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Last year's AoIR program?
by Luis E. Hestres 07 Feb '16

07 Feb '16

Hi all, Is there some way to get a hold of last year’s program? It’s on in the conference tool anymore and I can’t find a PDF or anything like that online. Thanks! Luis - - - - - Dr. Luis E. Hestres Assistant Professor Department of Communication The University of Texas at San Antonio One UTSA Circle San Antonio, TX 78249-0732 http://www.luishestres.com Want to support our tax deductible nonprofit work by contributing to the UTSA department of communication? Please visit: https://giving.utsa.edu/FriendsofCommunication Thanks for your support!

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Less than four weeks to submit proposals to Cultural Rhetorics Conference
by Phil Bratta 06 Feb '16

06 Feb '16

*Call for Proposals* 2016 Cultural Rhetorics Conference Michigan State University East Lansing, Michigan, USA September 30 – October 2, 2016 http://culturalrhetorics.org/crconf/cfp.php *What is Cultural Rhetorics?* Cultural Rhetorics scholars study meaning-making practices and, sometimes, the things produced through those practices such as baskets, books, dances, poems, videos, websites, buildings, landscapes. “Cultural Rhetorics” refers to a set of constellating methodological and theoretical frames that we engage in our scholarly and teaching practices. These frames draw from Rhetoric & Composition Studies, various Ethnic Studies fields, Postcolonial Studies, Decolonial Studies, Gender Studies, Performance Studies, Cultural Studies, and other fields. *What is this conference for?* We seek to encourage conversations about Cultural Rhetorics in the form of scholarly presentations, artistic performances and installations, and workshops that help us make and share knowledge. *Who is this conference for?* Anyone may join the conversation about cultural rhetorics: faculty, graduate students, teachers, scholars, writers, artists, activists. Everyone is welcome to explore Cultural Rhetorics at this conference. **We’re looking for panel presentations, roundtables, performances, media installations, posters, readings, workshops and more that define, expand, illustrate, and/or question what it means to join the cultural rhetorics conversation. *What is the proposal deadline?* Proposals open on December 1, 2015. The last date to submit a proposal is March 1st, 2016. For questions, contact us at cultrhetcon(a)gmail.com http://culturalrhetorics.org/crconf/cfp.php -- Ph.D Candidate Department of Writing, Rhetoric, & American Cultures Michigan State University Bessey Hall room 267 East Lansing, MI 48824 philbratta(a)gmail.com http://www.philbratta.com/

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CFP: Image/Interface Symposium, University of Toronto
by Kenzie Burchell 05 Feb '16

05 Feb '16

[CALL FOR PRESENTERS] *Image/Interface Symposium* University of Toronto, Friday May 13 and Saturday May 14, 2016 Co-hosted by the Department of Arts, Culture, and Media, University of Toronto Scarborough (UTSC) and the Jackman Humanities Institute (JHI), University of Toronto St. George. Deadline for submission of abstracts: Monday, February 29, 2016. Notification of acceptance: Mid-March 2016. *Keynote Speakers * The Otolith Group, London-based art collective Lisa Parks, Professor of Film & Media Studies, UC Santa Barbara Julian Stallabrass, Professor of Modern & Contemporary Art, The Courtauld Institute of Art The *Image/Interface* symposium will explore the notion of technologies as physical objects—things, tools, apparatus, and the physically situated environment—for producing, receiving, and engaging with the increasing immateriality of imagery and visual cultures. The symposium foregrounds the materiality of technological practice while examining the reception, use, and sharing of cultural and political expression as well as the communication of embodied or situated knowledge and experiences. We invite artists, creative practitioners, and scholars from across the fields of Media and Journalism Studies, Art History, and Visual Communication to present recent research and artistic work that critically reconsiders images in relation to: ● the materiality of the screen, the lens, and the interface ● the social and political ramifications of immersion, embodiment, and interactivity ● information sharing, surveillance and counter-surveillance ● the digital expression, construction and/or obfuscation of identity, gender, or ethnicity ● media-oriented social engagement, collaboration and social knowledge creation Scholars from all stages of their careers (including PhD students) are welcome to apply. A honorarium at CARFAC rates will be offered to artists and creative practitioners. The symposium will take place at JHI on Friday May 13 and at UTSC on Saturday May 14. If selected, each presenter will participate in a thematic panel and be asked to prepare a presentation of about 15-20 minutes. We ask that invitees attend the events on both days. The *Image/Interface *symposium is part of the JHI 2015-2016 Program for the Arts. The program theme “Things that Matter” investigates how material culture carries “affective, social, cultural, historical, religious, economic, and political meanings and relation” and how things “provide insights into how people make sense of experience and come together as societies” (humanities.utoronto.ca/Announce_ProgArts15-16 <https://www.humanities.utoronto.ca/Announce_ProgArts15-16>). *Abstract Submission Guidelines and Format* Please submit the following to https://www.humanities.utoronto.ca/funding/id=61 <https://www.humanit/>. ➔ An abstract (maximum 300 words). The abstract should indicate the format of your proposed presentation, i.e. academic paper or creative work. ➔ Institutional affiliation and short bio (maximum 200 words). ➔For Artists and Creative Practitioners: -a CV (maximum 5 pages) -a PDF portfolio (maximum 5MB) *For more information please contact: * Researchers: Evie Yi GU, yi.gu(a)utoronto.ca Artists and creative practitioners: Will Kwan, wkwan(a)utsc.utoronto.ca Conference Organizers *· Ruoyun Bai,* Associate Professor of Media Studies · *Kenzie Burchell*, Assistant Professor of Journalism · *Evie Yi Gu*, Assistant Professor of Art History · *Will Kwan*, Associate Professor of Studio

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tenure track positions at Pace University, NY, NY
by Cathy Dwyer 05 Feb '16

05 Feb '16

Pace University Seidenberg School of Computer Science and Information Systems *2 Tenure-Track Positions* *Assistant/Associate Professor* *in Computer Science or Software Engineering* *and* *Assistant/Associate Professor* *in Information Systems or Information Technology* http://bit.ly/1nQUwYF The Seidenberg School <http://bit.ly/1Q7vG1K> of Computer Science and Information Systems at Pace University <http://bit.ly/1Q7vG1K> invites outstanding applications for full-time tenure-track faculty positions at the rank of Assistant Professor or Associate Professor in Computer Science, Software Engineering, Information Systems, and Information Technology. The candidates must demonstrate evidence of outstanding teaching, scholarly accomplishment, service and funding activity. The candidates are expected to lead high-quality instructional and scholarly research activities, play a major role in the development of academic programs and students’ advisement, and establish and maintain professional relationships. The candidates are also expected to develop or have developed a nationally and internationally recognized research program in his/her area of expertise in one or more relevant disciplinary areas. The successful candidates will have strong communication skills. Salary is competitive and commensurate with qualifications. Positions are open in the following areas of interest and academic disciplines: *Computer Science* - Candidates must possess a Ph.D. (or equivalent) in Computer Science. Priority will be given to applicants with research expertise in: ● Cognitive Science ● Data Science ● Networking ● Human-Computer Interaction ● Cyber-security ● Physical Computing ● Mobile and Ubiquitous Computing *Software Engineering* - Candidates must possess a Ph.D. (or equivalent) in Computer Science or Software Engineering. Priority will be given to applicants with research expertise in: ● Software Security ● Data-intensive Software Engineering ● Cyber-physical Systems ● Testing and Quality Assurance ● Software Design and Architecture *Information Systems / Information Technology* - Candidates must possess a Ph.D. (or equivalent) in Information Technology or Information Systems. Priority will be given to applicants with research expertise in: <http://icis2015.aisnet.org/en/paper-submissions/tracks/18-tracks/36-track-e…> ● Security and Privacy of Information and IS/IT ● Decision Analytics and Support ● Social Media and Digital Collaborations ● Sustainability and Societal Impacts of IS/IT ● E-Business and E-Government ● Human-Computer Interaction ● IS/IT Design and Business Process Management ● IS/IT Governance and Control ● IS/IT Strategy and Organizational Impacts ● IS/IT Implementation, Adoption and Use ● Managing IT Projects and Development The anticipated positions will start in fall 2016. Applications will be accepted until the position is filled. Please submit a cover letter, curriculum vitae, statement of teaching philosophy, and research plan in a single PDF file, and arrange for three letters of recommendation to be sent to *Seidenberg-Search(a)pace.edu* <file:///C:\Users\LDashgrimes\AppData\Local\Microsoft\Windows\Temporary%20Internet%20Files\Content.Outlook\IKZO6UAU\Seidenberg-Search@pace.edu>. The title of the email with your application should include the academic discipline and research area(s) for which you applied. The review process will begin on February 11th 2016. Established in 1983, the Seidenberg School of Computer Science and Information Systems is one of the first comprehensive schools of computing in the country. Operating on both its NYC and Westchester campuses, the School offers ABET-accredited bachelor degrees along with Masters and doctoral degrees. *Pace University is an Equal Opportunity, Affirmative Action employer. * *Minorities, women, veterans and individuals with disabilities are encouraged to apply.* Web site of the Seidenberg School of CSIS at Pace University <http://bit.ly/1Q7vG1K> -- Catherine Dwyer, Ph.D. Chair, Department of Information Technology - NYC campus Pace University, Seidenberg School of Computer Science & Information Systems 163 William Street #209 New York, NY 10038 212-346-1728 https://www.facebook.com/seidenbergschool

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Less than four weeks to submit proposals to Cultural Rhetorics Conference
by Phil Bratta 05 Feb '16

05 Feb '16

Call for Proposals 2016 Cultural Rhetorics Conference Michigan State University East Lansing, Michigan, USA September 30 – October 2, 2016 http://culturalrhetorics.org/crconf/cfp.php What is Cultural Rhetorics? Cultural Rhetorics scholars study meaning-making practices and, sometimes, the things produced through those practices such as baskets, books, dances, poems, videos, websites, buildings, landscapes. “Cultural Rhetorics” refers to a set of constellating methodological and theoretical frames that we engage in our scholarly and teaching practices. These frames draw from Rhetoric & Composition Studies, various Ethnic Studies fields, Postcolonial Studies, Decolonial Studies, Gender Studies, Performance Studies, Cultural Studies, and other fields. What is this conference for? We seek to encourage conversations about Cultural Rhetorics in the form of scholarly presentations, artistic performances and installations, and workshops that help us make and share knowledge. Who is this conference for? Anyone may join the conversation about cultural rhetorics: faculty, graduate students, teachers, scholars, writers, artists, activists. Everyone is welcome to explore Cultural Rhetorics at this conference. How can I submit a proposal? We’re looking for panel presentations, roundtables, performances, media installations, posters, readings, workshops and more that define, expand, illustrate, and/or question what it means to join the cultural rhetorics conversation. You can go to Submit <http://culturalrhetorics.org/crconf/signin.php?returnto=add-or-edit.php>. What is the proposal deadline? Proposals open on December 1, 2015. The last date to submit a proposal is March 1st, 2016. For questions, contact us at cultrhetcon(a)gmail.com http://culturalrhetorics.org/crconf/cfp.php

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Deadline in ONE WEEK: Design Fiction Track at GROUP 2016
by Eric P. S. Baumer 05 Feb '16

05 Feb '16

--- Fictive Futures: Exploring Future Research Agendas --- * Submission Deadline: Friday, February 12, 2016 * Decisions Announced: Friday, April 22, 2016 GROUP Conference at Sanibel Island, FL: November 13-16, 2016 We seek submissions that imagine possible futures for research on the relationships between computers and people. Submissions will include two portions: a fictional document related to the conduct of research and an author statement about the document. The fictional document could be an extended abstract, a call for papers, an excerpt from API documentation, a book review, a study protocol for IRB review, or any other relevant type. The author statement should connect that document to current events, cite on-going research in the field, or otherwise extrapolate how the envisioned future might arise from our given present. This statement will be especially important for abstracts (which are too short to explain their rationale), API documentations (which typically do not provide a historical rationale), and other documents that on their own may be exceptionally short and/or vague. Because Design Fictions are archival contributions, we recommend a minimum length of 3 pages (notes), and as many as 10 pages (papers), following the ACM Standard Format. The reviewing process will be the same as the general track, and Design Fiction papers or notes will be included in the proceedings. Design Fiction submissions must be completed online at the GROUP 2016 conference site: https://precisionconference.com/~group/

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Panellists - roundtable AoIR '16 sought on 'Forced migration & digital connectivity in Europe'
by Leurs, K.H.A. (Koen) 04 Feb '16

04 Feb '16

Dear list members, Kevin Smets (postdoc, University of Antwerp, Belgium) and Koen Leurs (assistant professor Gender & Postcolonial Studies, Utrecht University, the Netherlands) are sending out this email to see whether there are people on the list interested in submitting a panel / roundtable proposal on ‘Forced migration & digital connectivity in Europe' for the October 16 AoIR conference taking place in Berlin. Rationale: Daily, Europeans witness Syrian asylum seekers arriving on the beaches of Greek and Southern-Italian islands. TV news footage shows how freshly arrived migrants use smartphones to take selfies or use Skype to happily announce their safe arrival on European soil to loved ones elsewhere. In response, prejudicial discourses about migrants have centered on smartphones; for example, anti-immigrant politicians and various social media memes frame refugees who own ‘luxury’ smartphones as less deserving of asylum. Forced migrants, who are digitally connected, embody Europe’s Janus-faced character in an age when advanced technologies are celebrated for increasing communication speed and economic prosperity. As a result of different conflicts worldwide, forced migration has become a major challenge for Europe. The enormous death toll of migrants at Europe’s borders, the reintroduction of border controls within the Schengen Area, and the violence and hostility towards refugees and asylum seekers in several European countries published across various social media platforms all attest to the way in which the current influx of forced migrants is overturning European society and political structures. At the same time mainstream media have devoted significant attention to the situation of refugees along their migration routes in(to) Europe. Interestingly, these instances often included digital technologies as central anchoring points in the lives of refugees. Detailed reports were made of refugees using smartphones, keeping in touch with their relatives, or documenting their journey through social media. Other accounts, albeit less frequently, focused on the ways in which governments seek to deal with forced migration via digital technologies, for instance by making use of GPS tracking in smartphones, or by setting up online deterrence campaigns to discourage refugees to migrant to specific countries. Topical urgency: While it is clear that forced migration and digital connectivity are increasingly intertwined, there is still a lack of in-depth, critical research into this topic especially in the context of Europe. With this roundtable/panel we seek to bring together cutting-edge research on forced migration in(to) Europe and the way in which digital technologies and digital connectivity and in particular social media play a role in the lives of forced migrants. The roundtable/panel aims not only to present empirical evidence for discussions about forced migration and digital connectivity, but also to offer new theoretical perspectives on the issue. Approaching forced migration as a complex societal, political and cultural phenomenon, we seek to consider different aspects of digital connectivity, such as the affective use of social media by migrants themselves as well as activists and trolls, political economy, as well questions related to gender, media literacy, policy, legislation and human rights. Format: In dialogue with possible participants we will decide on submitting a pre-constituted panel or roundtable. Topics: We envision contributions may for example address the following issues: *connected migrants in Europe  *social media use in refugee camps and asylum seeker centres  *migration and digital communication rights  *forced migration and selfie citizenship  *transnational communication and affectivity  *encapsulation & cosmopolitanization  *differences and similarities different migrant groups (class, gender, age, generation) *digital migrant identities  *alternative migrant cartographies  *migrant recruitment and radicalization online  *governmental surveillance systems  *digital deportability and algorithmic sorting  *migrant networked learning  *migrant acculturation online  *affective digital connectivity practices  *trolling, extremism and anti-migration protest online  *political economy of migrant digital connectivity  *communication rights Requirements: Kindly register your interest in joining a panel / roundtable on the topic with Koen Leurs and Kevin Smets by emailing a 250-300 word abstract and short biographical statement to both k.h.a.leurs(a)uu.nl<mailto:k.h.a.leurs@uu.nl> and kevin.smets(a)uantwerpen.be<mailto:kevin.smets@uantwerpen.be> by 15 February 2016. This gives us 2 weeks to decide upon the format (either a panel or roundtable). Context: *This proposed panel/roundtable seeks to build momentum for the colloquium on ‘Connected migrants: cosmopolitanization & encapsulation’ organized by Koen Leurs with Sandra Ponzanesi from 14-16 December 2016 in Amsterdam, the Netherlands. This colloquium is funded by the Royal Netherlands Organization for Arts and Science, and will bring together 50 scholars working on the topic, see (http://www.knaw.nl/en/news/calendar/academy-colloquium-connected-migrants) *The organizers are also co-editing a special issue on the topic for a forthcoming issue of Social Media + Society (http://sms.sagepub.com/) A CFP for this special issue and the colloquium will be circulated shortly. Best wishes, Koen Leurs, also on behalf of Kevin Smets. Koen Leurs, PhD Assistant professor Gender and Postcolonial Studies | Department of Media and Culture Studies | Utrecht University | Muntstraat 2A 3512 EV NL | room 0.05 | T. + 31 (0)30 253 7844 | www.koenleurs.net<http://www.koenleurs.net> Latest publications: Digital Passages. Migrant Youth 2.0. Diaspora, Gender & Youth Cultural Intersections. Amsterdam: Amsterdam University Press, 2015 (free open access download: https://www.oapen.org/search?identifier=559550 ) “Social media as postcolonial contact zones. Young Londoners remapping the metropolis through digital media”. In: Ponzanesi, Sandra and Colpani, Gianmaria, (eds.) Postcolonial Transitions in Europe (pp. 255-276). London: Rowman & Littlefield, 2016.

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New free e-learning course – Why We Post - The Anthropology of Social Media
by Major, Alison 04 Feb '16

04 Feb '16

New free e-learning course – Why We Post - The Anthropology of Social Media Register today at http://bit.ly/1Kl87Bz (Chinese, Hindi, Italian, Portuguese, Spanish, Tamil and Turkish versions available at http://bit.ly/1PLppDU) We are delighted to announce a new, free e-learning course that may be of interest to readers of this list. We apologise for any cross posting. Why We Post - The Anthropology of Social Media will begin on 29th February 2016. This five week course is taught by the nine anthropologists behind Why We Post, the global social media research study based at University College London. Topics include: Week One: What is social media - Polymedia and Scalable Sociality. The focus upon content rather than platforms. The 9 fieldsites. The practical uses of this research. Main fieldsite – village England Week Two – The shift to visual images in communication. Memes as the moral police of the internet. The significance for illiteracy. The diversity of the selfie. Main field sites - South Italy, Trinidad. Week Three – The impact on politics and gender. Why public social media is more conservative than offline life. The transformation of gender relations in Hindu and Muslim societies. Main field sites - south India and southeast Turkey Week Four –What we learn from The Chinese platforms. The impact of social media more generally on privacy, on education and on commerce. Main field sites – Industrial China, Rural China Week Five – The relation between online equality and offline inequality. When social media may not express identity or individuality. Seeing the normative. How the world changed social media. Main field sites – northeast Brazil and north Chile. The course is available in seven languages in addition to English. Register today for the English version at: http://bit.ly/1Kl87Bz Register for the Chinese, Hindi, Italian, Portuguese, Spanish, Tamil and Turkish versions at: http://bit.ly/1PLppDU NB: These non-English versions are not time bound and can be followed at any time and duration from Feb 29th 2016. About Why We Post Why We Post is a project by nine anthropologists who conducted nine simultaneous 15-month studies on the uses and consequences of social media around the world. Sites included a factory town and a rural town in China, a town on the Syrian-Turkish border, low income settlements in Brazil and Chile, an IT complex set between villages in South India, an English village, and small towns in Italy and Trinidad. Outputs will include a free e-learning course (available in 8 languages), a website and 11 open access books, to be published by UCL Press. To find out more, visit ucl.ac.uk/why-we-post<http://www.ucl.ac.uk/why-we-post>. To view the video introduction to the Why We Post project, please visit https://youtu.be/0jA5B32MP98

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DEADLINE Sunday, Feb, 7th!! Second Princeton/Vienna doctoral workshop.
by Ardevol-Abreu, Alberto 04 Feb '16

04 Feb '16

> DEADLINE Sunday, Feb, 7th!! Second Princeton/Vienna doctoral workshop. > > > Hola colleagues and friends, > > > I’d like to remind you that the deadline for the second Princeton/Vienna doctoral workshop (open call) is next Sunday (Feb. 7th). Hurry up! As you probably know already, this year it will take place in Vienna in late April (27th – 29th). > > About 8 students will be selected to come to the University of Vienna and present their advanced doctoral work. They will receive feedback from peers, and a panel of 6 six international experts from different Universities around the world. Some financial support will be provided to all selected students. > > > Please see the call via the following link (also PDF attached to this email). > > http://milab.univie.ac.at/fileadmin/user_upload/p_milab/News/CITP_MiLab_Wor… > > > We appreciate your efforts in encouraging your best students to apply. You can contact Homero Gil de Zúñiga (homero.gil.de.zuniga(a)univie.ac.at) should you have any questions. > > > Best regards, > > > Alberto Ardèvol-Abreu > > > CITP/MiLab Spring 2016 Doctoral Workshop > > The Center for Information Technology Policy (CITP) at Princeton University and the Media Innovation Lab (MiLab) at the University of Vienna are pleased to announce our second annual Doctoral Workshop to be held April 27th to April 29th at the University of Vienna. The workshop will be led by Nick Feamster, Professor of Computer Science and Acting Director of CITP at Princeton University, and Homero Gil de Zúñiga, who holds the Medienwandel Professorship in the Department of Communication and leads the MiLab at the University of Vienna. > > > The goal of the workshop is to provide a forum for leading doctoral students to present their late-stage research to experts in the field, receive feedback and advice, and gain exposure to related work in other disciplines. We seek to provide a helpful, interactive experience for students, to highlight the work of rising stars in this area, and to foster interdisciplinary collaboration. > > > Participants will be selected through a competitive review process. We expect to invite about 8 doctoral students to attend. We will provide support for travel and lodging up to 500 EUR per attendee. Students are encouraged to submit dissertation relevant work; abstracts and shorter proposals will not be accepted. > > Research topics should focus on the interplay between information and communication technologies and the social, political, civic, and governmental spheres. We welcome applications from doctoral students doing relevant work in any discipline, including communication studies, computer science, economics, political science, and sociology. Possible topics include, but are not limited to, the following: > > >  Citizen journalism > >  Civic engagement and digital technology > >  E-voting security > >  Internet governance > >  Open government data > >  Privacy technologies for democratic ends > >  Social media and political expression > >  State-sponsored internet freedom programs > > > Submission process: Please submit your manuscript, along with your CV and full contact information, to > > > Laura Cummings-Abdo (citp(a)princeton.edu) and Meike Müller (meike.mueller(a)univie.ac.at) no later than February 7th, 2016. > > > For more information about our work, please visit our websites: CITP (citp.princeton.edu) and MiLab (milab.univie.ac.at). >

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CFP: Cunning Knowledge and Media Technologies
by Christopher O'Neill 03 Feb '16

03 Feb '16

Call for Papers: Cunning Knowledge and Media Technologies *Platform: Journal of Media and Communication* http://platformjmc.com An interdisciplinary journal for early career researchers and graduate students Volume editor: Christopher O’Neill Abstract submissions due: *5th of March, 2016* Full paper submissions due: *20th of May, 2016* Everyone is on the side of the cunning. Media, communications, and cultural studies scholars have increasingly come to identify resistance with the alacrity of Michel de Certeau’s walker, with the trickster whose clever ‘tactics’ always outwit the lumbering stupidities of state power and its ‘strategies’. Cunning knowledge comes from below, it is popular, it resists codification and iteration, it responds to a given exigency *in the moment*, it is defined by a certain *disposition*. Cunning belongs to those who, in a state of lack, are driven to subvert majoritarian institutions and ways of thinking. Theorists including Michel de Certeau, Guy Debord, Sarah Kofman, Carlo Ginzburg, Donna Haraway, Marcel Detienne, Jean-Pierre Vernant, Gilbert Simondon, and François Jullien have celebrated the capacity for cunning to undermine instrumental or otherwise reductive conceptions of knowledge. But what happens when even the largest organs of state and corporate power self-consciously seek to recuperate the power of the cunning for their own ends? In Hesiod we read that Zeus swallowed the Greek goddess of cunning Metis, for “fear that she might bring forth a thunderbolt stronger than his own”. Analogously, Google has produced “a kind of cunning world-wide-web-weaving”, Dan Mellamphy has argued in a previous issue of *Platform*, it has “swallowed-up the ruse and intelligence of the internet” by crafting a powerful, emergent, yet unstable archive, a bottom-up form of administrative knowledge. Furthermore, the distinction Certeau makes between the prescriptive spatial grammar of urban strategists, and the colloquial *détournements* made by walkers, seems less secure today, as pattern-of-life spatial analytics attempt to grasp the movement of the city *in motion*, with all its associated rhythms and cadences. This issue of *Platform* seeks papers which engage with the question: What does ‘cunning’ signify today in the technological realm? Does cunning still belong to those who lack power, or are the powerful today so powerful that they lack not even lack? As the qualities associated with cunning, such as adaptation, induction, speed, and resilience become adopted as normative values in finance and statecraft, does cunning still possess the capacity to disrupt (disruption itself perhaps now holding dubious critical efficacy), or is there a need to consider new modes of critique, ‘new weapons’, perhaps a reappraisal of the neglected virtues of slowness, deliberation, even stasis? *Platform* seeks papers on all aspects related to cunning and media & technology, including but not limited to: -Hunting techniques (the venatic) & (state) surveillance, drones, etc. -The relation between witchcraft, alchemy, sorcery, and modern technoscience -Cunning as a gendered knowledge -Cunning as an aspect of neo-liberal subjectivity -Cunning and lack, aporia, poverty -Cunning and medical technologies (e.g., health tracking technologies) -Cunning as an embodied knowledge, its relation to gesture -The relation between mimesis, trickery, and online self-identity and self-representation -The relation between haptic media and cunning techniques of sleight-of-hand (prestidigitation) -Cross cultural conceptions of cunning (e.g., comparing *metis*, *zhi*, etc.) -The relation between fortune-telling, soothsaying techniques, and predictive analytics -Cunning and design/craft -Cunning and approaches to ‘queering’ normative knowledge practices -Cunning and its relation to temporality and speed -The relation between cunning and other forms of knowledge (e.g., *phronesis*, *sophia*, etc.) Please send all enquiries and submissions to platformjmc(a)gmail.com. Abstracts must be accompanied by a brief curriculum vitae and biographical note, and should not exceed 350 words. Abstracts are to be submitted no later than 5th of March, 2016. Full papers will be due by 20th of May 2016; please be aware that acceptance of abstracts does not guarantee publication. All submissions should be from early career researchers (defined as being within a few years of completing their PhD.) or current graduate students undertaking their Masters, PhD. or international equivalent. All eligible submissions will be sent for double-blind peer-review. Early submission is highly encouraged as the review process will commence on submission. Note: Please read the submission guidelines before submitting work <http://platformjmc.com/make-a-submission/guidelines/>. Submissions received not in house style will not be accepted and authors will be asked to resubmit their work with the correct formatting before it is sent for review. *Platform: Journal of Media and Communication* is a fully refereed, open-access online graduate journal. Founded and published by the School of Culture and Communication at the University of Melbourne (Australia), *Platform* was launched in November 2008. *Platform* is refereed by an international board of established and emerging scholars working across diverse fields in media and communication studies, and is edited by graduate students at the University of Melbourne. -- Christopher O'Neill PhD Candidate School of Culture and Communication University of Melbourne Australia

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