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ACM UMAP 2024 - Call for Late-Breaking Results and Demos
by Wanling Cai 23 Dec '23

23 Dec '23

* We apologize if you receive multiple copies of this CfP * * Online version: https://www.um.org/umap2024/call-for-lbr-and-demos/ ACM UMAP 2024 - Call for Late-Breaking Results and Demos ACM UMAP 2024: The 32nd ACM Conference on User Modeling, Adaptation and Personalization Cagliari, Sardinia, Italy July 1-4, 2024 The 32nd International Conference on User Modeling, Adaptation, and Personalization (ACM UMAP 2024) is the premier international conference for researchers and practitioners working on systems that adapt to individual users or groups of users, and that collect, represent, and model user information. ACM UMAP 2024 is sponsored by ACM SIGCHI<https://sigchi.org/> and SIGWEB<https://www.sigweb.org/>. User Modeling Inc.<https://um.org/>, as the core Steering Committee, oversees the conference organization. ACM UMAP operates under the ACM Conference Code of Conduct<https://www.acm.org/about-acm/policy-against-harassment>. The proceedings, published by ACM, will be part of the ACM Digital Library. ACM UMAP 2024 invites Late-Breaking Results (LBR) papers as well as Demonstrations (demos) of innovative UMAP-based systems (including research prototypes). The topics for these submissions are the same as the ones included in the Call for Full and Short Papers<https://www.um.org/umap2024/call-for-full-and-short-papers/>. However, their scope and timing is different. In particular, although short papers (from the main track) and the LBR papers of this call have the same maximum length, LBR papers are expected to present innovative ideas that are being explored and have already shown some promising results. It is also a dissemination channel for new research directions. Mature results which have already gone through experimental validation are more suitable for the general call, either as a full or short paper. Thus, rejected papers from the main track are not expected to be a valuable contribution as an LBR paper unless their contents are revised to address the scope of this track. Note also that LBR papers are to be presented physically during the conference in a poster format, allowing for more informal discussions on the ideas shared. Demos are intended to present systems that have been used to achieve the research outcomes presented as full and short papers. Thus, we highly recommend authors of accepted full and short papers to also prepare a submission for a demo of their system to be showcased at the conference in the LBR and Demo session. ** Important Dates ** Submission: April 18, 2024 Notification: May 9 2024 Camera-ready Submission (TAPS system): May 16, 2024 Conference: July 1 – 4, 2024 Note: The submissions deadlines are at 11:59 pm AoE (Anywhere on Earth)<https://www.timeanddate.com/time/zones/aoe> time. Submission All submissions must be written in English. Papers should be submitted electronically, in a PDF format, through the EasyChair submission system, https://easychair.org/conferences/?conf=umap24, by selecting the “UMAP24 Late Breaking Results and Demo Papers” track ** Length and Formatting ** -- Late-Breaking Results Format -- * Page Limits. Up to 7 pages, plus up to 2 additional pages for references (figures, tables, proofs, appendixes, acknowledgments, and any other content count toward the page limit). * Proceedings. Publication in ACM UMAP 2024 adjunct proceedings. * Presentation. Physically presented as a poster during the conference. * Description. LBRs are research-in-progress that must contain original and unpublished accounts of innovative research ideas, preliminary results, industry showcases, and system prototypes, addressing both the theory and practice of UMAP. In addition, papers introducing recently started research projects or summarizing project results are welcome as well. We encourage researchers and practitioners to submit late-breaking work as it provides a unique opportunity for sharing valuable ideas, eliciting useful feedback on early-stage work, and fostering discussions and collaborations among colleagues. In case that papers rejected in the main track (i.e. submitted as full or short papers) are submitted to this track, they should be revised not only to take into account the comments made to help improve the paper, but to fulfill the scope of the LBR, which emphasizes novelty of ideas. This is also valid for papers that have been recommended as an LBR when rejected in the main track. -- Demos Format -- * Page Limits *. Up to 5 pages, plus up to 1 additional page for references (figures, tables, proofs, appendixes, acknowledgments, and any other content count toward the page limit). On an extra page (not to be published), submissions should include a specification of the technical requirements for demonstrating the system at UMAP 2024. * Supporting Material *. Video or external material demonstrating the system. * Proceedings *. Publication in ACM UMAP 2024 adjunct proceedings. * Presentation * . Physically presented as a demo plus as a poster during the conference. * Description *. Demos will showcase research prototypes and commercially available products in a dedicated session. Demo submissions must be based on an implemented and tested system that pursues one or more innovative ideas in the interest areas of the conference. Demonstrations are an excellent and exciting way to showcase implementations and get valuable feedback from the community, especially for those papers that have been presented in the main track. Each demo submission must make clear which aspects of the system will be demonstrated, and how these will be demonstrated on-site as well as online. To better identify the value of demos, we also encourage authors to submit a pointer to a screencast (max. 5 minutes on Vimeo or YouTube) or any external material related to the demo (e.g., shared code on GitHub). Non-Anonymity. Submissions will be reviewed single-masked (i.e., authors’ names should be included in the papers) thus there is no need to be anonymized before submission. Template for the Research Description. Following the ACM Publication Workflow<https://www.acm.org/publications/taps/word-template-workflow>, all authors should submit manuscripts for review in the new ACM single-column format. Instructions for authors are given below: * LaTeX (use \documentclass[manuscript, review, anonymous]{acmart} in the sample-authordraft.tex file for single-column). Please carefully follow the ACM’s instructions for preparing your article with LaTeX<https://authors.acm.org/proceedings/production-information/preparing-your-a…>. * Overleaf (use \documentclass[manuscript,review,anonymous]{acmart} for single-column). Please carefully follow the ACM’s instructions for preparing your article with Overleaf<https://authors.acm.org/proceedings/production-information/overleaf>. * Word. Please carefully follow the ACM’s instructions for preparing your article with Microsoft Word<https://authors.acm.org/proceedings/production-information/preparing-your-a…> Should you have any questions or issues going through the instructions above, please contact support at acmtexsupport(a)aptaracorp.com<mailto:acmtexsupport@aptaracorp.com> for LaTeX and Microsoft Word inquiries. * Accessibility *. Authors are strongly encouraged to provide “alt text” (alternative text) for floats (images, tables, etc.) in their content so that readers with disabilities can be given descriptive information for these floats that are important to the work. The descriptive text will be displayed in place of a float if the float cannot be loaded. This benefits the author and it broadens the reader base for the author’s work. Moreover, the alt text provides in-depth float descriptions to search engine crawlers, which helps to properly index these floats. Additionally, authors should follow the ACM Accessibility Recommendations for Publishing in Color and SIG ACCESS guidelines on describing figures<https://authors.acm.org/journals/accessibility-recommendations-for-publishi…>. ** Review Process & Camera-ready Submission ** * Review * Submissions will be reviewed by at least two independent reviewers. They will be assessed based on their originality and novelty, potential contribution to the research field, potential impact in particular use cases, and the usefulness of presented experiences, as well as their overall readability. Papers that exceed the page limits or do not adhere to the formatting guidelines will be returned without review. The ACM Code of Ethics<https://ethics.acm.org/> gives the UMAP program committee the right to (desk-)reject papers that perpetuate harmful stereotypes, employ unethical research practices, or uncritically present outcomes/implications that clearly disadvantage minority communities. Further, reviewers will be explicitly asked to consider whether the research was conducted in compliance with professional ethical standards and applicable regulatory guidelines. Failure to do so could lead to a (desk-)rejection. * Camera-ready Information *. Accepted papers will be subject to further revision to meet the requirements of the camera-ready format required by ACM. We strongly recommend the usage of LaTeX/Overleaf for the camera-ready papers to minimize the extent of reformatting. Users of the Word template must use either the version for Microsoft Word for Windows, Macintosh Office 2011, or Macintosh Office 2016 (other formats such as Open Office, etc., are not admitted) for the camera-ready submission to avoid incompatibility issues. Instructions for preparing the camera-ready versions of accepted papers will be provided after acceptance. This might include instructions to prepare a video of the accepted contribution. Camera-ready versions of accepted papers will be later submitted using ACM’s new production platform<https://www.acm.org/publications/proceedings-template> where authors will be able to review PDF and HTML output formats before publication. ** Registration and Presentation Policy ** Each accepted paper must be accompanied by a distinct full author registration, completed by the early registration date cut-off. Each accepted paper must be presented in person to be included in the conference adjunct proceedings, published by ACM and available via the ACM Digital Library. The official publication date is when the proceedings are made available in the ACM Digital Library. This date may be up to two weeks before the first day of UMAP 2024. The official publication date affects the deadline for any patent filings related to published work. During the conference, all categories will be presented at the poster reception, in the form of a poster and/or a software demonstration following poster format. This form of presentation will provide presenters with an opportunity to obtain direct feedback about their work from a wide audience during the conference. ** Late-Breaking Results and Demos Chairs ** * Bamshad Mobasher, DePaul University, USA * Hanna Hauptmann, Utrecht University, Netherlands * Olga C. Santos, Universidad Nacional de Educacion a Distancia (UNED), Spain Contact information: umap2024-lbr at um.org

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Planetary Data Infrastructures call for contributions, EASST-4S 2024 c
by N M-F 22 Dec '23

22 Dec '23

Planetary Data Infrastructures call for contributions, EASST-4S 2024 conference Amsterdam, 16-19 July 2024. "Planetary Data Infrastructures" is a convergence (panel) that explores expanded engagements with networked infrastructures, intimate, concrete and speculative, that help foster more response-able, aesthetic, cooperative, and sustainable planetary relations. We invite conventional and experimental formats in presentation abstracts (spoken word, performance, social sculpture, fictocriticism, poetry... ) For presentation at 'Making and doing transformations' EASST-4S 2024 conference Amsterdam, 16-19 July 2024. More info here https://nomadit.co.uk/conference/easst-4s2024/panel/14242 and here https://networkcultures.org/performanceofcode/2023/12/23/planetary-data-inf… Nancy Mauro-Flude

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CFP: Social Media and Society in India
by Joyojeet Pal 22 Dec '23

22 Dec '23

The University of Michigan is hosting a hybrid conference on Social Media and Society in India, April 8-9, 2024, featuring a host of speakers to discuss various ways in which social media is impacting contemporary life in India. The event is in its fourth iteration at the University of Michigan and is a premier venue for conversations around social media and society in India. Website: https://influencers.conference.si.umich.edu/ And papers are presented on site, and online, and are archived. We invite student researchers who are interested in the intersection of social media influencers and social media practices in India to submit position papers under the following themes: - Social media platforms and influencers’ practices in India, e.g., patterns of behavior, i.e. how they use different social media platform features. - Influencer strategies and impact, i.e. how they gain and maintain popularity, how their influence gets operationalized. - Collaborative influencing; social media influencers’ impacts on the social, political, cultural, and economic landscapes in the regions. Proceedings of the 2023 conference are archived here for a sense of what kinds of work are included. https://deepblue.lib.umich.edu/handle/2027.42/177147 Those interested in participating are asked to submit a position paper (~3000 words without references) or an extended abstract (1000 words). Call for papers (Student Session): https://joyojeet.people.si.umich.edu/smsi-cfp.html Feel free to reach out to sohamde(a)uw.edu for any questions/ clarifications. Best, Arshia, Sarah and Soham Student Session Chairs, SMSI 2024

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CfP Special Issue of the Journal of Creative Communictation
by Piotr Siuda 22 Dec '23

22 Dec '23

Dear members of the AOiR list As an Associate Editor of the Journal of Creative Communication, I invite you to submit for our upcoming Special Issue titled 'Algorithmic Media: Shifting Agency, Content, and Everyday Uses.' I've attached the CFP below for all the details. The Special Issue will be co-edited by Professor Ruchi Tewari, Professor Susanne Eichner, and Professor Franziska Thiele. The deadline for papers is April 1, 2024. Submit here: https://peerreview.sagepub.com/crc The Journal of Creative Communication is published by SAGE Journals with current IF: 1.5. Here is the full CfP: Special Issue Call for Papers: Algorithmic Media: Shifting Agency, Content and Everyday Uses Special Issue Co-Editors: Susanne Eichner (s.eichner(a)filmuniversitaet.de) Film University Babelsberg, Germany Franziska Thiele (franziska.thiele(a)uni-rostock.de) University of Rostock, Germany Ruchi Tewari (ruchi.tewari(a)micamail.in) MICA-The School of Ideas, India Communication, as a field of study, research and practice, has always been strongly influenced by changes in communication technology. As a result, communication as a field has become highly diversified, stratified and nuanced. As communication is becoming more interlaced with or mediated by technology, it appears to be egalitarian. Yet, as we scratch the surface, we see the presence of hierarchical ownership structures, monetary and political interests. Every user of the internet and communication technology today is at the same time a communicator who has the potential power to articulate and share their views, ideas, and experiences. However, users do not have the same agency to be seen or heard. We are witnessing how creative ideas and contents are created in varied contexts that are articulated and distributed in unique formats. With every user of communication technology becoming a creator, communication agency and efficiency have been altered. People use new technology to experiment with novel ways to garner popularity and talk about new topics in the constant effort to reach a larger number of audiences, as virality of messages is a goal that many content creators chase. The production of user-generated content has become even more complex and sophisticated with the rise of free-for-all artificial intelligence (AI), such as ChatGPT, which, by the end of 2022, had become an integral and transformative part of our society and relationships. Algorithms have been around even longer; they not only drive our media consumption but also shape our reality and alter human reasoning, affections, and affiliations. The process of decision-making is impacted by the choice of content, product display, political and social information, media content or even basic images that the algorithm-based media show. AI-supported algorithms have a power- pushed manipulative effect. All of this influences how new content is created, how it is communicated, and the responses and reactions it generates from the audience. Practices that once used to take place offline are becoming mediated or completely transferred into the online world—a process that has been especially accelerated in the wake of the pandemic. This cycle from content creation to response generation is very rapid, iterative and appears to be egalitarian, but it is implicitly held and controlled by technology and the different powers that further hold the reins of technology. It is critical to recognise that while it appears that the agency of content and communication production lies with the user, the production is in fact mediated, stratified and controlled by intermediaries and platforms. This dichotomy of communication as controlled by an invisible agency but extensively employed by users of technology makes it an interesting and important area of research for scholars. Given the complex and multidisciplinary nature of the problem, interdisciplinary and cross-domain studies will help to understand and unravel the issues. The research on the issues addressed is highly varied, and we welcome all kinds of methodological and theoretical approaches. The current Call for Papers encourages academics, scholars and practitioners to submit research papers that look at novel forms of content creation and technology, deal with novel ideas of communication, or examine creative ways in which a communicative product is articulated and shared in all spheres—public and private. We are also highly interested in how intermediaries interact on novel media, to what respect they share or allow the other to have agency, as well as how far users are controlled by a platform’s invisible agency. Another point of interest of the call is the integration of these new tools of content creation into everyday use and whether and how originally offline practices can become mediated. Possible topics for papers are (but are not limited to): New forms of content creation and technology One area of focus of this call for papers lies in the different forms and processes of content creation. Here, we are especially interested in how these forms are changed and altered by new media, algorithms, platforms and artificial intelligence. In the area of content creation, we are interested in how messages are drafted by users and perceived by other producers. Today, people in creative fields like art, public relations or graphic design feel that their work is being devalued by the existence of artificial intelligence and that their income and jobs are at risk. Studies directed at understanding and studying the actions and impacts of new forms of technology, power structures and content creation are welcome. Effects of everyday use, well-being and rituals Most technologies that have been integrated into users’ everyday lives are applied for special tasks. In this part, we are interested in how media technology has been integrated into people’s everyday practices and rituals, as well as how and why everyday practices, or rituals have been mediated. For example, what kind of media do people use for what, and is that the way it was intended by its creators? How is the telephone used in the bedroom, or what technology is usually used in the living room? What kind of mourning practices can we find in the online world? Do we become immortal by uploading our creations online? The integration of media technology into our everyday lives can have positive effects and support us in our goals, such as tracking tools that help us measure, maintain and improve our fitness. At the same time, overuse of these tools might also result in negative consequences for our health and well-being. Therefore, we are interested in the factors or combination of factors that shape physiological, cultural, emotional and social well-being when communication is mediated. Agency and algorithmic intermediaries Due to new communication technologies, users produce content on platforms that are subject to the pervasive influence of algorithms, the particular interests of tech-conglomerates, and political or lobbyist interests. The untransparent nature of algorithmic programming often leaves users in the dark as to what these platforms (might) use their content for, who controls these platforms, and whose interests are met. The concrete dynamics of these algorithmic intermediaries act as a black box for users, which can be navigated but never completely controlled. It creates a “tension” where the agentic powers of many different actors are moving fluidly in a network instead of forming a stable hierarchy. Accordingly, agency in digital media is increasingly being described as a “hybrid agency” since individual agency only develops in connection with a specific platform affordance and its algorithm. Papers dealing with these topics could address how individual and institutional agency and relationships, such as with the platforms, are impacted by the algorithms. On the one hand, the platforms have an apparent egalitarian potential as communicative products, as they are potentially accessible to every individual equipped to share their views and ideas on public platforms. On the other hand, users are obscurely controlled by platform algorithms. Submission Deadlines: Last date of manuscripts submission: April 1, 2024 Expected date of publication: March 1, 2025 Submission Guidelines: • Author guidelines must be strictly followed. Please see: https://journals.sagepub.com/ author-instructions/CRC Other relevant information: • Journal & Submission Website: https://peerreview.sagepub.com/crc • JOCC’s Previous Issues: https://journals.sagepub.com/loi/CRC • JOCC’s Aims and Scope: https://journals.sagepub.com/aims-scope/CRC Submission Types: We welcome research articles, case studies, research in brief, practitioner essays, and commentaries. Research articles should be of approximately 6,000–8,000 words in length, including references, tables, and figures. They should be written as a continuous expository narrative in a chapter or article style - not as lists of points. Shorter articles of 3,000–4,000 words (all included) can be published as commentaries/ brief research/ case studies/ essays, etc. Submission of manuscripts should be made electronically only. Please visit https://peerreview. sagepub.com/crc to create account/log in to upload your manuscript through the following steps: Step 1: Create an author account Step 2: Select submission under “Special Issue: Algorithmic Media: Shifting Agency, Content and Everyday Uses” -- *Piotr Siuda* (PhD, Professor of Media Studies) piotrsiuda.com Faculty of Cultural Studies Department of Game Studies and Digital Culture Kazimierz Wielki University in Bydgoszcz, Poland Associate Editor; *Journal of Creative Communication <https://journals.sagepub.com/home/crc> *(SAGE Journals) *Recent papers:* -- *Gaming and Gamers in Times of Pandemic*, *Bloomsbury Academic Press*, https://www.bloomsbury.com/uk/gaming-and-gamers-in-times-of-pandemic-979876… *-- The Next Level of Horror Entertainment: Facing Fear in Cooperative Interactive Drama Survival Horror Games*, *Proceedings of the 57th Annual Hawaii International Conference on System Sciences* *-- The Problematic nature of evaluating esports' "genuineness" using traditional sports' criteria: In-depth interviews with traditional sports and electronic sports journalists,* *Leisure Studies*, https://doi.org/10.1080/02614367.2023.2215471

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New special issue of Digital Culture and Education
by Harry Dyer (EDU - Staff) 22 Dec '23

22 Dec '23

Dear all, With apologies for cross posting, we're proud to announce a new special issue of Digital Culture and Education has been released today, guest edited by Anna Keune (Technical University of Munich), Paulina Ruiz Cabello (University of Bristol), Kylie Aine Peppler (University of California, Irvine), and Kerry Chappell (University of Exeter) Across 13 papers, the issue explores and maps posthuman methodological approaches to the study of learning. Papers include explorations of new materialism, social-ecological futures, creative writing and literacies of the future, maker education and biomaking, the ecology of escape rooms, the labor of caring, diffractive methodologies, rhizomatic patchworks, multispecies storytelling, consent and automation, cyborgs and Didaktik, touch and senses, and situational analysis. It's a really exciting collection of works that showcases provocative and considered methodological engagements with, through, and despite the digital. A good reading list for the end-of-year period! The special issue can be found here: https://www.digitalcultureandeducation.com/volume-14-5 As always, our ongoing issue is also accepting papers, so please do consider submitting your work for consideration in Digital Culture and Education. We particularly encourage submissions that play with form and presentation of academic work, so please do reach out to the editorial team to discuss any ideas you have. Details of the process for submission can be found here: https://www.digitalcultureandeducation.com/submit-your-paper-1 Wishing you all a pleasant end of the year! Harry and the DCE team

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UK data protection regulator recruiting for its AI team
by Sophia Ignatidou 22 Dec '23

22 Dec '23

📣📣📣The UK’s data protection regulatory is actively #hiring for the department working on Artificial Intelligence! The Information Commissioner's Office is expanding its AI & Data Science team to enhance the way we regulate Artificial Intelligence, machine learning and automated decision making systems. We are recruiting a Group Manager for AI compliance to work alongside me and make sure our AI policy positions are implemented in practice. We are also recruiting a Principal Technology Adviser to support AI oversight and regulatory functions. And we also recruiting a Principal Policy Adviser on AI. See links to all ads below and please share widely as the deadline is quite tight: *7 January* 2024! Happy to answer any questions ☺️ https://lnkd.in/eWSF4ev3 https://lnkd.in/eziPA4y8 https://lnkd.in/e3ggShvW Sophia Ignatidou ----------------------- /Group Manager for Artificial Intelligence and Data Science at the Information Commissioner's Office, UK

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Announcing Special issue: Surveillance and Ethics in Advertising
by Joanna Strycharz 22 Dec '23

22 Dec '23

We are excited to share the Call for Papers from the Journal of Advertising for the Special Issue "Surveillance and Ethics in Advertising". Detailed information can be found here<https://think.taylorandfrancis.com/special_issues/journal-advertising-surve…>. Developments in digital technologies have greatly transformed the landscape of advertising around the world. The technical possibilities and low costs of collection and processing of consumer data have led to the domination of the landscape by digital data-driven advertising (e.g., personalized advertising, social media advertising, computational advertising, programmatic advertising, artificial intelligence (AI)-powered advertising). Given the centrality of consumer data in advertising practices and increasing amounts of surveillanceboth online and offline, this special issue seeks to publish innovative papers that examine the theoretical and managerial implications of surveillance and ethics in advertising. Our hope is to stimulate further research in this area. This special issue also responds to broader calls for a more diverse and contemporary development of advertising theory. We encourage submissions from multidisciplinary research teams bringing together different perspectives on the topic, as well as (comparative) research focusing on non-WEIRD countries (Western, Educated, Industrialized, Rich and Democratic). Relevant topics include, but are not limited to: · Theoretical frameworks to study (new) ethical & surveillance questions · Consumer perspectives on and perceptions of surveillance · Consumer vulnerability, stereotyping, and social sorting · Privacy concerns and privacy cynicism related to surveillance and ethics · Transparency and information asymmetry · Consumer empowerment, agency, and autonomy · Impact of surveillance on consumer well-being · Chilling effects and its implications for advertisers · Industry perspectives on surveillance and ethics · Consensual advertising models · Ethics-washing · Environmental impacts of dataveillance · The role and responsibilities of the tech industry · Ethical questions related to the affordances of new technologies · Power relations between stakeholders · Fairness in data-driven advertising and algorithmic persuasion · Technological solutions (e.g., blockchain) · Regulatory solutions (e.g., blacklists) · The regulatory perspective on surveillance and ethics · New methods to study surveillance and ethics (e.g., data donation studies, computational approaches) Submission deadline: March 31, 2024 Any questions about the Special Section can be sent to the guest editors: Drs. Claire M. Segijn, Joanna Strycharz, and Sophie C. Boerman at surveillanceJA(a)gmail.com<mailto:surveillanceJA@gmail.com>. Please consider contributing to this Special Issue and help spread the word among your colleagues. Full link to call: https://think.taylorandfrancis.com/special_issues/journal-advertising-surve…

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Announcing Special issue: Internet Research Ethics in the Platform Society
by Locatelli Elisabetta (elisabetta.locatelli) 22 Dec '23

22 Dec '23

Dear all, apologies for cross-posting. We are really pleased to announce the publication of the openly access special issue *Internet Research Ethics in the Platform Society: Theoretical Reflections, Research Experiences, and Open Questions* of the journal *Comunicazioni Sociali. Journal of Media, Performing Arts and Cultural Studies* The full articles are available in gold open access at the following link: https://comunicazionisociali.vitaepensiero.it/scheda-fascicolo_contenitore_… The special issue (see the table of contents below) offers an insightful journey into some of the most relevant issues of internet and social media research ethics, such as privacy, informed consent, harm minimization - for both informants and researchers -, contextual integrity, applied to challenging situations, like small data, Instagram live, antagonistic social media groups. The special issue sheds also light on the importance of considering the contextual situation of the research and the awareness of researchers about ethics comparing the perspective of different countries. We hope that the special issue can be useful for researchers but also for students and doctoral candidates. Kind regards Elisabetta Locatelli, aline franzke shakti, Charles M. Ess, Table of contents ELISABETTA LOCATELLI, ALINE SHAKTI FRANZE, CHARLES M. ESS Introduction. Over Twenty Years of Internet Research Ethics: Key Concepts and Future Challenges ELISABETTA RISI, GUIDO DI FRAIA Collect and Handle Personal Social Media Data. Ethical Issues of an Empirical Internet Research SUAY MELISA ÖZKULA The Vulnerability Triad: New Considerations for Ethics and Risk Identification in Ambiguous and Antagonistic Digital Spaces LEAH CORINNE JONES Heuristic Questions for Instagram Live KATIE MACKINNON, PROSHAT NOURI-BEHROUZ, JACQUELYN BURKELL. The ‘Thorniness’ of Social Media Research: Identifying Internet Research Ethics (IRE) Challenges and Ambiguities in the Canadian Context ARNE FREYA ZILLICH, DANIELA SCHLÜTZ, EVA-MARIA ROEHSE, ELENA LINK, WIEBKE MÖRING Practicing Internet Research Ethics: Challenges and Solutions from a German Perspective SANA ZAINAB, MARYAM MANSOOR, UZMA GUL Self-Restrictions among Media Researchers in Global South and Regional Priorities: Challenges for Freedom of Expression and Ethical Research Miscellaneous section NICO CARPENTIER Palimpsestic Memorializations of World War II: A Visual Essay on Material Displacements and Discursive Struggles in the Estonian Memorialscape ALESSANDRA MICALIZZI, REBECCA PARACIANI Words Backstage. Italian Music Industry and Gender Discrimination [http://static.unicatt.it/ext-portale/5xmille_firma_mail_2023.jpg] <https://www.unicatt.it/uc/5xmille>

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ACM UMAP 2024 - 2nd Call for Workshop Proposals
by Wanling Cai 21 Dec '23

21 Dec '23

* We apologize if you receive multiple copies of this CfP * * Online version: https://www.um.org/umap2024/call-for-workshop/ ACM UMAP 2024 - Call for Workshop Proposals ACM UMAP 2024: The 32nd ACM Conference on User Modeling, Adaptation and Personalization Cagliari, Sardinia, Italy July 1-4, 2024 The 32nd International Conference on User Modeling, Adaptation, and Personalization (ACM UMAP 2024) is the premier international conference for researchers and practitioners working on systems that adapt to individual users or groups of users, and that collect, represent, and model user information. ACM UMAP 2024 is pleased to invite proposals for workshops to be held in conjunction with the conference. The workshops will provide a venue to discuss and explore key emerging areas of user modeling, recommender systems and adaptive hypermedia research, among others, with a group of like-minded researchers and practitioners from industry and academia. Please consult the ACM UMAP 2024 general call for full and short papers<https://www.um.org/umap2024/call-for-full-and-short-papers/> concerning the key topics of this call as well. In this edition, our goal is to have a balanced workshop program, comprising different workshop formats and combining newly emerging, currently evolving, and established research topics. Workshops are encouraged to be as dynamic and interactive as possible. Different full-day and half-day workshop schemas are possible, such as: * Working group meetings around a specific problem or topic where participants are asked to submit a white paper or position statement. * Traditional mini-conferences on key, emerging, specialized topics, having their own paper submission and review processes. * Mini-competitions or research challenges around selected topics, with either individual or team participation and their own evaluation processes * Interactive discussion meetings focusing on subtopics of the main conference general tracks, with interactivity and engagement in mind. * Joint panels aiming to synthesize insights from diverse perspectives by bringing together experts from different workshops or sessions. ** Important Dates ** * Workshop Proposal Submission: January 11, 2024 * Notification: February 1, 2024 * Workshop Description & Website URL Submission: February 24, 2024 * Workshop Summary Camera-ready Submission (TAPS system): May 16, 2024 * Workshop Day: July TBD, 2024 (it will happen in one of the conference days) We strongly encourage the organizers of accepted workshops to diligently follow the suggested deadlines in the schedule for the authors of workshop papers: * (Suggested) 1st Call for Workshop Papers: February 28, 2024 * (Suggested) 2nd Call for Workshop Papers: April 13, 2024 * (Suggested) Workshop Paper Submission: April 24, 2024 * (Suggested) Notification: May 8, 2024 * (Mandatory) Workshop Papers Camera-ready Submission (TAPS system): May 16, 2024 These dates are synchronized with the notification of paper acceptance in the main conference track, and the availability of early registration for the authors of accepted workshop papers. Note: The submissions deadlines are at 11:59 pm AoE (Anywhere on Earth)<https://www.timeanddate.com/time/zones/aoe> time. ** Submission ** All workshop proposals must be written in English. Proposals should be submitted electronically, in a PDF format, through the EasyChair submission system, https://easychair.org/conferences/?conf=umap24, by selecting the “UMAP24 Workshop and Tutorial Proposals” track. ** Length and Formatting ** *Format*: Each proposal should be arranged into a single PDF document, not exceeding 5 pages (references included). *Template*: Following the ACM Publication Workflow<https://www.acm.org/publications/taps/word-template-workflow>, the proposal should be arranged based on the new ACM single-column format. Instructions for the organizers are given below: * LaTeX (use \documentclass[manuscript, review, anonymous]{acmart} in the sample-authordraft.tex file for single-column). Please carefully follow the ACM’s instructions for preparing your article with LaTeX<https://authors.acm.org/proceedings/production-information/preparing-your-a…>. * Overleaf (use \documentclass[manuscript,review,anonymous]{acmart} for single-column). Please carefully follow the ACM’s instructions for preparing your article with Overleaf<https://authors.acm.org/proceedings/production-information/overleaf>. * Word. Please carefully follow the ACM’s instructions for preparing your article with Microsoft Word<https://authors.acm.org/proceedings/production-information/preparing-your-a…> Should you have any questions or issues going through the instructions above, please contact support at acmtexsupport(a)aptaracorp.com<mailto:acmtexsupport@aptaracorp.com> for LaTeX and Microsoft Word inquiries. *Structure*: Each proposal is expected to include the following information: * Workshop title and acronym. * Workshop chair(s), including, for each organizer, their affiliation, main email address, website link, and experiences in organizing such events. Note that organizers are expected to attend the workshop and be actively involved in its organization. * Abstract (up to 300 words) and topics of interest. * Keywords (at least 3). * Motivation on why the workshop is of particular interest at this time and how it complements (rather than duplicates) the topics of the main conference. * Workshop format, particularly discussing the mix of expected events, such as paper presentations, invited talks, panels, and general discussions. * Short description of the intended audience and the expected number of participants, including how they will be selected. * List of (potential) members of the program committee (at least 50% have to be confirmed at the time of the proposal). The program committee is mandatory. * Requested duration (half day or full day). * When available, past editions of the workshop, including their website URLs, a brief statement on the development of the workshop series, e.g., in terms of topics, number of paper submissions and participants, post-workshop publications over the years and acceptance statistics. * If this would be the first edition of the workshop, a description of how this workshop differs from others on the same or similar topics (include conference name and year). * Any other relevant information to support your proposal. ** Instructions ** *Support*: We encourage both researchers and industry practitioners to submit workshop proposals. Researchers interested in submitting a workshop proposal are invited to contact us in advance, so we can help to design successful proposals. In particular, for workshop proposals with novel interactive formats, we are happy to assist in further developing and implementing the ideas. *Diversity*: We strongly suggest involving organizers from different institutions, bringing their different perspectives to the workshop topic. We welcome workshops with a creative structure that may attract various types of participants and may ensure rich interactions. *Expectations*: The organizers of accepted workshops are expected to set up a webpage for the workshop including detailed information about the workshop organization and timeline, disseminate a call for papers, a call for participation, select reviewers, and gather reviews before selecting the final program. They will be responsible for their own publicity and reviewing processes. *Proceedings*: There will be conference adjunct proceedings published by ACM, and available via the ACM Digital Library. A camera-ready summary of the workshop should be written by the organizers to be included in these adjunct proceedings. Moreover, all workshop papers will be published in the same proceedings. Hence, the workshop organizers will need to make sure that the authors of workshop papers adhere to the adjunct proceedings publication timeline. *Camera-ready Information*: Accepted summaries/papers will require a further revision in order to meet the requirements and the page limits of the camera-ready format required by ACM. Instructions for the preparation of the camera-ready versions of the summaries/papers will be provided after acceptance. We strongly recommend the usage of LaTeX/Overleaf for the camera-ready papers to minimize the extent of reformatting. Users of the Word template must use either the version for Microsoft Word for Windows, Macintosh Office 2011, or Macintosh Office 2016 (other formats such as Open Office, etc., are not admitted) for the camera-ready submission to avoid incompatibility issues. ** Registration and Presentation Policy ** Each accepted workshop summary must be accompanied by a distinct full author registration, completed by the early registration date cut-off. Each workshop has to be run by all organizers. Therefore, each workshop organizer must be registered (at least 25% in person, the remaining online). Each accepted workshop summary will be included in the conference adjunct proceedings. The official publication date is when the proceedings are made available in the ACM Digital Library. This date may be up to two weeks before the first day of UMAP 2024. The official publication date affects the deadline for any patent filings related to published work. Each accepted workshop paper must be accompanied by a distinct full author registration, completed by the early registration date cut-off. Each accepted workshop paper can be presented either in person or online and will be included in the conference adjunct proceedings. The official publication date is when the proceedings are made available in the ACM Digital Library. This date may be up to two weeks before the first day of UMAP 2024. The official publication date affects the deadline for any patent filings related to published work. ** Workshop Chairs ** * Amra Delic, University of Sarajevo, Bosnia and Herzegovina * Eelco Herder, University of Utrecht, The Netherlands * Noemi Mauro, University of Turin, Italy Contact information: umap2024-wt at um.org

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ACM UMAP 2024 - 2nd Call for Tutorial Proposals
by Wanling Cai 21 Dec '23

21 Dec '23

* We apologize if you receive multiple copies of this CfP * * Online version: https://www.um.org/umap2024/call-for-tutorial/ ACM UMAP 2024 - Call for Tutorial Proposals ACM UMAP 2024: The 32nd ACM Conference on User Modeling, Adaptation and Personalization Cagliari, Sardinia, Italy July 1-4, 2024 The 32nd International Conference on User Modeling, Adaptation, and Personalization (ACM UMAP 2024) is the premier international conference for researchers and practitioners working on systems that adapt to individual users or groups of users, and that collect, represent, and model user information. ACM UMAP 2024 is pleased to invite proposals for tutorials to be given in conjunction with the conference. Tutorials are expected to be instructional sessions aimed to provide a comprehensive introduction to established or emerging research topics of interest for the UMAP community. An ideal tutorial should be broad enough to provide a basic introduction to the chosen area, but it should also cover the most important topics in depth. Tutorials are encouraged to be as dynamic and interactive as possible. Example topics of interest include, but are not limited to: * User modeling in the era of generative artificial intelligence. * Responsible user modeling and personalization. * Effective evaluation of personalized applications. * Strategies to let users be in control of the personalization process. Tutorial presenters can have 4 pages + 1 for references in the adjunct proceedings. ** Important Dates ** Tutorial Proposal Submission: January 11, 2024 Notification: February 1, 2024 Tutorial Description & Website URL Submission: February 24, 2024 Tutorial Summary Camera-ready Submission (TAPS system): May 16, 2024 Note: The submission deadlines are at 11:59 pm AoE (Anywhere on Earth)<https://www.timeanddate.com/time/zones/aoe> time. ** Submission ** All tutorial proposals must be written in English. Proposals should be submitted electronically, in a PDF format, through the EasyChair submission system, https://easychair.org/conferences/?conf=umap24, by selecting the “UMAP24 Workshop and Tutorial Proposals” track. ** Length and Formatting ** *Format*. Each proposal should be arranged into a single PDF document, not exceeding 5 pages (references included). *Template*. Following the ACM Publication Workflow<https://www.acm.org/publications/taps/word-template-workflow>, the proposal should be arranged based on the new ACM single-column format. Instructions for the organizers are given below: * LaTeX (use \documentclass[manuscript, review, anonymous]{acmart} in the sample-authordraft.tex file for single-column). Please carefully follow the ACM’s instructions for preparing your article with LaTeX<https://authors.acm.org/proceedings/production-information/preparing-your-a…>. * Overleaf (use \documentclass[manuscript,review,anonymous]{acmart} for single-column). Please carefully follow the ACM’s instructions for preparing your article with Overleaf<https://authors.acm.org/proceedings/production-information/overleaf>. * Word. Please carefully follow the ACM’s instructions for preparing your article with Microsoft Word<https://authors.acm.org/proceedings/production-information/preparing-your-a…>. Should you have any questions or issues going through the instructions above, please contact support at acmtexsupport(a)aptaracorp.com<mailto:acmtexsupport@aptaracorp.com> for LaTeX and Microsoft Word inquiries. *Structure*. The proposal should include the following information: * Title and abstract of the tutorial (200 words maximum). * Tutorial description: Learning objectives of the tutorial and relevance to ACM UMAP 2024. Targeted audience (introductory, intermediate, advanced) and prerequisite knowledge or skills. Brief outline of the tutorial structure. Brief description of the practical sessions. * Tutorial length (ideally 1 hour and a half). * Other venues to which the tutorial or part thereof has been or will be presented, in addition to explaining how the current tutorial differs from the other editions, and from other tutorials on the same or similar topics (please specify conference name and year). * Name, email address, affiliation and brief professional biography of each tutorial organizer, indicating previous training and speaking experience. *Evaluation Criteria*. All proposals will be reviewed by the ACM UMAP 2024 Tutorial Chairs. The features that will be evaluated are: * ability of the tutorial to contribute to strengthening the foundations of UMAP research. * clarity of the tutorial, which should emerge from its description. * good organization, as appearing from the outline. * the value of any materials released with the tutorial for the community. * background/experience of tutorial instructor(s) in teaching the target topics. ** Instructions ** *Support*. We encourage both researchers and industry practitioners to submit tutorial proposals. Researchers interested in submitting a tutorial proposal are invited to contact us in advance, so we can help to design successful proposals. In particular, for tutorial proposals with novel interactive formats, we are happy to assist in further developing and implementing the ideas. *Diversity*. We strongly suggest involving organizers from different institutions, bringing their different perspectives to the tutorial topic. We welcome tutorials with a creative structure that may attract various types of participants and may ensure rich interactions. *Expectations*. The organizers of accepted tutorials are expected to set up a webpage for the tutorial including detailed information about the tutorial organization and timeline, and disseminate a call for participation. They will be responsible for their own publicity. *Proceedings*. There will be conference adjunct proceedings published by ACM, and available via the ACM Digital Library. A camera-ready summary of the tutorial should be written by the organizers to be included in these adjunct proceedings. *Camera-ready Information*. Accepted summaries will require a further revision in order to meet the requirements and the page limits of the camera-ready format required by ACM. Instructions for the preparation of the camera-ready versions of the summaries will be provided after acceptance. We strongly recommend the usage of LaTeX/Overleaf for the camera-ready papers to minimize the extent of reformatting. Users of the Word template must use either the version for Microsoft Word for Windows, Macintosh Office 2011, or Macintosh Office 2016 (other formats such as Open Office, etc., are not admitted) for the camera-ready submission to avoid incompatibility issues. ** Registration and Presentation Policy ** Each accepted tutorial summary must be accompanied by a distinct full author registration, completed by the early registration date cut-off. Each tutorial has to be run by all organizers. Therefore, each tutorial organizer must be registered (at least 25% in person, the remaining online). Each accepted tutorial summary will be included in the conference adjunct proceedings. The official publication date is when the proceedings are made available in the ACM Digital Library. This date may be up to two weeks before the first day of UMAP 2024. The official publication date affects the deadline for any patent filings related to published work. ** Tutorial Chairs ** * Amra Delic, University of Sarajevo, Bosnia and Herzegovina * Eelco Herder, University of Utrecht, The Netherlands * Noemi Mauro, University of Turin, Italy Contact information: umap2024-wt at um.org

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