Electronic Literature (AELA & ADELI). It was initiated in 2021 by Mr. Yohanna Joseph Waliya from the University of Calabar, Nigeria in collaboration with Prof. Mourad El Fhali from Sidi Mohammed Ben Abdellah University, Morocco, Prof. Richard O. Ajah from the University of Uyo, Prof. Tunde Ope-Davies from the Centre for digital Humanities University of Lagos, and Prof. Abdelmoumin El Azouzi, also from Sidi Mohammed Ben Abdellah University, Fez, Morocco. This year conference and workshop will digress from the normal African Electronic Literature to sensitise scholars and artists on the Digital Humanities and interdisciplinary scholarship. Digital Humanities (DH) is the most recognised buzzword today in the multidisciplinary scholarship in the world that assembles disciplines such as arts, humanities, social sciences, computer science, new media studies, artificial intelligence, deep learning and machine learning. It builds on amplifying multisectoral methodologies and collaborations, harnessing digital infrastructures and tools into humanistic as well as artistic studies. In other words, DH employs computer, artificial intelligence (AI), deep leaning (DL), machine learning (ML), and recently Large Language Models (LLMs) as methods and tools for investigation in the arts and humanities. The budding DH community in Africa has made frantic efforts through collaborations in the area of capacity building and sensitization of African scholars. Summer schools, conferences, sensitization workshops among others have been used to train African scholars in DH scholarship. CEDHUL-Centre for Digital Humanities University of Lagos’ Lagos Summer School in Digital Humanities (LSSDH), South African Center for Digital Language Resource (SADiLAR) and the newly established Institute of Digital Humanities in Francophone Africa (InHuNum-Af) in University of Yaoundé, the Digital Humanities Unit of the Faculty of Arts (DHuFArts),University of Uyo, and African Electronic Literature Alliance and African Diasporic Electronic Literature (AELA & ADELI) have made great efforts recently in Africa to close the gap in the application of computational turn for research and development in the arts and humanities through provisions of the capacity building opportunities. Despite impressive moves from these capacity building initiatives, DH scholarship is not receiving institutional supports from many African universities and consequently, many humanities and arts scholars are cut off from exposures to digital humanities scholarship and its enormous benefits to individual scholars and institutions. To fill this gap, the Faculty of Arts, University of Calabar, in collaboration with the African Electronic Literature Alliance and African Diasporic Electronic Literature (AELA & ADELI), partnering with the Centre for Digital Humanities University of Lagos (CEDHUL), the Digital Humanities Unit of the Faculty of Arts (DHuFArts), University of Uyo, FAHSANU, CTLE, DORD, University of Calabar organizes a four-day training workshop and conference for national and international scholars thematised “Digital Humanities and Interdisciplinary Scholarship”. This year’s theme is crafted to foster inclusivity, heterogeneity and participation. The workshop/conference will be hybrid and multilingual as usual. Objectives of the training workshop/Conference: 1. Introducing the participants to digital humanities scholarship. 2. Expose all participants to digital research methods and tools. 3. Present opportunities and potentials of collaborative research with DH experts. 4. Prepare the Faculty for the mounting of DH-related courses in the new CCMAS. 5. Networking the participants with global scholars. How to participate Fill in the form on our website. Make sure you indicate your area of research interest before proceeding to the payment of N 20, 000 ($50) for Conference attendance. Click to register and pay for AELAIWC2023: https://bit.ly/aelaiwc2023 Scan this QR code to register: Materials: You need to bring your laptops and power cable for practical sessions. This conference is made for workshops, lectures and trainings only not paper presentation by the participants. NB: If you want to publish what you’ve learned at the conference later, please consider sending it to Multilingual African digital Semiotics & E-lit Journal (MADSEJ): https://madsej.africanelit.org For AELA & ADELI membership: https://africanelit.org/membership.php Register here for Digital Humanities Association of Nigeria Membership: https://dhnigeria.org/registration/ List of Resource Persons and the Lectures/Workshops 1. The opportunities in Digital Humanities for African Scholars-Prof. Dr. Tunde Ope-Davies, CEDHUL, University of Lagos (Keynote Speaker I) 2. African Electronic Literature on Immersive Platforms techniques and practices for Africans- Prof. Caitlin Fisher, President of Electronic Literature Organization, York University, Canada (Keynote Speaker II) 3. Intersectionality of African literature and technology - Prof. Richard O. Ajah, DHuFarts, AELA & ADELI, University of Uyo, Uyo, Nigeria. 4. Generative Text’s Global History-Prof. Nick Montfort, Institute of Technology & the Center for Digital Media, University of Bergen 5. Exploring the history of digital poetry from 1950 to Augmented Reality Poetry - Prof. Christopher Funkhouser, New Jersey Institute of Technology, USA. 6. Digital Characters and objects simulation for storytelling in Digital Humanities. Prof. Erik H. Zepka, DeTao Masters Academy, China 7. Digital Humanities in the Classroom: Teaching & Learning with Omeka -Prof. Bekeh Ukelina State University of New York, USA. 8. Text Encoding and Artificial Intelligence for detecting handwriting -Dr. Nagender Aneja, The Founder of RersearchID, University of Darussalam, Brunei. 9. Programming immersive storytelling and 360° video camera demos for metaverse, Ben Kachi, vr360 Stories, Lagos, Nigeria. 10. Easy-to-use Digital Humanities tools-Dr. James Akinola, Technological University of Michigan, USA. 11. Introduction to Digital Humanities- Dr, Utitofon Inyang, Binghamton University, NewYork, USA. 12. Geospatial analysis and Digital Humanities-Mr. John Henry, Université Franche-Comté, France. 13. Towards A "Political Turn": Exploring Creative Digital Narratives for Political Activism- Dr. Rachid Benharrousse, Mohammed V University, Morocco. 14. Research Methodologies in Digital Humanities- Go::DH Team. 15. Critical Code Studies and Non-coder approach to creation of African electronic literature - Mr. Yohanna Joseph Waliya, AELA & ADELI, University of Calabar, Calabar, Nigeria. Thanks. See at the AELAIWC2023, University of Calabar, Nigeria. Yohanna Joseph Waliya Enseignant et chercheur à l'université de Calabar, Nigéria. Auteur de La récolte de vie et Climatophosis<https://projects.cah.ucf.edu/mediaartsexhibits/ClimatesOfChange/Waliya/wali…>[The Best Use of DH For Fun 2020<http://dhawards.org/dhawards2020/results/>] UNESCO Janusz Korczak Fellow, ELO Research Fellow Winner of Janusz Korczak Prize for Global South 2020 Creator & Curator of MAELD & ADELD Executive Director of AELA & ADELI MAELD & ADELD Project<https://africanelit.org/> [Honourable mention in 2022 by the C-SKI<https://etcl.uvic.ca/2022/01/25/2022-open-scholarship-awards/>]. Mobile: +2348038940016.ORCID<https://orcid.org/0000-0003-4456-7458> I ResearchID<https://researchid.co/rid38877> | Sciprofiles<https://sciprofiles.com/profile/yohannawaliya> | Researchgate<https://www.researchgate.net/profile/Yohanna_Waliya> | Academia<https://unical-ng.academia.edu/WALIYAYOHANNAJOSEPH> |Semantic Scholar<https://www.semanticscholar.org/author/Yohanna-Joseph-Waliya/2036971809>| Google Scholar<https://scholar.google.com/citations?user=FXIejwEAAAAJ>

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CFP: The Social Epistemology of Social Media, Special Issue of Topoi
by Boaz Miller 25 Sep '23

25 Sep '23

Call for Papers [1]Topoi – An International Review in Philosophy Special Issue: The Social Epistemology of Social Media Paper submissions are invited for the special issue/collection of [2]Topoi on The Social Epistemology of Social Media This Special issue/Collection will bring higher citations and visibility to your paper rather than regular papers and attract more relevant readership due to its scope. Topoi is indexed in the Web of Science, currently with a 2022 IF of 1,4 and CiteScore of 2,8 and its editorial team is led by the Editor in Chief Prof. Fabio Paglieri and Associate Editor Prof. Marcin Lewinski. Guest Editors: [3]Glenn Anderau (University of Zürich) (lead editor) [4]Axel Gelfert (TU Berlin) [5]Boaz Miller (Zefat Academic College, University of Johannesburg) [6]Isaac Record (Michigan State University) DESCRIPTION: The development of the Internet and social media has had a major impact on the exchange of knowledge and our epistemic environment. While social media has made knowledge more accessible and allows for the bypassing of hegemonic gatekeepers, not all marginalized voices have profited from this to an equal extent. In addition, these socio-technical systems have facilitated the spread of epistemically harmful content and created online ecosystems in which harmful content thrives. Because of its relative novelty, the epistemic dimensions of social media have not yet been sufficiently studied. There is a lack of integrative frameworks which can allow for the theoretical and empirical study of the epistemic dimensions of social media. This special issue aims to rectify this by mapping out a social epistemology of social media that does justice to the twin desiderata of providing a unifying framework while acknowledging the diversity of concerns and practices. Apart from descriptive questions, this special issue is interested in answering normative questions regarding social media and the normativity of knowledge-oriented practices. A guiding idea is that we – as users, stakeholders and citizens, through individual and collective action – can aim to turn social media platforms into better epistemic environments which facilitate the spread of knowledge while safeguarding against the spread of epistemically toxic content. This special issue thus aims to bring internet scholarship into conversation with social epistemology. These two overlapping fields have much in common. Both are relatively young fields that study online putative knowledge-producing practices and dynamics. Both emphasize the mutual interactions of people and technology, and both are interested in real-life, non-ideal conditions. While Internet scholars have focused on empirical research methods (Altay et al. 2022; Marres 2017; Rogers 2019; Venturini and Munk 2021), social epistemologists have focused on theory and normative assessment (Frost-Arnold 2023; Miller and Record 2017; 2013; Simon 2014). Social epistemologists have also dealt with defining fake news (Gelfert 2018, Anderau 2021) and identifying the conditions under which fake news and other toxic epistemic content spread online, paying special attention to the interplay between technological affordance (Record 2013) and social-epistemic norms of posting and sharing (Arielli 2018; Gelfert 2021; Marin 2021; Nguyen 2020; Record and Miller 2022a). Thus, in addition to social epistemologists, this special issue invites contributions from empirical researchers from cognitive sciences, media studies, and STS who share the main commitments and interests of social epistemology. Questions of interest for the special issue include, but are by no means limited to: ● How may social media platforms contribute to epistemic justice? (Frost-Arnold 2023; Knöchelmann 2021; Miller and Record 2017) ● Which strategies, e.g., fact-checking, nudging, and content moderation, are most effective at mitigating the dissemination of epistemically toxic content online? (Record and Miller 2022b) ● What are the limitations and risks of such strategies? ● How can we avoid the risk of public debate reverting to positivistic notions of facts? What, for example, might ‘fact-checking’ mean in a world where ‘we can’t have our facts back’? (Marres 2018) ● How do social media platforms afford novel speech acts, such as liking or sharing, how are they to be characterized, and what are their implications to the online dissemination of content? (Arielli 2018; Marsili 2021; Marin 2021; Record and Miller 2022a) DEADLINE: Please submit your paper by 15th March 2024. Should you not be able to meet this deadline, please contact the Lead Guest Editor (contact details below). SUBMISSION: Please use the journal’s Online Manuscript Submission System (Editorial Manager), accessible here [7]Editorial Manager® ( [8]https://www.editorialmanager.com/topo/default.aspx ). Do note that paper submissions via email are not accepted. Author Submission’s GUIDELINES: Authors are asked to prepare their manuscripts according to the journal’s standard [9]Submission Guidelines. When uploading your paper in Editorial Manager, please select “SI: Social Epistemology of Social Media (Anderau et al)” in the drop-down menu “Article Type”. EDITORIAL PROCESS: All papers will undergo the journal’s standard review procedure (double-blind peer-review), according to the journal’s [10]Peer Review Policy, Process and Guidance and reviewers will be selected according to the [11]Peer Reviewer Selection policies. Once papers are accepted, they will be made available as [12]Online first articles publications until final publication into an issue and available on the page [13]Collections. CONTACT: For any questions, please directly contact the Lead Guest Editor: [14]Glenn Anderau (University of Zürich) [15]glenn.anderau(a)philos.uzh.ch. REFERENCES: Altay, S., Hacquin, A. S., & Mercier, H. (2022). Why do so few people share fake news? It hurts their reputation. New Media & Society, 24(6), 1303-1324. Anderau, G. (2021). Defining fake news. Kriterion, 35(3), 197-215. Arielli, E. (2018). Sharing as speech act. Versus, 47(2), 243-258. Frost-Arnold, K. (2023). Who Should We Be Online?: A Social Epistemology for the Internet. Oxford University Press. Gelfert, A. (2018). Fake news: a definition. Informal Logic, 38(1), 84-117. Gelfert, A. (2021). Fake news, false beliefs, and the fallible art of knowledge maintenance. In The epistemology of fake news, eds. S. Bernecker et al. (pp. 310-333). Oxford University Press. Knöchelmann, M. (2021). The democratisation myth: Open Access and the solidification of epistemic injustices. Science & Technology Studies, 34(2), 65-89. Marin, L. (2021). Sharing (mis) information on social networking sites: An exploration of the norms for distributing content authored by others. Ethics and Information Technology, 23(3), 363-372. Marres, N. (2015). Why map issues? On controversy analysis as a digital method. Science, Technology, & Human Values, 40(5), 655-686. Marres, N. (2017). Digital sociology: The reinvention of social research. John Wiley & Sons. Marres, N. (2018). Why we can't have our facts back. Engaging Science, Technology, and Society, 4, 1-21. Marsili, N. (2021). Retweeting: its linguistic and epistemic value. Synthese, 198(11), 10457-10483. Miller, B., & Record, I. (2013). Justified belief in a digital age: On the epistemic implications of secret Internet technologies. Episteme, 10(2), 117-134. Miller, B., & Record, I. (2017). Responsible epistemic technologies: A social-epistemological analysis of autocompleted web search. New Media & Society, 19(12), 1945-1963. Nguyen, C. T. (2020). Echo chambers and epistemic bubbles. Episteme, 17(2), 141-161. Record, I. (2013). Technology and epistemic possibility. Journal for General Philosophy of Science, 44, 319-336. Record, I., & Miller, B. (2022a). People, posts, and platforms: reducing the spread of online toxicity by contextualizing content and setting norms. Asian Journal of Philosophy, 1(2), 41. Record, I., & Miller, B. (2022b). Wrong on the Internet: Why some common prescriptions for addressing the spread of misinformation online don’t work. Communique, 105, 22-27. Rogers, R. (2019). Doing digital methods. Sage. Simon, J. (2014). Distributed epistemic responsibility in a hyperconnected era. In The Onlife Manifesto: Being human in a hyperconnected era, ed. L. Floridi (pp. 145-159). Springer. Venturini, T., & Munk, A. K. (2021). Controversy mapping: A field guide. John Wiley & Sons. References 1. https://www.springer.com/philosophy/journal/11245 2. https://www.springer.com/journal/11245/ 3. https://www.philosophie.uzh.ch/en/seminar/people/research/theory_meylan/and… 4. http://www.gelfert.net/People/Axel/axel.html 5. https://boazmiller.com/ 6. https://www.isaacrecord.net/ 7. https://www.editorialmanager.com/topo/default.aspx 8. https://www.editorialmanager.com/topo/default.aspx 9. https://www.springer.com/journal/11245/submission-guidelines 10. https://www.springer.com/gp/editorial-policies/peer-review-policy-process 11. https://www.springer.com/gp/editorial-policies/peer-review-policy-process#t… 12. https://link.springer.com/journal/11245/online-first 13. https://link.springer.com/journal/11245/collections 14. https://www.philosophie.uzh.ch/en/seminar/people/research/theory_meylan/and… 15. mailto:glenn.anderau@philos.uzh.ch

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28th International Conference on Engineering of Complex Computer Systems (ICECCS 2024): First Call for Papers
by Announce 25 Sep '23

25 Sep '23

*** First Call for Papers *** 28th International Conference on Engineering of Complex Computer Systems (ICECCS 2024) June 19-21, 2024, 5* St. Raphael Resort and Marina, Limassol, Cyprus https://cyprusconferences.org/iceccs2024/ (*** Submission Deadline: December 8, 2023 AoE ***) Recent years have witnessed a rapidly rising emphasis on the design, implementation and management of complex computer systems which are present in every aspect of human activities, such as manufacturing, communications, defence, transportation, aerospace, hazardous environments, energy, and healthcare. These complex systems are frequently distributed over heterogeneous networks and process a large amount of data, leveraging emerging artificial intelligence (AI), large language models, and machine learning techniques. Complexity arises from many factors, including the dynamic environment and the scenarios these systems operate in, demanding and sometimes conflicting requirements in functionality, efficiency, scalability, security, dependability and adaptability, data heterogeneity, as well as the wide range of development methodologies, programming languages and implementation details. Performance, real-time behaviour, fault tolerance, robustness, security, adaptability, development time and cost, and long life concerns are some of the key issues arising in the development of such systems. The International Conference on Engineering of Complex Computer Systems (ICECCS) is a well-established event that has been held around the world for over 25 years. The goal of this conference is to bring together industrial, academic, and government experts from a variety of application domains and software disciplines, to discuss how the disciplines’ problems and solution techniques interact within the whole system. Researchers, practitioners, tool developers and users, and technology transfer experts are all welcome. The scope of the conference includes long-term research issues, near-term requirements and challenges, established complex systems, emerging promising tools, and retrospective and prospective reflections of research and development into complex systems. LIST OF TOPICS Authors are invited to submit papers describing original, unpublished research results, case studies and tools. Papers are solicited in all areas related to complex computer-based systems, including the causes of complexity and means of avoiding, controlling, or coping with complexity. Topic areas include, but are not limited to: Requirements, modeling and formal methods • Requirements analysis and specification • Model-driven development • Model checking • SAT/SMT solvers for software analysis and testing AI, Complex intelligent models and complex systems • Big data management • Data-drive and AI-backed systems • Machine learning for Software Engineering • AI4SE and SE4AI • Adaptive, self-managing and multi-agent systems Security, reliability and dependability • Safety-critical and fault-tolerant architectures • Formal methods • Security and privacy of complex systems • Privacy-preserving AI • Fairness Software engineering • Verification and validation • Reverse engineering and refactoring • Software architecture • Human Machine Interaction • Agile methods Realistic complex systems • Ubiquitous computing, context awareness, sensor networks • Cyber-physical systems and Internet of Things (IoT) • Autonomous systems and self-healing systems • Industrial case studies Different kinds of contributions are sought, including novel research, lessons learned, experience reports, and discussions of practical problems faced by industry and user domains. The ultimate goal is to build a rich and comprehensive conference program that can fit the interests and needs of different classes of attendees: professionals, researchers, managers, and students. A program goal is to organize several sessions that include both academic and industrial papers on a given topic and culminate panels to discuss relationships between industrial and academic research. SUBMISSION AND PUBLICATION Full papers are divided into two categories: Technical Papers and Experience Reports. The papers submitted to both categories will be reviewed by the program committee members, and papers accepted in either category will be published in the conference proceedings. Technical papers should describe original research, and experience reports should present practical projects carried out in the industry, and reflect on the lessons learnt from them. Short paper submissions describe early-stage, ongoing or PhD research. All short papers will be reviewed by the program committee members, and accepted short papers will be published in the conference proceedings. Submissions to the conference must not have been published or be concurrently considered for publication elsewhere. All submissions will be judged on the basis of originality, contribution to the field, technical and presentation quality, and relevance to the conference. The proceedings have been published by the Conference Publishing Services (CPS) of the IEEE Computer Society. Submitted manuscripts should be in English and formatted in the style of the double-column IEEE CPS format. Full papers should not exceed 9 pages + 1 page for bibliography, and short papers should not exceed 5 pages + 1 page for bibliography, including figures, references, and appendices. All submissions should be in PDF format. Submissions not adhering to the specified format and length may be rejected immediately without review. Please prepare your manuscripts in accordance with the IEEE CPS guidelines. https://www.ieee.org/conferences/publishing/templates.html . We invite all prospective authors to submit their manuscripts via the ICECCS 2024 portal, hosted by the EasyChair conference management system. https://easychair.org/conferences/?conf=iceccs2024 IMPORTANT DATES • Abstract Submissions Due: 08 December, 2023 AoE • Full Paper Submissions Due: 15 December, 2023 AoE • Acceptance/Rejection Notification: 15 March, 2024 • Camera-ready Due: 15 April, 2024 • Author Registration Due: 15 April, 2024 • Conference Dates: 19-21 June 2024 ORGANISATION Steering Committee Jin Song Dong, National University of Singapore, Singapore Mike Hinchey, University of Limerick, Ireland Xiaohong Li, Tianjin University, China Shaoying Liu, Hiroshima University, Japan Mauro Pezze, University in Lugano, Switzerland Roy Sterritt, Ulster University, United Kingdom Jing Sun (Chair), University of Auckland, New Zealand General Co-Chairs • Yamine Ait-Ameur, IRIT, France • George A. Papadopoulos, University of Cyprus, Cyprus Program Chairs • Guangdong Bai, University of Queensland, Australia • Fuyuki Ishikawa, National Institute of Informatics, Japan

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AoIR on Mastodon during #AoIR2023 and beyond
by Michelle, Association of Internet Researchers 24 Sep '23

24 Sep '23

Hello All, In October 2022, Elon Musk completed his acquisition of Twitter. Almost a year later and we have witnessed the gutting of the content moderation department, a huge increase in hate speech, and in real terms the end to API-based researcher access to data. Twitter (or ‘X’) isn’t just unfriendly but actually unsafe for many more people. For these reasons, the Association of Internet Researchers has decided that we will be ramping down our use of Twitter, effective immediately. Instead, we are shifting our activity to Mastodon, where for a few months we have been running our very own server. This means that we will not be tweeting during the #AoIR2023 conference. Instead, we will be posting on AoIR’s Mastodon instance (https://aoir.social) Membership of this instance is a benefit of AoIR membership. AoIR members have recently been sent an invite link; if you are not a member of AoIR, why not join <https://aoir.org/membership/> and also get access to our online community. We have put together a short ‘Starting out on Mastodon <https://youtu.be/b_gM1onnKeE>’ video guide (and a longer one <https://youtu.be/djepDsuZTeQ> too), but it’s important for us to really emphasize that you do not need to change your Twitter persona (or persona from whatever other platform(s) you use) for Mastodon. You will need to write textual descriptions of images you post (ALT text), and it’s customary to write a post in which you introduce yourself, but you can be just as whimsical, self-promotional, political, irreverent, pet-obsessed, puntastic, or whatever, as you were/are on Twitter. Honestly. That said, for a long time, Twitter has been the back channel, and then pretty close to the front channel, for AoIR conferences and the AoIR community. As a community, many of us are invested in trying to make, find, promote and experience better online communities. Mastodon and the fediverse are an attempt to carve out a better space that is not owned by huge corporations. *We invite you for at least the duration of #AoIR2023 to give Mastodon a go. *If the AoIR community finds it useful, it’s a space we can maintain, support and protect ourselves, which is important for any community. In order to encourage you to make the jump to Mastodon sooner rather than later, we have just started a Name That Film That’s Filmed In Philadelphia But Doesn’t Have Philadelphia In The Name Competition (aka #AoIR2023PhillyMovieGame <https://aoir.social/tags/AoIR2023PhillyMovieGame> ). See you on aoir.social! Tama Leaver and Nik John AoIR President and Vice-President

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WEBCAST SEP 22 – Smart Cities, AI, and Community Internet: Accelerating Sustainable Development Goals across Africa
by Joly MacFie 22 Sep '23

22 Sep '23

Another UN General Assembly side event today. This one just steps away from the UN HQ, and also very close to home with the Internet Society's mission. [image: isoc live] <https://isoc.live/16905>On *Friday September 22 2023*, at *6pm-8pm EDT* (22:00-00:00 UTC) *Syracuse University <https://ischool.syr.edu/>* will present a panel discussion '*Smart Cities, AI, and Community Internet: Accelerating Sustainable Development Goals across Africa <https://www.undp.org/sustainable-development-goals>*' at Lubin House in New York City. Africa is the world's second most populous continent with over 1.3 billion people and a median age of 19. This young and growing population is increasingly urbanizing, with over 50% of Africans expected to live in cities by 2050. At the midway point to the implementation of the UN Sustainable Development Goals (SDGs), leaders in government, the private sector and civil society are convening at the 78th Session to the UN General Assembly to discuss mechanisms to accelerate progress towards the implementation of the SDGs. This event will convene experts from around the world to discuss the role that smart cities, artificial intelligence (AI), and community Internet technologies can play in accelerating the implementation of the SDGs across Africa, and the challenges and opportunities in doing so. *MODERATOR/HOST Yusuf Abdul-Qadir* *PANEL* *Dr. Lee McKnight*, Associate Professor, School of Information Studies, Syracuse University. *Dr. Gloria Somolakae*, Head, Governance and Administration Unit, Botswana Institute for Development Policy Analysis (BIDPA) *David Hartshorn*, Geeks Without Frontiers (Geeks) *Dr. Danielle Taana Smith*, Director, Renee Crown University Honors Program, Sysracuse University *RESPONDENTS* Dr. Annalee C. Babb, founder and CEO of Intersections Wisdom Donkor, founder, Africa Open Data and Internet Research Foundation *RESEARCHERS* *Lahari Chowtoori*, Master’s student, Data Analytics, School of Information Studies *Jane Appiah-Okyere*, Doctoral student, School of Information Studies This event is webcast via a partnership with the Internet Society US New York Chapter <https://isoc-ny.org>. *LIVESTREAM http://livestream.com/internetsociety/AcceleratingSDGs <http://livestream.com/internetsociety/AcceleratingSDGs>* *ATTEND IN PERSON https://bit.ly/489925b <https://bit.ly/489925b>* *TWITTER #AcceleratingSDGs <https://bit.ly/46qDUwp> @iSchoolSU @LeeMcKnight @YusufAQ @GeeksWF @AAS_Syracuse @ISOCNY @ISOC_Africa #AI #CommunityNetworks #SmartCities #Afica #SDGs #SDGdigital #GlobalGoals* *MASTODON #AcceleratingSDGs <https://mastodon.social/tags/AcceleratingSDGs>* *SIMULCASTS* *https://www.twitch.tv/isoclive <https://www.twitch.tv/isoclive>* *https://www.facebook.com/liveisoc/* <https://www.facebook.com/liveisoc/> (AI captions) *https://www.facebook.com/ISOCAfrica/ <https://www.facebook.com/ISOCAfrica/>* (AI captions) *ARCHIVE* *https://archive.org/details/AcceleratingSDGs <https://archive.org/details/AcceleratingSDGs>* Permalink https://isoc.live/16905 - -- -------------------------------------- Joly MacFie +12185659365 -------------------------------------- -

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CFP: Media Aesthetics
by Zach McDowell 21 Sep '23

21 Sep '23

(apologies for cross-posting) communication +1 <https://scholarworks.umass.edu/cpo/>is seeking proposals for Volume 11, "Media Aesthetics" Co-edited by Hank Gerba and Zachary McDowell In our age of ubiquitous computation, “sense and the senses turn to eyewash.” Or so proclaimed Friedrich Kittler, fearing that the operationalization of boolean logic, materialized and ever-miniaturized in the transistor, would sever the connection between media and the human senses. Digital communication between machines would pass seamlessly below the threshold of perception, which would only ever be rendered in the strictest computational sense. Must theories of media and communication abdicate the body as a locus of theoretical inquiry? Despite the micro-temporality of computational media, this collection aims to reintroduce media of all kinds to the sensory by asking after the relationship between media and aesthetics. We understand aesthetics broadly, following M. Beatrice Fazi, who writes that “aesthetics is [here] understood in a manner that is more in keeping with its etymological roots––which lie in the term aisthesis––and it is thus conceptualized as a theory of sensory knowledge.” With this definition, the collection hopes to provide a space in which the sensory can refocus critical and political questions of embodiment, mediation, and subjectivation. This collection seeks engagement with and between the many existing species of media studies and communications. By focusing on the aesthetic, we also hope to expand the study of media and communication beyond their traditional institutional and methodological boundaries. We strongly encourage intersectional and interdisciplinary engagements with the aesthetic as it functions theoretically, methodologically, spatially, institutionally, historically, and in relation to the study of media and communication. Please submit short proposals of no more than 500 words by December 1, 2023 to communicationplusone(a)gmail.com. Upon invitation, full-text submissions will be due April 15, 2024, with expected publication in Fall 2024. About the Journal The aim of communication +1 <https://scholarworks.umass.edu/cpo/> is to promote new approaches and open new horizons in the study of communication from an interdisciplinary perspective. We are particularly committed to promoting research that seeks to constitute new areas of inquiry and to explore new frontiers of theoretical activities linking the study of communication to both established and emerging research programs in the humanities, social sciences, and arts. Other than the commitment to rigorous scholarship, communication +1 sets no specific agenda. Its primary objective is to create a space for thoughtful experiments and for communicating these experiments. Editors Briankle G. Chang, University of Massachusetts Amherst Zachary J. McDowell, University of Illinois at Chicago Advisory Board Sean Johnson Andrews, Columbia College Chicago Lisa Åkervall, University of Gothenburg, Sweden Nathalie Casemajor, University of Québec Outaouais Jimena Canales, University of Illinois Urbana Champaign Bernard Geoghegan, Kings College, London Lawrence Grossberg, University of North Carolina Chapel Hill David Gunkel, Northern Illinois University Peter Krapp, University of California Irvine Catherine Malabou, Kingston University, United Kingdom Jussi Parikka, Aarhus University, Denmark John Durham Peters, Yale University Amit Pinchevski,The Hebrew University of Jerusalem Florian Sprenger, Ruhr-University Bochum, Germany Jonathan Sterne, McGill University Ted Striphas, University of Colorado, Boulder Christina Vagt, University of California Santa Barbara Greg Wise, Arizona State University https://scholarworks.umass.edu/cpo/ live long and prosper, Zach -------------------- Zachary J. McDowell, PhD www.zachmcdowell.com New Book out: Wikipedia and the Representation of Reality Read online or on Kindle for free <https://www.taylorfrancis.com/books/oa-mono/10.4324/9781003094081/wikipedia…>

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Deadline Extended: Race in Games and Games Conference
by Gerald Voorhees 21 Sep '23

21 Sep '23

Dear Colleagues, Please note that the deadline for submission to the Race in Games and Game Studies <https://raceandgamesconf.uwaterloo.ca//openconf.php> conference (Dec 7-8) has been extended to end of day September 29. Race in Games and Game Studies will be a two day conference dedicated to exploring how race impacts games and game studies. The conference will be hosted online December 7-8, 2023 and registration is free. It will feature conventional paper panels as well as plenary discussion panels focused on future directions for research at the intersections of games and race. Additionally, I'm happy to announce that selected papers will be invited for revision and publication in an edited anthology or journal special issue, venue TBD. Best regards Gerald -- ------------------------------ Gerald Voorhees, Ph.D. (he/him) Associate Professor Department of Communication Arts University of Waterloo 257A ML, Waterloo ON, N2L 3G1 *I acknowledge that I live and work on the traditional territory of the Attawandaron (Neutral), Anishinaabeg and Haudenosaunee peoples. The University of Waterloo is situated on the Haldimand Tract, the land promised to the Six Nations that includes ten kilometers on each side of the Grand River. *

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IEEE GLOBECOM 2023 call for application for STG
by Eirini Eleni Tsiropoulou 21 Sep '23

21 Sep '23

IEEE GLOBECOM 2023 is pleased to announce the availability of competitive grants aimed at supporting students and individuals with limited financial resources. These grants are designed to promote inclusivity and encourage the participation of individuals who might otherwise face financial barriers to attending the conference. We invite eligible applicants to apply for these grants to facilitate their participation in the IEEE GLOBECOM 2023 conference. A new grant has been proposed by IEEE ComSoc which is open to anyone the IEEE Conference Travel Grant while the others are dedicated only to IEEE Student ComSoc Members. This year GC offers different Grant Categories: -IEEE ComSoc Grant: Supported by the IEEE Communications Society open only for students -US National Science Foundation (NSF) Grant: Supported by the NSF open only for students -Women in Communications Engineering (WICE) Grant: Focused on promoting women's participation in the field. Open only for students -IEEE Conference Travel Grant open to all. Eligibility Criteria: To be eligible for these grants, applicants must meet the following criteria: -Be registered for IEEE GLOBECOM 2023 and be IEEE COMSOC member. -Co-authored an accepted peer-reviewed paper for the conference. -Applicants from diverse backgrounds, including women, minorities, individuals from low GDP countries, beginning graduate students, and first-time GLOBECOM attendees, are strongly encouraged to apply. -Only one student or applicant per institution will be supported. -Postdocs, faculty, or other senior research personnel are not eligible for these grants. The grants will cover various expenses associated with attending IEEE GLOBECOM 2023, including registration fees, travel, and accommodation costs. These grants aim to create an inclusive environment and foster collaboration among students and individuals interested in communications and networking. Application Process: To apply for the grants, eligible individuals must complete the grant application form, which will be made available on the IEEE GLOBECOM 2023 conference website at https://edas.info/listAllTravelgrants.php?c=30585 The application deadline and submission details are also provided on the website at https://globecom2023.ieee-globecom.org/authors/call-symposium-papers/author… Important Dates: Grant Application Deadline: 15 October 2023 Grant Notification: 1 November 2023 Contact Information: For inquiries and further information, please contact the IEEE GLOBECOM 2023 Grants Committee at Jalel.benothman(a)centralesupelec.fr<mailto:Jalel.benothman@centralesupelec.fr>, zhan2(a)central.uh.edu<mailto:zhan2@central.uh.edu>, rose.hu(a)usu.edu<mailto:rose.hu@usu.edu>, linda.xie(a)charlotte.edu<mailto:linda.xie@charlotte.edu>, stefano.bregni(a)polimi.it<mailto:stefano.bregni@polimi.it>.

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Invitation to TikTok Creators and Digtial Economies symposium on October 6
by Zoetanya Sujon 21 Sep '23

21 Sep '23

Dear lovely AoIR colleagues We are delighted to invite you to the TikTok Creators and Digital Economies Symposium on October 6, 2023. This symposium is a satellite event of the TikTok Research Cultures Network <https://tiktokcultures.com/> in collaboration with the Digital Cultures and Economies Research Hub <https://www.arts.ac.uk/colleges/london-college-of-communication/research-at…> . - Date: October 6, 2023 - Times: - 8:00 - 16:40 (UK time / GMT) - 16:00 - 24:40 (AWST) - 4:00 - 12:40 (EDT) - Location: Online - Registration link: https://www.eventbrite.co.uk/e/tiktok-creators-and-digital-economies-sympos… <https://www.eventbrite.co.uk/e/tiktok-creators-and-digital-economies-sympos…> Free and open to all. >From new dance challenges to instantly recognisable songs, TikTok is often attributed with producing new global trends. Merging short form video, popular and original music, hashtags, comments, and participatory features like stitching and duets, TikTok provides a platform for ordinary users to consume, create, play and participate in public conversations. Creators benefit from new kinds of visibility and affective economies, yet also complain of shadow bans, seemingly arbitrary limitations on views, and algorithmic personalisation and circulation of content. The intersection between TikTok culture and creator economies raise big questions about emerging features of platformed economies. While TikTok’s niche creator practices share common features across other social media and digital platforms (Hardy 2022, Sujon 2021), TikTok’s specific approaches to monetisation and affective entrepreneurialism raises questions about what is distinct on TikTok for creator economies. The plenary discussion features leading scholars in the field: - Thomas Poell <https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html#Profile> (University of Amsterdam), Institutional Perspectives on TikTok and Cultural Production - Francesca Sobande <https://profiles.cardiff.ac.uk/staff/sobandef> (University of Cardiff), Racial Capitalism and Digital Economies of "Intersectionality" The symposium is a satellite event of the TikTok Research Cultures Network <https://tiktokcultures.com/>, in collaboration with the Digital Cultures and Economies Research Hub <https://www.arts.ac.uk/colleges/london-college-of-communication/research-at…>. It brings together current work which opens up these dynamics, examining emerging forms of cultural production and also their economic consequences for creators, citizens, consumers, advertisers, and platforms. Organized by: Zoetanya Sujon, Irida Ntalla, Jackie Raphael-Luu, Sevil Yesiloglu, Jonathan Hardy, Yue Qin, Yingwen Wang, and Fancheng MengContact: DCE(a)lcc.arts.ac.uk -- 'You are marvellous. The Gods wait to delight in you.' ('The Laughing Heart' by Charles Bukowski).

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