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TT Assistant Professor Position in Indigenous Digital Arts, Culture and Media - University of Toronto
by Rafael Grohmann 08 Dec '22

08 Dec '22

The Department of Arts, Culture and Media (ACM) at the University of Toronto Scarborough (UTSC) invites applications for a full-time tenure stream appointment in Indigenous Digital Arts, Culture, and Media. The appointment will be at the rank of Assistant Professor, with an expected start date of July 1, 2023, or shortly thereafter. Candidates must have a terminal degree: either an MFA or a PhD in Communications; Humanities; Indigenous Studies; Information Studies; Journalism Studies; Media Studies; Social Sciences; Visual and/or Performing Arts or a related field, with a demonstrated record of excellence in research and teaching. Candidates with an MFA should have the degree in hand by the time of application. Candidates with a PhD must have the degree in hand by the time of appointment, or shortly thereafter. Preference will be given to candidates who self-identify as Indigenous. Recognizing that there are a variety of terms that potential candidates may use to self-identify, the University uses the term “Indigenous” in this search, which forms part of the University of Toronto's response to Canada's Truth and Reconcilliation Commission, to encompass the people of Turtle Island, including those who identify as First Nations, Métis, Inuk (Inuit), Alaska Native, Native American, and Native Hawaiian people. For this important hire, the University is partnering with BIPOC Executive Search. Individuals seeking more information and guidance during the application process can email Candice Frederick or Jason Murray at [1]cfrederick(a)bipocsearch.com. We are seeking candidates who have a strong record of engagement in Indigenous Digital Arts, Cultures and/or Media. This research and work might take the form of one or more of the following areas: Indigenous storyworks; Indigenous ways of knowing and making in the visual, oral, narrative, media or sound-based arts; new media; curation; arts management; performance; music; journalism; network, data and spectrum sovereignties. We welcome applications from candidates who demonstrate a wide range of methods such as: relational, reciprocal, socially-engaged, or collaborative research praxis, and/or creative practices of refusal which may include land- and place-based, site-specific, interactive, and participatory research and storytelling, which may engage in intersectional forms of activism. We especially encourage candidates working in one specific community and/or translocally across Indigenous communities and nations in Turtle Island, or more broadly in the Americas, the Pacific Rim, Borderlands or Circumpolar Indigenous Nations. The successful candidate will be expected to pursue innovative and independent research at the highest international level and to establish an outstanding, competitive, and externally funded research program. Candidates must provide evidence of research excellence which can be demonstrated by a significant professional and/or artistic record of creative impact within communities on and/or beyond Turtle Island; artistic mentorship or leadership; recognition as a knowledge-keeper; established practice in storyworks; published works; major awards or accolades; invited presentations/performances/tours/workshops; artistic residencies; or similar experiences. Candidates must be able to show experience and engagement with at least one Indigenous community on Turtle Island, including relationship building, long-standing relationships, and/or work with community leaders and Elders, as demonstrated in strong endorsements by referees of high standing. (Please note that Canada’s TRC response focuses on the part of Turtle Island currently known as Canada.) Evidence of excellence in teaching will be provided through teaching accomplishments, the teaching dossier (with required materials outlined below) submitted as part of the application, as well as strong letters of reference. The successful candidate will have a graduate appointment in a disciplinary unit that reflects their training and background; they will also be expected to teach undergraduate and graduate courses in their area of expertise. Noted for its excellence in research and teaching, U of T Scarborough has an interdisciplinary commitment and a multicultural student body speaking a wide range of languages. It is one of the three campuses comprising the University of Toronto, which offers the opportunity to teach, conduct research, and live in one of the most diverse cities in the world. The campus is strongly committed to equity and social justice, including the building of Indigenous House, as just one of many TRC-related initiatives. The Department of Arts, Culture and Media at U of T Scarborough is a unique multi-disciplinary research and teaching environment, with programs in Art History and Visual Culture; Arts Management; Journalism (Joint Program); Media, Journalism and Digital Cultures; New Media Studies (Joint Program); Music and Culture; Studio Art; and Theatre and Performance: see [2]http://www.utsc.utoronto.ca/acm/. ACM is also the lively hub for the [3]Critical Digital Methods Institute, and a pivotal node in campus-wide research networks through initiatives such as [4]FLOURISH. The Department is deeply committed to advancing community-engaged and community-centred research and teaching partnerships, which it promotes through resources such the Inclusion, Diversity, Equity, Accessib ility and Sustainability Grant (I.D.E.A.S.) and through the advancement of [5]innovative programming. Applicants must also provide evidence of a commitment to equity, diversity, inclusion and to the promotion of a respectful and collegial learning and working environment, as demonstrated through the application materials. Salary will be commensurate with qualifications and experience. All qualified candidates are invited to apply by clicking the link below. A complete application must include: 1. a cover letter; 2. curriculum vitae; 3. a research statement outlining current and future research interests (1- to 2-page maximum); 4. an online or PDF dossier of artistic and/or professional work OR a copy of a writing sample (35-page maximum); 5. A teaching dossier that shows evidence of teaching excellence. This dossier must include a statement of teaching philosophy (1 to 2-page maximum), sample teaching materials that reflect Indigenous ways of knowing, and teaching evaluations or evidence of superior performance in other teaching-related activities such as publication of pedagogical scholarship, performance as a teaching assistant, experience leading successful workshops, seminars or community events, student and community mentorship, and/or other examples of pedagogical leadership. 6. The name and contact information of three references. At least one of these letters should comment on the candidate’s Indigenous community engagement. The University of Toronto’s recruiting tool will automatically solicit and collect letters of reference from each once an application is submitted (this happens overnight). Applicants remain responsible for ensuring that references submit letters (on letterhead, dated, and signed) by the closing date. Submission guidelines can be found at [6]http://uoft.me/how-to-apply. Your CV and cover letter should be uploaded into the dedicated fields. Please combine additional application materials into one or two files in PDF/MS Word format. If you have any questions about this position, please contact [7]acm-ca(a)utsc.utoronto.ca. All application materials, including reference letters, must be received by February 23, 2023. All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority. Diversity Statement The University of Toronto embraces Diversity and is building a culture of belonging that increases our capacity to effectively address and serve the interests of our global community. We strongly encourage applications from Indigenous Peoples, Black and racialized persons, women, persons with disabilities, and people of diverse sexual and gender identities. We value applicants who have demonstrated a commitment to equity, diversity and inclusion and recognize that diverse perspectives, experiences, and expertise are essential to strengthening our academic mission. As part of your application, you will be asked to complete a brief Diversity Survey. This survey is voluntary. Any information directly related to you is confidential and cannot be accessed by search committees or human resources staff. Results will be aggregated for institutional planning purposes. For more information, please see [8]http://uoft.me/UP. Accessibility Statement The University strives to be an equitable and inclusive community, and proactively seeks to increase diversity among its community members. Our values regarding equity and diversity are linked with our unwavering commitment to excellence in the pursuit of our academic mission. The University is committed to the principles of the Accessibility for Ontarians with Disabilities Act (AODA). As such, we strive to make our recruitment, assessment and selection processes as accessible as possible and provide accommodations as required for applicants with disabilities. If you require any accommodations at any point during the application and hiring process, please contact [9]uoft.careers(a)utoronto.ca. [10]https://jobs.utoronto.ca/job/Toronto-Assistant-Professor-Indigenous -Digital-Arts%2C-Culture-and-Media-ON/565656617/ References 1. mailto:cfrederick@bipocsearch.com 2. http://www.utsc.utoronto.ca/acm/ 3. https://criticaldigitalmethods.ca/ 4. https://www.utsc.utoronto.ca/healthsociety/flourish 5. https://www.utsc.utoronto.ca/acm/upcoming-events 6. http://uoft.me/how-to-apply 7. mailto:acm-ca@utsc.utoronto.ca 8. http://uoft.me/UP 9. mailto:uoft.careers@utoronto.ca 10. https://jobs.utoronto.ca/job/Toronto-Assistant-Professor-Indigenous-Digital…

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CFP: Special Issue on BeReal and Platform Authenticities
by Jessica Rauchberg 08 Dec '22

08 Dec '22

Dear colleagues, Passing along a CFP for a special issue forum on BeReal and platform authenticities that I am guest editing with Tom Divon. Please reach out if you have any queries related to the call, CFP copied below. Most sincerely, Jess Call for Papers: Flow Volume 29 Special Issue 4: The Struggle Is (for) Real: Cultivating Authenticity in the “BeReal” age The viral popularity of BeReal prophesizes the next generation of social media and social sharing platforms. The image-centric sharing platform, launched in 2020 by Alexis Barreyat and Kevin Perreau, promotes itself as a platform for people who hate social media. The platform’s 10 million active users receive a daily notification reminding them it is “time to BeReal” while allowing two minutes to snap their current moment. Already recognized as the “antidote to social media fakery” (Duffy & Gerrard, 2022), BeReal encourages authenticity through the platform’s logic and design while policing users' labor through its emphasis on capturing each post in a single shot. BeReal cultivates a return to simplicity with its minimalist interface and simple user experience flow (Boffone, 2022). In the wake of COVID-19 lockdowns, BeReal promotes a sense of digital collectiveness as users share their pandemic moments and build a digital community. With increased social media fatigue, BeReal promises a platform experience where creative work and posting practices neither center around advertisements nor influencers (McKoy & Scanlan, 2022). This special issue of Flow opens a space to discuss this platform. What do BeReal’s unique affordances provide for users? How do they catalyze certain user behaviors and practices over others? How will BeReal shift influencer and creative economies? Is BeReal just another social sharing fad, or will the platform have a more permanent impact on digital platform cultures? As one of the first scholarly forums about BeReal, we welcome scholars to grapple with this emerging critical conversation interrogating BeReal’s role in the following topics and beyond: * Methodological ethics and concerns for studying BeReal * Telecommunications law and media policy * The future of advertising on social platforms * BeReal’s user experience * Race, Gender, and BeReal * Cross-cultural and/or transnational analyses of platform use * Influencer economies and platform labor * Social sharing v. social media * Behind the scenes of BeReal: authenticity and curation * Social media fads * Slow social media * Gamification of social platforms * Abolitionist and anti-carceral analyses of surveillance on BeReal To be considered for this issue, please submit a completed column of 1200-1500 words, along with at least three images (.gif or .png) or embeddable audiovisual materials with image sources. Please send your column, media files, sources/citations, and a short bio to Flow’s guest editors, Jess Rauchberg and Tom Divon, at [1]flowjournaleditors(a)gmail.com by January 13, 2023. This Special Issue will be published at [2]flowjournal.org in early February. Flow is a critical forum on media and culture published by the Department of Radio, Television, and Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media. References Boffone, T. (2022, September 29). You gotta be quick when it’s time to BeReal. Retrieved from [3]https://www.popmatters.com/bereal-social-media-gamification. Duffy, B.E. & Gerrard, Y. (2022, August 15). BeREal and the doomed quest for online authenticity. Retrieved from [4]https://www.wired.com/story/bereal-doomed-online-authenticity/ . McKoy, K. & Scanlan, K. (2022, November 15). Could BeReal be the first successful social media channel to grow without ad support? Retrieved from [5]https://digiday.com/marketing/could-bereal-be-the-first-success ful-social-media-channel-to-grow-without-ad-support/. Jessica Sage Rauchberg, M.A. (she/her) Ph.D. Candidate | Graduate Research and Teaching Assistant ABLE Project and Accounts Manager, Pulse Lab Department of Communication Studies and Media Arts McMaster University [6]www.jessrauchberg.com References 1. mailto:flowjournaleditors@gmail.com 2. http://www.flowjournal.org/ 3. https://www.popmatters.com/bereal-social-media-gamification 4. https://www.wired.com/story/bereal-doomed-online-authenticity/ 5. https://digiday.com/marketing/could-bereal-be-the-first-successful-social-m… 6. http://www.jessrauchberg.com/

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CFP: Re-Shaping AI: Controversy, Closure, and Critique - May 23-24
by Fenwick Mckelvey 08 Dec '22

08 Dec '22

Hi all, On behalf of our international Shaping AI team, please consider applying to our symposium on Re-Shaping AI in Montreal. Details below, apply here: https://docs.google.com/forms/d/1Ol-0DwCaXKWUQclBY-EE49g8gqlbpYrCIDU87mf6ol… Thanks, Fenwick *Call for Submissions* 21st-century AI is very much in its formative stage: It is still unsettled, and is continually being both stabilised and contested by diverse sets of actors: from technologists, startup founders and global companies to policy makers, journalists, and civil society. For some, AI is being positioned as a fix to our social problems, which in turn will change how we live, communicate, work and travel. Others raise substantive concerns that these developments might reinforce inequality, exacerbate the opacity of decision-making processes, and ultimately question human autonomy. We are thus living in a time when the infrastructures and institutions of our everyday lives are being (re)built at the hands of techniques which already elude popular and professional understanding; but while the controversies about the specific pathways to be taken are still visible, we can already perceive elements of closure and institutionalization. Our symposium invites contributions from an international audience to interrogate the shaping of AI. Building on an international collaboration between research teams from Germany, France, the United Kingdom and Canada <https://www.shapingai.org/>, we invite presentations that pursue critical engagements with AI’s media representations, policy framings, and scientific debates. Crucially, we also invite epistemic reflections in how we are all Shaping AI, including practice-based research or research-creation. The symposium runs from May 23-24 at the Milieux Institute <https://milieux.concordia.ca/> at Concordia University <https://www.concordia.ca/> in Montreal, Quebec, Canada. Presentations in person are encourage. Remote participation will be available. We encourage submissions along these following themes: 1. Global, Local, and Frictions of AI governance 2. AI Cultures 3. Media representations of AI 4. Ethics, a Techno-Solution to AI Controversies? 5. Reflexivity and Positionality in AI Labs / Scenes / Collaborations 6. Research Methods after AI 7. Mapping AI Publics 8. Skill Sharing on AI Engagements 9. AI in and through Artistic Practice Admissions will be guided by our desire to broaden our critical cases around shaping AI, encouraging submissions outside EU and Anglocentric contexts. Student submissions are welcome. The symposium’s format encourages discussion with presentations capped at 10 minutes to ensure ample time for discussion. Submissions due 18 January 2023. Abstracts 500 words or less.

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Call for nominations for The International Journal of Press/Politics Hazel Gaudet-Erskine Best Book Award 2023
by Cristian Vaccari 08 Dec '22

08 Dec '22

Dear colleagues, I am writing to share the call for nominations for The International Journal of Press/Politics Hazel Gaudet-Erskine Best Book Award 2023. The award honors internationally oriented books published within the last ten years that advance our theoretical and empirical understanding of the linkages between news media and politics in a globalized world in a significant way. You can find the call for nominations at the bottom of this email and on the journal website at https://journals.sagepub.com/pb-assets/cmscontent/HIJ/2023%20IJPP%20book%20…. I would be very grateful if you could consider nominating books (self-nominations are also accepted) and share this call for nominations with anyone you think may be interested in it. The deadline is March 17, 2023. Call for Nominations The International Journal of Press/Politics Hazel Gaudet-Erskine Best Book Award 2023 Deadline: 17 March 2023 Nominations are invited for the annual International Journal of Press/PoliticsHazel Gaudet-Erskine Best Book Award, to be sent to committee members no later than March 17, 2023. Rationale The International Journal of Press/Politics Hazel Gaudet-Erskine Best Book Award honors internationally oriented books that advance our theoretical and empirical understanding of the linkages between news media and politics in a globalized world in a significant way. It is given annually by the International Journal of Press/Politics and sponsored by Sage Publications. The award committee will judge each nominated book on the following criteria: the extent to which the book contributes to internationally relevant knowledge; the significance of the problems addressed; the strength of the evidence the book relies on; conceptual innovation, clarity of writing; and the book’s ability to link journalism studies, political communication research, and other relevant fields of intellectual and scholarly inquiry. Eligibility Books written in English and published within the last ten years will be considered. Monographs as well as edited volumes of exceptional quality and coherence will be considered for the award. Books by current members of the award committee are ineligible and committee members will recuse themselves from discussion of books by members of their own department, works published in series that they edit, and similar circumstances. Award committee The award committee consists of Cristian Vaccari (Editor-in-Chief of the International Journal of Press/Politics), Frank Esser (chair of the Political Communication Division of ICA), and Annika Sehl (chair of the Journalism Studies Division of ICA). Nominations Nominations including a rationale of no more than 350 words should be emailed to Cristian Vaccari (c.vaccari(a)lboro.ac.uk by March 17, 2023. Self-nominations are accepted. The nomination must specify why the book should receive the award by outlining the importance of the book to the study of media and politics and by identifying its international contribution and relevance. Please include links to or copies of relevant reviews in scholarly journals if applicable. Arrangements should be made with the publishers of nominated books for one hard copy or e-book (i.e., the full book in PDF form) to be sent by March 17 to each of the three committee members at the following addresses: • Cristian Vaccari, School of Social Sciences and Humanities, Brockington Building U3.19, Loughborough University, Epinal Way, Loughborough, Leicestershire, LE11 3TU, United Kingdom. Email: c.vaccari(a)lboro.ac.uk. • Frank Esser, Department of Communication and Media Research, University of Zurich, Andreas St 15, 8050 Zurich, Switzerland. Email: f.esser(a)ikmz.uzh.ch • Annika Sehl, Department of Journalism, Catholic University of Eichstätt-Ingolstadt, Ostenstraße 25, 85072 Eichstätt, Germany. Email: annika.sehl(a)ku.de Presentation The award will be presented at the 2023 Annual Meeting of the International Communication Association and will be announced on the IJPP website. Past winners of the award 2022: Nikki Usher, News for the Rich, White, and Blue: How Place and Power Distort American Journalism (Columbia University Press 2021). 2021: Allissa V. Richardson, Bearing Witness While Black: African Americans, Smartphones, and the New Protest #Journalism (Oxford University Press 2020). 2020: Thomas Hanitzsch, Folker Hanusch, Jyotika Ramaprasad, and Arnold S. de Beer (Editors), Worlds of Journalism: Journalistic Cultures Around the Globe (Columbia University Press, 2019). 2019: Maria Repnikova, Media Politics in China: Improvising Power Under Authoritarianism (Cambridge University Press, 2017). 2018: Erik Albæk, Arjen van Dalen, Nael Jebril, and Claes H. de Vreese, Political Journalism in Comparative Perspective (Cambridge University Press, 2014). 2017: Katrin Voltmer, The Media in Transitional Democracies (Polity Press, 2013). 2016: Andrew Chadwick, The Hybrid Media System: Politics and Power(Oxford University Press, 1st edition 2013). 2015: Rodney Benson, Shaping Immigration News (Cambridge University Press, 2014). Cristian Vaccari ****************************************************** Professor of Political Communication, Loughborough University Director, Centre for Research in Communication and Culture Editor-in-Chief, The International Journal of Press/Politics ****************************************************** New book: Outside the Bubble: Social Media and Political Participation in Western Democracies (with Augusto Valeriani, OUP 2021) New project: Everyday Sharing of Misinformation on Private Social Media (with Andrew Chadwick) ****************************************************** Personal website: https://cristianvaccari.com/ Google Scholar profile Twitter: @prof_vaccari Preferred pronouns: he/him/his

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UMAP ’23: 31st ACM Conference on User Modeling, Adaptation and Personalization: Second Call for Late-Breaking Results and Demos
by Announce Announcements 08 Dec '22

08 Dec '22

*** Second Call for Late-Breaking Results and Demos *** UMAP ’23: 31st ACM Conference on User Modeling, Adaptation and Personalization June 26 - 29, 2023, St. Raphael Resort, Limassol, Cyprus https://www.um.org/umap2023/call-for-late-breaking-results-and-demos/ Submissions due: April 24, 2023 Submission site: https://easychair.org/conferences/?conf=umap23 IMPORTANT DATES ● Submission of papers: April 24, 2023 ● Notification of acceptance: May 10, 2023 ● Camera-ready versions of accepted papers: May 18, 2023 ● Conference: June 26-29, 2023 Note: The submission times are 11:59 pm AoE time (Anywhere on Earth) SUBMISSION FORMATS Demonstrations ● Max. 5 pages + max. 1 additional page for references; ● (Optional) video or external material demonstrating the system; ● Publication in ACM UMAP 2023 Adjunct Proceedings; ● Presentation as a demo + poster at the conference. Description: Demonstrations will showcase research prototypes and commercially available products in a dedicated session. Demo submissions must be based on an implemented and tested system that pursues one or more innovative ideas in the interest areas of the conference. Demonstrations are an excellent and exciting way to showcase implementations and get valuable feedback from the community. Each demo submission must make clear which aspects of the system will be demonstrated, and how these will be demonstrated on-site as well as online. To better identify the value of demos, we also encourage authors to submit a pointer to a screencast (max. 5 minutes on Vimeo or YouTube) or any external material related to the demo (e.g., shared code on GitHub). Descriptions of demonstrations should have a length of max. 5 pages + 1 page of references in the new ACM single-column style. On an extra page (not to be published), submissions should include a specification of the technical requirements for demonstrating the system at UMAP 2023. Late-Breaking Results ● Max. 7 pages + max. 2 additional pages for references; ● (Required) unpublished page with a list of questions the authors aim to get feedback on; ● Publication in ACM UMAP 2023 Adjunct Proceedings; ● Presentation as a (potentially virtual) poster at the conference. Description: Late-Breaking Results (LBR) are research-in-progress that must contain original and unpublished accounts of innovative research ideas, preliminary results, industry showcases, and system prototypes, addressing both the theory and practice of User Modeling, Adaptation, and Personalization. In addition, papers introducing recently started research projects or summarizing project results are welcome as well. We encourage researchers and practitioners to submit late-breaking work as it provides a unique opportunity for sharing valuable ideas, eliciting useful feedback on early-stage work, and fostering discussions and collaborations among colleagues. Late-Breaking Results papers have a length of up to 7 pages + 2 pages of references in the new ACM single-column style and will be presented to the conference as posters. On an extra page (not to be published), submissions should include a list of questions that the authors aim to get feedback on during the poster session at UMAP 2023. SUBMISSION AND REVIEW PROCESS Papers will be reviewed single-blind and do not need to be anonymised before submission Papers must be formatted according to the new workflow for ACM publications. The templates and instructions are available here: https://www.acm.org/publications/taps/word-template-workflow. Authors should submit their papers as single-column. The templates are available here (we strongly recommend the usage of LaTeX for the camera-ready papers to minimize the extent of reformatting): ● LaTeX (use \documentclass[manuscript,review]{acmart} in the sample- authordraft.tex file for single-column): ◦ https://www.acm.org/binaries/content/assets/publications/consolidated-tex-t… ● Overleaf (use \documentclass[manuscript,review]{acmart} for single-column): ◦ https://www.overleaf.com/latex/templates/acm-conference-proceedings-master-… ● MS Word: ◦ https://www.acm.org/binaries/content/assets/publications/taps/acm_submissio… Note: Accepted papers will require further revision to meet the requirements and page limits of the camera-ready format required by ACM. Instructions for the preparation of the camera-ready versions of the papers will be provided after acceptance. The ACM Code of Ethics gives the UMAP program committee the right to (desk-) reject papers that perpetuate harmful stereotypes, employ unethical research practices, or uncritically present outcomes/implications that clearly disadvantage minority communities. Submit your papers in PDF format via EasyChair for ACM UMAP 2023 Demos and Late-Breaking Results at https://easychair.org/conferences/?conf=umap23 (choose “New Submission” and make sure to select “UMAP'23 - LBR and Demos” track). The review process will be single-blind, i.e., authors’ names should be included in the papers. Submissions will be reviewed by at least two independent reviewers. They will be assessed based on their originality and novelty, potential contribution to the research field, potential impact in particular use cases, and the usefulness of presented experiences, as well as their overall readability. Papers that exceed the page limits or do not adhere to the formatting guidelines will be returned without review. UMAP has a *no dual submission* policy, which is why full paper submissions should not be currently under review at another publication venue. Further, UMAP operates under the ACM Conference Code of Conduct (https://www.acm.org/about-acm/policy-against-harassment) as well as the ACM Publication Policies and Procedures (https://www.acm.org/publications/policies) PUBLICATION AND PRESENTATION Accepted Demo and Late-Breaking Results papers will be published in the ACM UMAP 2023 Adjunct Proceedings in the ACM Digital Library. Papers will be accessible from the UMAP 2023 website through ACM OpenToc Service for one year after publication in the ACM Digital Library. All categories will be presented at the poster reception of the conference, in the form of a poster and/or a software demonstration following poster format. This form of presentation will provide presenters with an opportunity to obtain direct feedback about their work from a wide audience during the conference. To be included in the Proceedings, at least one author of each accepted paper must register for the conference and present the paper there. LATE-BREAKING RESULTS AND DEMO CHAIRS ● Ludovico Boratto, University of Cagliari, Italy ● Alisa Rieger, Delft University of Technology, Netherlands ● Shaghayegh (Sherry) Sahebi, University at Albany – SUNY, USA ● Contact: umap2023-lbr(a)um.org

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Quality Assurance Frameworks (e.g., Quality Matters and OSCQR)
by Patrick Lowenthal 07 Dec '22

07 Dec '22

Some colleagues and I are investigating online instructors' perceptions of "quality assurance" frameworks for online learning (e.g., Quality Matters and OSCQR). The purpose is to understand faculty perceptions and experience using quality assurance frameworks. Please consider completing the following survey; it will take about 10-15 minutes to complete. https://boisestate.az1.qualtrics.com/jfe/form/SV_cu9DELrvmbTS570 Patrick .............................. ................................................................... *PATRICK R. LOWENTHAL, Ph.D.* *Co-Coordinator: Ed.D. in Educational Technology <https://www.boisestate.edu/education-edtech/edd-et/>**Coordinator: Graduate Certificate in Designing Accessible Online Education <https://www.boisestate.edu/education-edtech/gc-daoe/>* *Professor: **Department of Educational Technology, Boise State University <https://www.boisestate.edu/education-edtech/> * *Associate Editor: **Online Learning Journal* <https://olj.onlinelearningconsortium.org/index.php/olj/index> *Web: **http://patricklowenthal.com* <http://patricklowenthal.com>

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Elon Musk & free speech
by Paul Levinson 07 Dec '22

07 Dec '22

just up on NBC News Think: my op-ed about Elon Musk and free speech <https://www.nbcnews.com/think/opinion/elon-musks-twitter-files-trump-tweets…> -- PL

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Sanctions, war, and the sovereignty of RuNet | Online seminar with Ksenia Ermoshina on 13 Dec
by Orsolya Gulyás 07 Dec '22

07 Dec '22

Dear colleagues, A quick reminder that our online Data Sovereignty seminar series will take place on 13 December at 15.00 (CET) with Ksenia Ermoshina (CIS-CNRS) on the project of the sovereign Russian internet in the context of the ongoing war and economic sanctions. Registration: https://brussels-school.be/event/data-sovereignty-seminar-5sanctions-war-an… While the Russian authorities have been tightening their control over RuNet for the last decade, there have been multiple possibilities for circumvention and evasion both for the RuNet users and for Internet Service Providers. We have previously examined the dynamic relations between the ISP community and the regulators, and described various tools and practices used by ISPs to avoid total control over the networks. However, with the adoption of the law on "Sovereign Runet" in 2019, Roskomnadzor hardened its grip over the networks. The new generation of DPI middleboxes called "TSPU", officially "made in Russia", changed the way RuNet was filtered and left little to no chance for ISPs to boycott censorship and surveillance over their users. However, after the beginning of the full-scale invasion of Ukraine by the Russian Federation, the technological sovereignty project was challenged — on the very level of infrastructures. Sanctions of technological companies against Russia led to a crisis of both components and software solutions, revealing a profound dependency of the RuNet on foreign technologies. The presentation will explore the effects of sanctions on the project of the Sovereign Runet, based on a mixed-methods approach: interviews with ISPs and vendors of information control equipment, analysis of vendors' websites and technical documentation of the equipment, analysis of websites and materials of specialized exhibitions focused on cybersecurity equipment and finally, network measurements. Best wishes, Orsolya Gulyás and Clément Perarnaud ORSOLYA GULYÁS PhD Researcher orsolya.gulyas(a)vub.be<mailto:orsolya.gulyas@vub.be> Brussels School of Governance<https://brussels-school.be/> Pleinlaan 5 - 1050 Brussels

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The journal Global Media and China published the latest issue—December 2022
by Xiao Han 07 Dec '22

07 Dec '22

Dear All, We are pleased to announce that our journal Global Media and China has just published its latest issue (Volume 7, Issue 4, December 2022). And also we sincerely welcome your contribution to our journals. If you are interested and have the time, it is a great honour for us to receive your submission. Here is the submission portal: https://mc.manuscriptcentral.com/gmac. For more information about Global Media and China, please go to gch.sagepub.com, you can also find detailed submission guidelines there. You can freely read this new issue at: https://journals.sagepub.com/toc/GCH/current (Follow us at: https://twitter.com/GCHjournal; https://www.facebook.com/Global-Media-and-China-110136464998539/) *Original Articles* *Becoming a Good Chinese Father – Reality TV in China and its Reception * *Arjen Naut, Jeroen de Kloet, Qiong Xu and Yiu Fai Chow * https://doi.org/10.1177/20594364221132150 *Uncovering the Cognitive, Psychological, and Social Mechanisms Affecting TikTok’s Reuse Intention: Verifying the Role of Platform Characteristics, Psychological Distance, and Social Identity * *Ya Qing Liang and Sungjoon Yoon* https://doi.org/10.1177/20594364221131134 *Reclaiming the Periphery in the Age of Social Media: Power and Narrative of Rural China in My People, My Homeland (2020) and Coffee or Tea? (2020) * *Weiwei Lu and Han Li* https://doi.org/10.1177/20594364221133132 *Popularising Vlogging in China: Bilibili’s Institutional Promotion of Vlogging Culture * *Xiaoxian Wang* https://doi.org/10.1177/20594364221133536 *Book Reviews* *Qing Cao, Doreen Wu and Keyan G. Tomaselli (eds), Brand China in the Media: Transformation of Identities * *Shasha Wang * https://doi.org/10.1177/20594364221112155 *Junhao Hong (ed), China in the Era of Social Media: An Unprecedented Force for an Unprecedented Social Change. **Minghua Xu* https://doi.org/10.1177/20594364221112165 *Acknowledgements *https://doi.org/10.1177/20594364221139358

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Re: [Air-L] Air-L Digest, Vol 221, Issue 8
by Sarah T. Roberts 07 Dec '22

07 Dec '22

My word, Andrew — it sounds like you want to interfere when enterprises’ right to operate their businesses ad they see fit, a free speech issue if ever there was one! Or, back down here in reality, we can actually identify that platforms operate within a series of internal policies and legal/regulatory regimes, and people have a right to opine as to how they would like those things to operate. Or perhaps the entire business model of commercializing human self-expression to the cynical nadir where it has landed is rotten to the core. But it takes some pretzel logic to come to the determination that “liberals” and , even worse yet, “academia,”are responsible, via asking for various kinds of concessions and regulations to protect users of all kinds, for right-wing autocracy. Shrug. — S a r a h T. R o b e r t s, P h. D. behalf of andrew.lowenthal--- via Air-L <air-l(a)listserv.aoir.org> > Date: Tuesday, December 6, 2022 at 12:23 PM > To: air-l(a)listserv.aoir.org <air-l(a)listserv.aoir.org> > Subject: Re: [Air-L] Elon Musk & free speech > It is truly breathtaking that the default position now in 'academia' is > one of free speech suppression... > > "Do we tolerate too much?" is asked... perhaps ask someone in Indonesia > who as of today can face jail criticising the president... anti-free > speech 'liberals' embolden authoritarians around the world. > > The fact that people are going in to bat for Big Tech for suppressing a > story about the Biden family dealings in Ukraine and China (to say > nothing of Hunter's predilections for cocaine and sex workers) is > astounding... how much lower can 'academia' sink? > > Interest in the actual truth is long gone, and liberals are just as > partisan as conservatives. Intellectuals who care nothing for party > tribalism are all but extinct (or at least very quiet). > > If you are interested in a different take you might like to try this... > > https://urldefense.com/v3/__https://disinformationchronicle.substack.com/p/…<https://urldefense.com/v3/__https:/disinformationchronicle.substack.com/p/p…> > > Best, > Andrew

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